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“Idaherma Williams的Idahera木版画-Idaherma Williams

Idaherma wood block prints--Idaherma Williams (美国, 1933-)

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UTAGAWA HIROSHIGE (1797-1858):Two woodblock prints
Edo period (1615-1868), 1857
Two oban tate-e prints from the series Meisho Edo hyakkei (100 Famous Views of Edo), both signed Hiroshige ga, published by Uoya Eikichi, the first entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), the second entitled Fukagawa Sanjusangendo (Hall of 33 Bays, Fukagawa) (2)
14 3/4 x 10in (37.4 x 25.4cm), the larger

芥川广志（1797-1858） 两幅木版版画多时期，1857年

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KEISAI EISEN (1790-1848):Two woodblock prints
Edo period (1615-1868), circa 1820-1830
Each an oban tate-e print, the first depicting a beauty before a wrapped parcel, from the series Imayo bijin kurabe (Contest of Beauties in the Modern Style), published by Wakasaya Yoichi; the second depicting a standing beauty, from an unknown series, each signed Eisen ga (2)
13 3/4 x 9 1/4in (35 x 23.5cm) each approximately

艾森修正案（1790-1848） 两幅木版版画多时期，约1820-1830年

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UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Ishiyakushi, toiyaba no zu (Ishiyakushi: The Station House); Goyu; Miya; Minakuchi; Yui; and Hodogaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志（1797-1858） 六幅木版版画多时期，约1840-1841年

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UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Okabe, Utsu no yama no zu (Okabe: View of Mount Utsu); Fukuroi; Hamamatsu; Arai; Nissaka; and Kanaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志（1797-1858） 六幅木版版画多时期，约1840-1841年

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UTAGAWA HIROSHIGE (1797–1858):Three woodblock prints
Edo period (1615-1868), circa 1835-38
All oban yoko-e prints from the series Kisokaido rokujukyu tsugi no uchi (The 69 stations of the Kisokai Road), all published by Iseya Rihei (Kinjudo); in numerical order, the first, no. 40, Suhara; the second, no. 60, Imasu, with censor\'s seal kiwame; the third, no. 65, Takamiya, with censor\'s seal kiwame; each signed Hiroshige ga and sealed Ichiryusai (3)
9 7/8 x 14 1/2in (25.1 x 36.8cm), the largest

芥川广志（1797-1858） 江户时期的三幅木版版画，约1835-38年

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KATSUSHIKA HOKUSAI (1760-1849):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Comprising two oban yoko-e prints from the series Kanadehon Chushingura (The Storehouse of Loyal Retainers, a Primer), entitled Kudanme (Act 9), and Godanme (Act 5), each unsigned, published by Tsuruya Kinsuke; a chuban tate-e print from the series Mitate nijushiko (Parodies of the 24 Paragons of Filial Piety), depicting a courtesan nursing Fukurokuju in a parody of Saishi (Cui She), signed Gakyojin Hokusai ga (3)
10 1/4 x 15in (26 x 38.1cm); 9 1/4 x 7in (23.5 x 17.8cm)

住宅（1760-1849） 三幅木版版画多时期，约1806年和1802年

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KEISAI EISEN (1790-1848):Three woodblock prints
Edo period (1615-1868), circa 1820-1830
Comprising oban tate-e prints, all signed Keisai Eisen ga, including Hara no eki (Hara Station, no. 14) from an untitled series of the 53 Stations of the Tokaido Road, published by Tsutaya Kichizo; Rokugatsu, Tenno Matsuri (June, Tenno Festival), from the series Ukiyo Bijin Junikagetsu (12 Months of Beautiful Women of the Floating World), published by Sano Kichibei; Takanawa Harbor, from the series Edo Meisho adakurabe (Contest of the Famous Views of Edo), published by Maruya Jinpachi (3)
14 3/4 x 10in (37.4 x 25.4cm) each approximately

艾森修正案（1790-1848） 三幅木版版画创作时期，约1820-1830年

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UTAGAWA TOYOKUNI I (1769-1825):Five woodblock prints
Edo period (1615-1868), circa 1800-1811
Each an oban tate-e print, signed Toyokuni ga, comprising: a beauty seated before a makeup stand; a seated courtesan watching as a man adjusts his topknot before a mirror, from an unidentified series; a woman adjusting her hair, from the series Bijin awase (Comparison of Beauties); an actor print entitled Onoe Kikugoro ai tsutome moshi soro (Onoe Kikugoro Performing) from the series Henka no zu (Illustrations of Transformations); the actors Iwai Hanshiro and Bando Mitsugoro as a couple beneath an umbrella (5)
14 3/4 x 9 3/8in (37.5 x 23.8cm) each approximately

东京国际一期（1769-1825） 五幅木版版画多时期，约1800年至1811年

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UTAGAWA TOYOKUNI II (TOYOSHIGE, 1777-1835):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Oban tate-e prints including two from the series Shin nishikide Inoguchi, the fist depicting a courtesan lighting a pipe from a brazier, the second depicting a beauty carrying a child on her shoulder as he plays with a toy, each signed Ichiryusai Toyoshige ga, published by Nishimuraya Yohachi, the third from an unknown series depicting a beauty holding a fan, and a landscape cartouche, signed Toyokuni ga, published by Izumiya Ichibei (3)
14 3/8 x 9 3/4in (36.5 x 24.7cm) each approximately

芥川丰久二世（丰治，1777-1835年） 三幅木版版画多时期，约1806年和1802年