3. GIOVANI PAOLO PANINI的追随者,一个带着法尔内塞大力神的随波逐流,Janus拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真~s柱、Janus拱门、Cestius金字塔和哀悼的以弗所|Christie\'s 一个有法尔内塞大力神的随波逐流,贾努斯拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真s柱、Janus拱门、Cestius金字塔和以弗所墓 高清作品[91%]

A capriccio with the Farnese Hercules, the Arch of Janus, and a ruined pyramid and colonnade; and A capriccio with a ruined colonnade, Trajans column, the Arch of Janus, the pyramid of Cestius and the Mourning Ephebe

图片文件尺寸 : 5092 x 5920px

GIOVANI PAOLO PANINI的追随者,一个带着法尔内塞大力神的随波逐流,Janus拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真#39s柱、Janus拱门、Cestius金字塔和哀悼的以弗所|Christie\'s 一个有法尔内塞大力神的随波逐流,贾努斯拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真s柱、Janus拱门、Cestius金字塔和以弗所墓

4. 萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想 高清作品[82%]

Plate 72, Con todos estos lios, no te escaparas  from Les Caprices de Goya; Francisco Goya , Plate 72, No te escaparas , from Los Caprichos

图片文件尺寸 : 4882 x 4623px

Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想

5. 萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感 高清作品[80%]

Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 32, Porque fue sensible  from Los Caprichos

图片文件尺寸 : 5254 x 5276px

Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感

6. 萨尔瓦多·达尔 第二盘,戈雅任性的前18把柳条椅子弗朗西斯科·戈雅(Francisco Goya)板块2,IF发音,手拉长第一个来自突发奇想的人 高清作品[79%]

Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA  Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos

图片文件尺寸 : 4401 x 5902px

Salvador Dal&~;: Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos (2 works) (Field 77-3-79; Delteil 39; Harris 37), 1799; 1977
Heliogravure of Goya\'s plate 2, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 2, El si pronuncian y la mano alargan al primero que llega, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第二盘,戈雅任性的前18把柳条椅子弗朗西斯科·戈雅(Francisco Goya)板块2,IF发音,手拉长第一个来自突发奇想的人

任性油画图片- 高清任性绘画作品- 代表作全集 中艺名画下载


3. GIOVANI PAOLO PANINI的追随者,一个带着法尔内塞大力神的随波逐流,Janus拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真~s柱、Janus拱门、Cestius金字塔和哀悼的以弗所|Christie\'s 一个有法尔内塞大力神的随波逐流,贾努斯拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真s柱、Janus拱门、Cestius金字塔和以弗所墓 高清作品[91%]

A capriccio with the Farnese Hercules, the Arch of Janus, and a ruined pyramid and colonnade; and A capriccio with a ruined colonnade, Trajans column, the Arch of Janus, the pyramid of Cestius and the Mourning Ephebe

图片文件尺寸 : 5092 x 5920px

GIOVANI PAOLO PANINI的追随者,一个带着法尔内塞大力神的随波逐流,Janus拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真#39s柱、Janus拱门、Cestius金字塔和哀悼的以弗所|Christie\'s 一个有法尔内塞大力神的随波逐流,贾努斯拱门,以及一座被毁的金字塔和柱廊还有一个柱廊被毁的任性者,图拉真s柱、Janus拱门、Cestius金字塔和以弗所墓

4. 萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想 高清作品[82%]

Plate 72, Con todos estos lios, no te escaparas  from Les Caprices de Goya; Francisco Goya , Plate 72, No te escaparas , from Los Caprichos

图片文件尺寸 : 4882 x 4623px

Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块,有了所有这些麻烦,你不会逃避戈雅的任性弗朗西斯科·戈雅,72号板块,你不会逃避突发奇想

5. 萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感 高清作品[80%]

Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA  Plate 32, Porque fue sensible  from Los Caprichos

图片文件尺寸 : 5254 x 5276px

Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块,卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号,因为他对突发奇想很敏感

6. 萨尔瓦多·达尔 第二盘,戈雅任性的前18把柳条椅子弗朗西斯科·戈雅(Francisco Goya)板块2,IF发音,手拉长第一个来自突发奇想的人 高清作品[79%]

Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA  Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos

图片文件尺寸 : 4401 x 5902px

Salvador Dal&~;: Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos (2 works) (Field 77-3-79; Delteil 39; Harris 37), 1799; 1977
Heliogravure of Goya\'s plate 2, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 2, El si pronuncian y la mano alargan al primero que llega, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第二盘,戈雅任性的前18把柳条椅子弗朗西斯科·戈雅(Francisco Goya)板块2,IF发音,手拉长第一个来自突发奇想的人