日本
第八个月（摘自十二个月系列时尚展示）`The Eighth Month (from the series Fashionable Presentations of the Twelve Months) (1779) by Torii Kiyonaga
日本
鹦鹉Komachi，来自时尚的Seven Komachi系列（Furyu nana Komachi）`Parrot Komachi, from the series The Fashionable Seven Komachi (Furyu nana Komachi) (1788) by Chōbunsai Eishi
日本
序言和目录，选自系列，选自系列日本万岁！百选百笑`Prologue and Table of Contents, from the Series, from the Series ;Long Live Japan! One Hundred Selections, One Hundred Laughs (1895) by Kobayashi Kiyochika
日本
Tamaya的妓女Kasugano和Utahama（摘自《温室里的妓女的镜子》系列）`The Courtesans Kasugano and Utahama of Tamaya (from the series A Mirror of Courtesans of the Green Houses) (c. 1800) by Kitagawa Utamaro
日本
《039》系列中的奥吉亚的妓女花仁，以及随从樱花和墨姬五大节日之美（Bijin gosekku）和`The Courtesan Hanahito of the Ogiya and attendants Sakura and Momiji, from the series ;Beauties of the Five Festivals (Bijin gosekku) (c. 1795~1800) by Ichirakutei Eisui
日本
Chushingura:第二幕（从《忠诚宝库》系列透景观看）`Chushingura: Act II (from the series Perspective Pictures for The Treasure House of Loyalty) (c. 1790s) by Kitao Masayoshi
日本
《女性相貌》系列十种类型中的流行类型`The Faddish Type from the series Ten Types in the Physiognomy of Women (c. 1793) by Kitagawa Utamaro
素描
Demidov系列坦克卡插图的预备图`Preparatory Drawing for an Illustration of a Tankard from the Demidov Collection (1879) by C. Prosdocimi
日本
横开池：从Tōkaidō的53个车站系列中可以看到Mie河`Yokkaichi: View of the Mie River, from the series The Fifty~Three Stations of the Tōkaidō (c. 1833~34) by Andō Hiroshige
日本
阳台上的两个妓女（选自《五色墨水》系列）`Two Courtesans on a Balcony (From the series Five Colors of Ink) (c. early 1810s) by Kikukawa Eizan
素描
11月（代表当月劳动的系列之一）`November (one of a series representing the labors of the months) (1690) by Jonas Umbach
日本
来自Kenchōji寺庙的镜子，来自镰仓编年史系列`Mirror from Kenchōji Temple, from the series The Kamakura Chronicles (1816) by Kubo Shunman
法国
冲突的混乱（圣女贞德系列之四）`The Turmoil of Conflict (Joan of Arc series – IV) (c. late 1909~early 1913) by Louis Maurice Boutet de Monvel
日本
《039》系列中的工程师小野口东二中尉著名陆军和海军士兵的镜子`Engineer Lieutenant Onoguchi Tokuji, from the Series ;Mirror of Famous Army and Navy Men (1895) by Kobayashi Kiyochika
