材质 :
图片文件尺寸 : 6453 x 4375 px
Alex Katz-Katz, V., A tremor in the morning. 1986.
亚历克斯·卡茨-Katz,V.,早上有点颤抖。1986
大约有128幅作品符合查询(搜索耗时:0.0233秒)
亚历克斯·卡茨-
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(Brooklyn/New York 1927 geb.) "Christy", 2010, Aquatinta und Photoradierung auf Velin, signiert Alex Katz, Nr. 112 von 120 nummerierten Exemplaren, Darstellungsmaße 24,5 x 30,5 cm, Blattmaße 24,5 x 35,4 cm, gedruckt von Christopher T. Creyts, Collaborative Art Editions/Temple Terrace und herausgegeben vom Museum Kurhaus Kleve, Schröder 466, (RAC)
Alex Katz,当代艺术I-
Alex Katz - Zeitgenössische Kunst I-
(born in Brooklyn/New York in 1927)
Maria, 1990 signed and dated, oil on board, 45.7 x 60.7 cm, framed
This work is registered in the Alex Katz archive.
Provenance:
Private Collection, Italy
European Private Collection
Acquired from the above by the present owner
In the nineteen-fifties, when most of the serious art being done was abstract, Katz outraged scores of artists and formalist critics by inventing new ways to paint the human figure. He has always had his own direction, which has not been the direction of mainstream art in any of the last seven decades. In a Katz painting, style—the way it’s painted—is the primary element. His confident, crisply articulated technique makes us see the world the way he sees it, clear and up close, with all but the most essential details pared away. (…)
His main influences were television ads, movie closeups, Japanese prints (by Utamaro, in particular), and billboards (…).
Katz had found a way to paint portraits that he described, as “brand-new terrific.” Ignoring character and mood, he offered the pure sensation of outward appearance—not who the people were, but how they appeared at a specific moment. “I can’t think of anything more exciting than the surface of things,” he later told an interviewer.
(taken from: Calvin Tompkins, Alex Katz’s Life in Art, The New Yorker, 20/8/2018)
大约有128幅作品符合查询(搜索耗时:0.0233秒)
亚历克斯·卡茨-
-
(Brooklyn/New York 1927 geb.) "Christy", 2010, Aquatinta und Photoradierung auf Velin, signiert Alex Katz, Nr. 112 von 120 nummerierten Exemplaren, Darstellungsmaße 24,5 x 30,5 cm, Blattmaße 24,5 x 35,4 cm, gedruckt von Christopher T. Creyts, Collaborative Art Editions/Temple Terrace und herausgegeben vom Museum Kurhaus Kleve, Schröder 466, (RAC)
Alex Katz,当代艺术I-
Alex Katz - Zeitgenössische Kunst I-
(born in Brooklyn/New York in 1927)
Maria, 1990 signed and dated, oil on board, 45.7 x 60.7 cm, framed
This work is registered in the Alex Katz archive.
Provenance:
Private Collection, Italy
European Private Collection
Acquired from the above by the present owner
In the nineteen-fifties, when most of the serious art being done was abstract, Katz outraged scores of artists and formalist critics by inventing new ways to paint the human figure. He has always had his own direction, which has not been the direction of mainstream art in any of the last seven decades. In a Katz painting, style—the way it’s painted—is the primary element. His confident, crisply articulated technique makes us see the world the way he sees it, clear and up close, with all but the most essential details pared away. (…)
His main influences were television ads, movie closeups, Japanese prints (by Utamaro, in particular), and billboards (…).
Katz had found a way to paint portraits that he described, as “brand-new terrific.” Ignoring character and mood, he offered the pure sensation of outward appearance—not who the people were, but how they appeared at a specific moment. “I can’t think of anything more exciting than the surface of things,” he later told an interviewer.
(taken from: Calvin Tompkins, Alex Katz’s Life in Art, The New Yorker, 20/8/2018)