图片文件像素：4600 x 3500 px

Valerio Adami，当代艺术II-

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(Bologna 1935 geb.)
L’Armeria, 1973, rückseitig signiert, datiert und betitelt, Acryl auf Leinwand, 73 x 92 cm, gerahmt

图片文件像素：4600 x 3500 px

Valerio Adami，当代艺术I-

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(Bologna 1935 geb.)
Marrakech (Paesaggi arabi / Hotel La Mamounia), 1969, rückseitig signiert, datiert und betitelt, Acryl auf Leinwand, 92 x 73 cm, gerahmt

Die vorliegende Arbeit ist im Archivio Valerio Adami registriert.

Ein vom Künstler signiertes Fotozertifikat liegt bei.

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Valerio Adami，当代艺术I-

Valerio Adami * - Zeitgenössische Kunst I-

(born in Bologna in 1935)
Cavalcavia, 2012, signed; signed and titled on the reverse, acrylic on canvas, 198 x 147 cm, framed

The work is registered in the Archivio Valerio Adami

This work is accompanied by a photo certificate signed by the artist

Provenance:
European Private Collection (acquired directly from the artist)

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“Sidi Youçouf Adami之家Emile Prisse dAvennes的保姆房间-Émile Prisse dAvennes

Maison Sidi Youçouf Adami; chambre de la nourrice--Émile Prisse d'Avennes (法国, 1807-1879)

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“Sidi Youçouf Adami House高级客厅，由Emile Prisse Avennes设计-Émile Prisse dAvennes

Maison Sidi Youçouf Adami; salon supérieur--Émile Prisse d'Avennes (法国, 1807-1879)

图片文件像素：4600 x 3500 px

瓦雷利奥·阿达米-

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(Bologna 1935 geb.)
Mumbay's pavement, 2008, signiert, datiert und betitelt, Bleistift auf Papier, 48 x 36 cm, gerahmt

图片文件尺寸 : 3600 x 5155px

“Sidi Youçouf Adami之家Emile Prisse dAvennes的保姆房间-Émile Prisse dAvennes

西迪·尤苏夫·阿达米之家护士室--Émile Prisse d'Avennes (法国, 1807-1879)

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Valerio Adami，当代艺术I-

Valerio Adami * - Zeitgenössische Kunst I-

(born in Bologna in 1935)
The Guggenheim, 1968, dated, signed and titled on the reverse, oil on canvas, 97 x 130 cm, framed

This work is registered in the Archivio Valerio Adami

This work is accompanied by a certificate signed by the artist

Provenance:
Sale Farsetti, Prato, 26 November 1994
European Private Collection

As Valerio Adami wrote in 1968, “The hand is a kind of seismograph giving body to the traces left by the circuit of imagination”: the drawing hand is an instrument that records what the eye looks at and the mind sees. It is the starting point of the artist’s method: the hand-seismograph that in the “journey of drawing” goes through the kaleidoscope of his inspiration, and that in the essentiality of the line reworks, summarizes, juxtaposes, disassembles and reassembles it. […]

The lines of the drawing, eternally moving as the mind distilling them, - since for Adami “nulla dies sine linea” (no day without a line) – are the “off the beaten track” trails that the artist constantly crosses and connects. He does so by bringing distant worlds together, from the Ganges to the Matterhorn and from Paris to Finland by making the Greek mythological narrative coexist with New York street life, by recalling the light spells of Lake Maggiore or the clouds at sunrise.
(G. Ranzi, Valerio Adami and the lightly swaying desire, in “Valerio Adami. Immagine e pensiero”, Dep Art, Milan 2002)

Valerio Adami. Odalisque. 1982

瓦莱里奥·阿达米。Odalisque。1982-

材质 :

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Valerio Adami-Studio Bruckmann Kunst. 2 Tle., 1974.

瓦雷利奥·阿达米-布鲁克曼艺术工作室。2Tle，1974