141. 一片河流景观，前景是一座被毁坏的塔和渔夫们的渔网` A River Landscape With A Ruined Tower And Fishermen With Their Nets In The Foreground (1791) by Jean-Baptiste Pillement 高清作品[25%]

~ A River Landscape With A Ruined Tower And Fishermen With Their Nets In The Foreground (1791) -

图片文件尺寸: 4000 x 2651px

一片河流景观，前景是一座被毁坏的塔和渔夫们的渔网-让-巴蒂斯特抢劫案

~ A River Landscape With A Ruined Tower And Fishermen With Their Nets In The Foreground (1791) --Jean-Baptiste Pillement (法国艺术家, 1728 - 1808)

142. 一位女士的肖像，传统上被认为是玛丽·沃特利·蒙塔古女士（1689-1762）` Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762) by Sir Godfrey Kneller 高清作品[25%]

~ Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762)-

图片文件尺寸: 3423 x 4415px

一位女士的肖像，传统上被认为是玛丽·沃特利·蒙塔古女士（1689-1762）-戈弗雷·克内尔爵士

~ Portrait Of A Lady, Traditionally Identified As Lady Mary Wortley Montagu (1689–1762)--Sir Godfrey Kneller (English, 1646 - 1723)

143. 圣艾格尼斯的女性肖像，传统上被认为是凯瑟琳·沃斯` Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) by Sir Godfrey Kneller 高清作品[25%]

~ Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) -

图片文件尺寸: 2505 x 3000px

圣艾格尼斯的女性肖像，传统上被认为是凯瑟琳·沃斯-戈弗雷·克内尔爵士

~ Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (between 1705 and 1710) --Sir Godfrey Kneller (English, 1646 - 1723)

144. 一位绅士的肖像，传统上被认为是第四代克拉文伯爵富瓦尔，在他的猎人身上` Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter by James Seymour 高清作品[25%]

~ Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter-

图片文件尺寸: 4000 x 3023px

一位绅士的肖像，传统上被认为是第四代克拉文伯爵富瓦尔，在他的猎人身上-詹姆斯·西摩

~ Portrait of a Gentleman, Traditionally Identified As Fulwar, 4th Earl of Craven, On His Hunter--James Seymour (English, 1697-1752)

148. 佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年） by Jamil Hellu 高清作品[24%]

“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale

材质 :Digital pigment print 尺寸 :147.3 × 101.6 cm Photography

佩内洛普·惠特尼（Penelope Whitney）回忆道：“我从小在加利福尼亚州中部骑马和比赛的马匹世界是如此可怕的性别歧视；女孩和女人通常只被视为性对象，而不是天才的骑手和训练员。”惠特尼的灵感来自查理·帕克赫斯特（Charley Parkhurst，又名独眼查理）的故事。在淘金热期间，帕克赫斯特是一名著名的驿站马车司机，他去世后，人们发现帕克赫斯特在生物学上是女性。（2018年）-Jamil灯

英文名称:“The horse world I grew up riding and competing in central California was so horribly sexist; girls and women were often seen only as sexual objects, not as talented riders and trainers,” recalls Penelope Whitney who is inspired by the story of Charley Parkhurst, aka One-Eyed Charley. Celebrated as a stagecoach driver during the Gold Rush, it was discovered after his death that Parkhurst was biologically female. (2018) | Available for Sale-Jamil Hellu

150. 一个家庭的肖像，传统上被认为是圣马丁夫妇和他们的两个孩子` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint~Martin With Their Two Children In A Landscape by Nicolas Lancret 高清作品[24%]

` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint`Martin With Their Two Children In A Landscape-

图片文件尺寸: 3600 x 2862px

一个家庭的肖像，传统上被认为是圣马丁夫妇和他们的两个孩子-尼古拉斯·兰克雷特

` Portrait Of A Family, Traditionally Identified As Mr. And Mrs. Saint`Martin With Their Two Children In A Landscape--Nicolas Lancret (法国艺术家, 1690-1743)

相关：
中国油画被收藏进卢浮宫的画家是谁 中国油画被收藏进卢浮宫的画家 中国油画被收藏进卢浮宫了吗知乎 被英国收藏的最早 中国名画图片是什么 被中国美术馆收藏的油画 被国家博物馆收藏的画家
首页 主题 艺术运动 风景