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: St Marks Square, Venice; The Grand Canal, a pair
each signed \'U.Ongania\' (lower right)
watercolour
both 26 x 43.2cm (10 1/4 x 17in). (2)

无 题 圣马可广场，威尼斯大运河，一对26 x 43.2厘米。

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UDA KUNIFUSA (ACTIVE CIRCA 1530-1550):An Etchu tanto with mounts
Muromachi period (1333-1573), 16th century
Kanmuri-otoshi configuration forged in itame-hada along the shinogi and masame-hada along the cutting edge, with a narrow suguha tempered edge with nie and sunagashi and a suguha boshi, both sides carved with bohi, the ubu tang with four holes (two overlapping), katte sagari file marks and signed Uda Kunifusa, 10 3/4in (27.3cm) long, with a one-piece silvered copper habaki
The 19th-century koshira-e comprising a russet-lacquer saya decorated with a variety of insects in shell and bone inlays and fitted with a russet-iron kojiri and a kozuka handle, both carved with a dragonfly in relief highlighted in gilt, the dark wood tsuka decorated in inlays to match the saya and fitted with shinchu fuchi-gashira decorated with figures in a landscape in takabori, signed Nara Toshishige, the oval shinchu plate tsuba decorated with landscapes in takabori and gold takazogan
With Kanteisho certificate no. 11259 issued by the Nihon Token Hozonkai (Society for the Preservation of the Japanese Sword) (NPO), dated April 18, 2021
With Hozon Tosogu certificate no 4018203 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated January 15, 2021

UDA KUNIFUSA（活跃于1530-1550年） 16世纪，蒙马奇时期，一个有山的蚀刻坦陀

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Pablo Picasso:Original copper plate VII from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière,Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 VII\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
etching sheet 13 x 10in (33 x 25.5cm)

巴勃罗·毕加索 Carmen Portfolio的原版铜版VII，附带纸上蚀刻

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PABLO PICASSO:Original copper plate III from Carmen Portfolio, with its accompanying etching on paper (2 works) (Bloch 531-568; Baer 80; Cramer Bk. 51), 1949
Original copper plate with cancellation marks, from the Carmen portfolio with its accompanying etching and engraving on Montval paper (printed before cancellation), a proof (aside from the total edition of 289), published by La Bibliothèque Française, Paris, printed by Atelier Roger Lacourière, Paris, copper plate inscribed lower left \'Golf-Juan 6.5.48 III\', etching with full margins, both framed. (2 works)
copper plate 15 x 10 1/4in (38 x 25.6cm)
etching image 8 3/4 x 7 3/8in (22.2 x 18cm)
sheet 13 x 10in (33 x 25.5cm)

巴勃罗·毕加索 卡门投资组合（Carmen Portfolio）的原版铜版III，附带纸上蚀刻

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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PICART, BERNARD. 1673-1733.:The Ceremonies and Religious Customs of the Various Nations of the Known World. London: Claude Du Bosc, 1731-39.
7 volumes in 6. Folio (447 x 275 mm). Half titles, titles in red and black with engraved vignettes, engraved dedication page in volume IV, 215 (of 220) engraved plates, many double-page or folding, engraved illustrations and headers in text. Modern quarter morocco and marbled boards. A few pages re-margined at outside edges, leaf 5O2 (pp 419-420) in volume 3 torn through but complete, dampstaining, especially to last volumes, browning and spotting throughout.

FIRST EDITION IN ENGLISH, A richly illustrated landmark work on religious tolerance. \"No other work before then had ever attempted, in word and image, such a grand sweep of human religions, Religious Ceremonies of the World marked a major turning point in European attitudes toward religious beliefs and hence the sacred\" (Hunt, Jacob Mijnhardt The Book that Changed Europe: Picart and Bernard\'s Religious Ceremonies of the World p 1). Picart\'s engravings \"are indeed so finely executed, both in the drawing and engraving, that there are few plates even at this day which excel them\" (Field 1212, French edition). Sabin 4934.

皮卡特，伯纳德。1673-1733年。 已知世界各国的仪式和宗教习俗。伦敦：克劳德·杜·博斯克，1731-39年。