Joan Miró:L\'Ultime Menace, from Hommage à San Lazaro (Cramer, 229), 1977 Etching with aquatint in colors on Rives BFK paper, signed in pencil and numbered 3/15, published by Éditions Gérald Cramer, Genève, printed by Atelier Morsang, Paris, with margins, framed. 13 1/2 x 9 3/4in (34.2 x 24.7cm) sheet 20 3/4 x 14 3/4in (52.7 x 37.4cm)
Salvador Dalí:Le télégraphe, from Hommage à Leonardo da Vinci (Great Inventions) (F. 75-8L), 1975 Etching and engraving and pochoir in colors on Arches paper, signed in pencil and annotated \'E.A.\' (an épreuve d\'artiste, aside from the numbered edition of 450 on Arches, the total edition was 530), published by Transworld Art Corporation, New York, with full margins. 14 1/4 x 20in (36.2 x 50.1cm) sheet 22 3/8 x 30in (56.5 x 76cm)
Joan Miró:L\'Ultime Menace, from Hommage à San Lazaro (Cramer, 229), 1977 Etching with aquatint in colors on Rives BFK paper, signed in pencil and numbered 3/15, published by Éditions Gérald Cramer, Genève, printed by Atelier Morsang, Paris, with margins, framed. 13 1/2 x 9 3/4in (34.2 x 24.7cm) sheet 20 3/4 x 14 3/4in (52.7 x 37.4cm)
Salvador Dalí:Le télégraphe, from Hommage à Leonardo da Vinci (Great Inventions) (F. 75-8L), 1975 Etching and engraving and pochoir in colors on Arches paper, signed in pencil and annotated \'E.A.\' (an épreuve d\'artiste, aside from the numbered edition of 450 on Arches, the total edition was 530), published by Transworld Art Corporation, New York, with full margins. 14 1/4 x 20in (36.2 x 50.1cm) sheet 22 3/8 x 30in (56.5 x 76cm)