342. 巴洛克风格的装饰板设计，用于普拉斯林城堡（Chateau de Vaux Praslin）` Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) by Jules-Edmond-Charles Lachaise 高清作品[9%]

~ Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) -

图片文件尺寸: 2423 x 3688px

巴洛克风格的装饰板设计，用于普拉斯林城堡（Chateau de Vaux Praslin）-朱尔斯·爱德蒙·查尔斯·拉切斯

~ Design for a decorative panel in the Baroque style for the Chateau de Vaux~Praslin (19th Century) --Jules-Edmond-Charles Lachaise (法国艺术家, ?-1897)

343. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[9%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

345. 圣奥古斯丁的头像研究，用于圣奥古斯丁和博尼法修斯的圣母与圣子画像` Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) by Edward Von Steinle 高清作品[9%]

~ Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) -

图片文件尺寸: 2715 x 3059px

圣奥古斯丁的头像研究，用于圣奥古斯丁和博尼法修斯的圣母与圣子画像-爱德华·冯·斯坦勒

~ Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) --Edward Von Steinle (奥地利艺术家, 1810 – 1886)

348. Análisis poético matemático de un“pebete”（1997年），的可食用“pebete”的数学和诗学分析 by Edgardo Antonio Vigo 高清作品[9%]

材质 :Madera y papel | wood and paper 尺寸 :15 × 26 × 19 cm Sculpture

Análisis poético matemático de un“pebete”（1997年），的可食用“pebete”的数学和诗学分析-埃德加多·安东尼奥·维戈(Argentine, 1928–1997)

英文名称:Análisis poético matemático de un \\\"pebete\\\" (in) comestible | Mathematical and poetical analysis of an (in)edible “pebete” (1997) | Available for Sale-Edgardo Antonio Vigo

350. 圣奥古斯丁的头像研究，用于圣奥古斯丁和博尼法修斯的圣母与圣子画像` Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) by Eduard Jakob von Steinle 高清作品[9%]

` Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) -

图片文件尺寸: 2715 x 3059px

圣奥古斯丁的头像研究，用于圣奥古斯丁和博尼法修斯的圣母与圣子画像-Eduard Jakob von Steinle

` Study of the Head of St. Augustine, for the painting of the Madonna and Child with Saint Augustine and Bonifacius (1846) --Eduard Jakob von Steinle (奥地利艺术家, 1810-1886)

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通常可用于对名画真伪进行辨别 可用于背景墙的世界名画 可用于p图的世界名画 临摹古代名画可用于商业吗 树用于人名画数 名画能用于比赛吗
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