1. 亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作, 高清作品[100%]

Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932,

图片文件尺寸 : 5231 x 5766px

BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作,

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1. 亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作, 高清作品[100%]

Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932,

图片文件尺寸 : 5231 x 5766px

BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大,贝努瓦。1870-1960. Jourdain先生为莫里哀(Molière)的《布尔乔亚传奇》(Le Bourgeois Gentilhome)巴兰钦芭蕾舞团的服装设计,由蒙特卡洛芭蕾舞团(Russe de Monte Carlo)于1932年制作,