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Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)

Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes

各种艺术家 彼得·诺顿圣诞艺术项目

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UDA KUNIFUSA (ACTIVE CIRCA 1530-1550):An Etchu tanto with mounts
Muromachi period (1333-1573), 16th century
Kanmuri-otoshi configuration forged in itame-hada along the shinogi and masame-hada along the cutting edge, with a narrow suguha tempered edge with nie and sunagashi and a suguha boshi, both sides carved with bohi, the ubu tang with four holes (two overlapping), katte sagari file marks and signed Uda Kunifusa, 10 3/4in (27.3cm) long, with a one-piece silvered copper habaki
The 19th-century koshira-e comprising a russet-lacquer saya decorated with a variety of insects in shell and bone inlays and fitted with a russet-iron kojiri and a kozuka handle, both carved with a dragonfly in relief highlighted in gilt, the dark wood tsuka decorated in inlays to match the saya and fitted with shinchu fuchi-gashira decorated with figures in a landscape in takabori, signed Nara Toshishige, the oval shinchu plate tsuba decorated with landscapes in takabori and gold takazogan
With Kanteisho certificate no. 11259 issued by the Nihon Token Hozonkai (Society for the Preservation of the Japanese Sword) (NPO), dated April 18, 2021
With Hozon Tosogu certificate no 4018203 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated January 15, 2021

UDA KUNIFUSA（活跃于1530-1550年） 16世纪，蒙马奇时期，一个有山的蚀刻坦陀

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A FINE ARMOR WITH A NUINOBU CUIRASS:Edo period (1615-1868), 18th century
The matching components lacquered black and laced in blue with purple and white highlights, comprising a russet-iron 62-plate suji kabuto, finished with a four-stage gilt-metal tehen kanamono engraved with scrolling vines, the mabizashi with a gilt-copper fukurin and gilt kuwagata and maedate formed as a rhombus within a circle, the bowl fitted with a three-lame solid shikoro, the top edge of each lame scalloped, finishing in long fukigaeshi applied with printed leather and gilt-brass matsukawabishi crests; the menpo lacquered russet brown and fitted with a three-lame yodarekake; the nuinobe do laced in sugake style, applied with gilt-metal saihai no kan and tenugui no kan, the edges of the cuirass trimmed in gilt-metal fukurin, fitted with seven sections of five-lame kusazari with scalloped upper edges, and with solid-plate hinged wakibiki; sode with applied leather trim; tsutsu-gote; Etchu haidate; with two wood storage boxes; no armor stand

一件镶有努伊诺布胸甲的精美盔甲 江户时代，18世纪

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Dillon Marsh: Assimilation I (2010) III (2013), (2)
C-print
184 x 232cm (72 7/16 x 91 5/16in).each.

迪伦·马什 同化I和III。

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KANETANE (ACTIVE CIRCA 1467):A Mino tanto with mounts
Muromachi period (1333-1573), 15th century
Hirazukuri, iorimune forged in itame-hada with visible ji-nie, the narrow suguha tempered edge ending in a short turnback and a very small boshi, the omote side carved with suken and the ura side with goma-bashi, the machi-okuri tang with three holes (one plugged), indistinct file marks and signed Kanetane, 11in (27.9cm) long, with a one-piece silver habaki
The koshira-e comprising a black-lacquer saya and tsuka wrapped with same stained dark, the en-suite silver fittings all carved with chrysanthemums with dew drops, the gilt-metal menuki formed as crabs
With Tokubetsu Hozon Token certificate no. 1013969 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 28, 2020

卡尼坦（约1467年活跃） 带山的米诺坦陀罗摩町时期，15世纪

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PABLO PICASSO:Fifteen Gold Medallions:
i. Dormeur - stamped with the artist\'s signature and numbered \'Picasso 1398 14/20\' (on the reverse); 1 7/8 in (4.8 cm) (diameter)
ii. Visage aux mains - stamped with the artist\'s signature and numbered \'Picasso 1407 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iii. Visage tourmenté - stamped with the artist\'s signature and numbered \'Picasso 1408 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iv. Joueur de flute et cavaliers - stamped with the artist\'s signature and numbered \'Picasso 1410 13/20\' (on the reverse); 2 in (5 cm) (diameter)
v. Poissons - stamped with the artist\'s signature and numbered \'Picasso 1411 11/20\' (on the reverse); 2 in (5 cm) (diameter)
vi. Profil de Jacqueline - stamped with the artist\'s signature and numbered \'Picasso 1412 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
vii. Taureau - stamped with the artist\'s signature and numbered \'Picasso 1413 3/20\' (on the reverse); 2 in (5 cm) (diameter)
viii. Visage larvé - stamped with the artist\'s signature and numbered \'Picasso 1424 14/20\' (on the reverse); 2 in (5 cm) (diameter)
ix. Visage géométrique aux traits - stamped with the artist\'s signature and numbered \'Picasso 1426 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
x. Jacqueline au chevalet - stamped with the artist\'s signature and numbered \'Picasso 1428 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
xi. Visage dans un carré - stamped with the artist\'s signature and numbered \'Picasso 1435 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xii. Tête en forme d\'horloge - stamped with the artist\'s signature and numbered \'Picasso 1437 12/20\' (on the reverse) and stamped with the 916 hallmark gold (on the reverse); 2 in (5 cm) (diameter)
xiii. Vallauris - stamped with the artist\'s signature and numbered \'Picasso 1437 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xiv. Visage au carton ondulé - stamped with the artist\'s signature and numbered \'Picasso 1438 10/20\' (on the reverse); 2 in (5 cm) (diameter)
xv. Centaure - stamped with the artist\'s signature and numbered \'Picasso 1439 13/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)

Each stamped with the artist\'s signature and the François Hugo reference and edition numbers (on the reverse); with the François Hugo hallmark and the French assay mark for gold (on the chain ring)
Fifteen repoussé-ciselé gold medallions; each in its own unique wooden presentation box

Conceived in 1956 and each executed after 1967 in a numbered edition of 20 plus 2 exemplaires d\'artiste and 2 exemplaires d\'auteur

巴勃罗·毕加索 十五枚金牌

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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YOSHIDA HIROSHI (1876-1950):Three oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1930-1986
The first, entitled Yomeimon (Yomei Gate), dated 1937, signed Yoshida Hiroshi, with jizuri seal; the second, entitled Bunnosuke chaya (\"A Little Temple Gate\" Bunnosuke Tea House), dated 1933, signed Yoshida Hiroshi, with jizuri seal; the third, entitled Kin to shiro (\"Gate in Gold and White\" Gold and White), original dated 1937 but this impression an atozuri impression from the original printing blocks made in 1986, signed Hiroshi Yoshida; the fourth, entitled Seto Naikai, Kura (\"Kura in Tomonoura\" Seto Inland Sea, Storehouses), dated 1930, signed Hiroshi Yoshida, with jizuri seal (4)
11 1/16 x 16 1/16in (28.1 x 40.8cm), the largest

吉田广史（1876-1950） 昭和时代，1930-1986

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SAUL STEINBERG:Five Works on Paper for Harper\'s Bazaar

i. Untitled (Cancer), 1947
ii. Untitled, 1947
iii. Untitled (Taurus), 1947
iv. Untitled (Aquarius), 1947
v. Untitled (Gemini), 1947

i. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
ii. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper
iii. ink on paper
iv. inscribed Steinberg Astrology Oct 10-10 on the reverse; ink on paper
v. with Harper\'s Bazar stamp and inscribed Steinberg Astrology Oct 10-10 and dated 7-31-47; ink on paper

i. 14 1/4 by 11 1/2 in.; 36.2 by 29.2 cm.
ii. 14 1/4 by 18 in.; 36.2 by 45.7 cm.
iii. 10 5/8 by 5 1/2 in.; 27 by 14 cm.
iv. 11 by 5 1/8 in.; 27.9 by 13 cm.
v. 10 1/2 by 4 1/4 in.; 26.7 by 10.8 cm.

索尔·斯坦伯格 哈珀集市的五幅纸上作品

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SIBÒ:Aeropittura cosmica I
signed \'Sibò\' (lower right); signed and inscribed \'Sibò \"Aeropittura cosmica I\"\' (on the reverse)
oil on panel
41 x 31cm (16 1/8 x 12 3/16in).
Painted in 1938

西伯利亚人 宇宙机场I