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奥斯卡·皮埃尔·马修的婚姻寓言-Oscar-Pierre Mathieu
Allégorie du mariage--Oscar-Pierre Mathieu (法国, 1845-1881)
大约有46幅作品符合查询(搜索耗时:0.0200秒)
乔治·马修,当代艺术I-
Georges Mathieu * - Zeitgenössische Kunst I-
(Boulogne-sur-Mer 1921-2012 Paris)
Aglia Tan, 1987, signed; titled on the reverse, oil on canvas, 97 x 162 cm, framed
This work is accompanied by a photo certificate signed by the artist
Provenance:
Artist’s studio
Galerie Sapone, Nice
European Private Collection
Literature:
Georges Mathieu, 50 ans de création, Editions Hervas, p. 548 with ill.
„The wastelands belong to my youth. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“
Karel Appel
大约有46幅作品符合查询(搜索耗时:0.0200秒)
乔治·马修,当代艺术I-
Georges Mathieu * - Zeitgenössische Kunst I-
(Boulogne-sur-Mer 1921-2012 Paris)
Aglia Tan, 1987, signed; titled on the reverse, oil on canvas, 97 x 162 cm, framed
This work is accompanied by a photo certificate signed by the artist
Provenance:
Artist’s studio
Galerie Sapone, Nice
European Private Collection
Literature:
Georges Mathieu, 50 ans de création, Editions Hervas, p. 548 with ill.
„The wastelands belong to my youth. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“
Karel Appel