2. 乔治·马修,当代艺术I` by Georges Mathieu 高清作品[97%]

DO-Georges Mathieu  - Zeitgenössische Kunst I
图片文件像素:4600 x 3500 px

乔治·马修,当代艺术I-

-

(Boulogne-sur-Mer 1921–2012 Paris)
Mouvements ivres, 1987, signiert und datiert; auf der Rückseite betitelt und gewidmet: pour Gérard Xuriguera avec l’admiration et l’amitié de Mathieu, Öl auf Leinwand, 81 x 131 cm, gerahmt

3. 乔治·马蒂厄 鲁奥1969 高清作品[80%]

Ruau 1969

图片文件尺寸 : 4528 x 5516px

GEORGES MATHIEU:Ruau
1969

signed and dated 69; titled on the reverse
watercolor and felt collage on paper

21 3/4 by 30 in.
55.2 by 76.2 cm.

This work is accompanied by a certificate from the Comité Georges Mathieu. (https://georges-mathieu.fr/)

乔治·马蒂厄 鲁奥1969

6. 乔治·马蒂厄,当代艺术II 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 II
图片文件像素:6113 x 4981 px

乔治·马蒂厄,当代艺术II-

Georges Mathieu * - Zeitgenössische Kunst II-

(Boulogne-sur-Mer 1921–2012 Paris)
Untitled, 1959, signed and dated, ink and gouache on paper laid on cardboard, 56.2 x 77.5 cm, framed

7. 乔治·马蒂厄,当代艺术II 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 II
图片文件像素:4864 x 4478 px

乔治·马蒂厄,当代艺术II-

Georges Mathieu * - Zeitgenössische Kunst II-

(Boulogne-sur-Mer 1921–2012 Paris)
Pleurs delicieux, 1994, signed and dated, titled on the reverse, acrylic on Arches paper, 57 x 76 cm, framed

8. 乔治·马修,当代艺术I 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 I
图片文件像素:5704 x 4438 px

乔治·马修,当代艺术I-

Georges Mathieu * - Zeitgenössische Kunst I-

(Boulogne-sur-Mer 1921-2012 Paris)
Aglia Tan, 1987, signed; titled on the reverse, oil on canvas, 97 x 162 cm, framed

This work is accompanied by a photo certificate signed by the artist

Provenance:
Artist’s studio
Galerie Sapone, Nice
European Private Collection

Literature:
Georges Mathieu, 50 ans de création, Editions Hervas, p. 548 with ill.

„The wastelands belong to my youth. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“
Karel Appel

georges mathieu油画图片- 高清georges mathieu绘画作品- 代表作全集 中艺名画下载


2. 乔治·马修,当代艺术I` by Georges Mathieu 高清作品[97%]

DO-Georges Mathieu  - Zeitgenössische Kunst I
图片文件像素:4600 x 3500 px

乔治·马修,当代艺术I-

-

(Boulogne-sur-Mer 1921–2012 Paris)
Mouvements ivres, 1987, signiert und datiert; auf der Rückseite betitelt und gewidmet: pour Gérard Xuriguera avec l’admiration et l’amitié de Mathieu, Öl auf Leinwand, 81 x 131 cm, gerahmt

3. 乔治·马蒂厄 鲁奥1969 高清作品[80%]

Ruau 1969

图片文件尺寸 : 4528 x 5516px

GEORGES MATHIEU:Ruau
1969

signed and dated 69; titled on the reverse
watercolor and felt collage on paper

21 3/4 by 30 in.
55.2 by 76.2 cm.

This work is accompanied by a certificate from the Comité Georges Mathieu. (https://georges-mathieu.fr/)

乔治·马蒂厄 鲁奥1969

6. 乔治·马蒂厄,当代艺术II 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 II
图片文件像素:6113 x 4981 px

乔治·马蒂厄,当代艺术II-

Georges Mathieu * - Zeitgenössische Kunst II-

(Boulogne-sur-Mer 1921–2012 Paris)
Untitled, 1959, signed and dated, ink and gouache on paper laid on cardboard, 56.2 x 77.5 cm, framed

7. 乔治·马蒂厄,当代艺术II 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 II
图片文件像素:4864 x 4478 px

乔治·马蒂厄,当代艺术II-

Georges Mathieu * - Zeitgenössische Kunst II-

(Boulogne-sur-Mer 1921–2012 Paris)
Pleurs delicieux, 1994, signed and dated, titled on the reverse, acrylic on Arches paper, 57 x 76 cm, framed

8. 乔治·马修,当代艺术I 高清作品[71%]

DO-Georges Mathieu  - 现代艺术 I
图片文件像素:5704 x 4438 px

乔治·马修,当代艺术I-

Georges Mathieu * - Zeitgenössische Kunst I-

(Boulogne-sur-Mer 1921-2012 Paris)
Aglia Tan, 1987, signed; titled on the reverse, oil on canvas, 97 x 162 cm, framed

This work is accompanied by a photo certificate signed by the artist

Provenance:
Artist’s studio
Galerie Sapone, Nice
European Private Collection

Literature:
Georges Mathieu, 50 ans de création, Editions Hervas, p. 548 with ill.

„The wastelands belong to my youth. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.“
Karel Appel