81. 佛登斯列·汉德瓦萨 五号平衡眼,雨天看 高清作品[41%]

Eyebalance Number Five, from Look at it on a Rainy Day

图片文件尺寸 : 5143 x 3944px

Friedensreich Hundertwasser:Eyebalance Number Five, from Look at it on a Rainy Day (Koschatzky 44), 1971
Screenprint in colors with metallic embossing on wove paper, signed in ink, numbered 226/300 and 2251 (from the total edition of 3000 of which 300 ending in 1 are signed and numbered by the artist), with the Schoeller star blindstamp, published/printed by Ars Viva, Zürich/Dietz Offizin, Lengmoos, Bavaria, with full margins, framed.
sheet 19 1/2 x 26 1/2in (49.5 x 67.3cm)

佛登斯列·汉德瓦萨 五号平衡眼,雨天看

82. 约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen) 高清作品[40%]

Konrad Wachsmann, Bauen in Unserer Zeit (Architecture in Our Time) (Poster for an exhibition at the Kunstgewerbemuseum Zürich)-

图片文件尺寸 :

约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen)-Josef Müller-Brockmann

Konrad Wachsmann,Bauen in Unser Zeit(我们时代的建筑)(苏黎世Kunstgewerbemuseum展览海报)--Josef Müller-Brockmann (瑞士, 1914 – 1996)

84. 佛登斯列·汉德瓦萨 十字军十字军东征,来自《雨天看》 高清作品[39%]

Crusade of the Crossroaders, from Look at it on a Rainy Day

图片文件尺寸 : 5241 x 4563px

Friedensreich Hundertwasser:Crusade of the Crossroaders, from Look at it on a Rainy Day (Koschatzky 53), 1971-72
Screenprint in colors with metallic imprints on tarred brown wove paper, signed in ink and numbered 1850/3000 and 185/300 (one of 300, ending in 0, signed and numbered by hand), with the artist\'s red seals, published/printed by Ars Viva, Zürich/Dietz Offizin, Lengmoos, Bavaria, with margins.
15 3/8 x 23 1/8in (39 x 58.8cm)
sheet 19 3/8 x 26 7/16in (49.2 x 67.2cm)

佛登斯列·汉德瓦萨 十字军十字军东征,来自《雨天看》

85. 中国外销画。 36幅画集,木髓纸上的水墨和水粉,182 x 280毫米,19世纪, 高清作品[38%]

Collection of 36 paintings, ink and gouache on pith paper, 182 x 280 mm, 19th century,

图片文件尺寸 : 4904 x 4739px

CHINESE EXPORT PAINTINGS.:Collection of 36 paintings, ink and gouache on pith paper, 182 x 280 mm, 19th century, each with blue paper border, bound together. Some chips and splits to pith paper, occasional spots, but general bright and clean, lacks covers.

A richly colored collection of Chinese export paintings of various subject matter including brightly-colored birds, flowers and butterflies, royalty and other figures in sumptuous interiors, farmers at work, sailing boats.

中国外销画。 36幅画集,木髓纸上的水墨和水粉,182 x 280毫米,19世纪,

86. 社区谱系 19世纪江户时期的黑漆四箱 高清作品[37%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4532 x 3836px

KOAMI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a rich roiro black lacquer ground and decorated with Okame peering out from a circular window, one hand held to her face, looking at two oni fleeing from beans thrown at them in the mamemaki (bean scattering) ritual on the day before the beginning of spring, the interior gold nashiji, signed Koami with a kao (cursive monogram); ojime glass, with wood storage box
3 3/8in (8.5cm) high

社区谱系 19世纪江户时期的黑漆四箱

87. 路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题 高清作品[36%]

图片文件尺寸 : 4120 x 5538px

Fine Hawk\'s Eye Quartz Carving Depicting a Galloping Horse by Luis Alberto Quispe Aparicio :Carved from a single large specimen of blue tiger\'s eye, known in the mineral trade as \"hawk\'s eye\" quartz from South Africa, the rich coloration and banding distinguishing the musculature and motion of the galloping horse with three legs in the air above the grassy turf. Raised on an octagonal-form base carved of a single large specimen of black obsidian. Measuring 14 x 6 x 11in (35.6 x 15.3 x 28cm)

路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题

88. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[36%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

89. 直肠。公元412-485年。 在柏拉图,《性的神学》一书中。汉堡和法兰克福:Apud Rulandios,1618年。 高清作品[35%]

In Platonis Theologiam Libri Sex. Hamburg and Frankfurt: Apud Rulandios, 1618.

图片文件尺寸 : 5373 x 4089px

PROCLUS. 412-485 A.D.:In Platonis Theologiam Libri Sex. Hamburg and Frankfurt: Apud Rulandios, 1618. 4to (320 x 206 mm). Contemporary calf, some wear to binding, front joint cracked, but firm.
Provenance: Archivum V.-Prov. Helveticae (stamped over another JHS stamp on title); \"Bibliothek SJ. Zürich Prov. Helv.\" (stamp).

PROCLUS\'S MASTERPIECE, called by Samuel Taylor Coleridge, \"The most beautiful and orderly development of [the Platonic] philosophy, which endeavours to explain all things by an analysis of consciousness, and builds up a world in the mind out of materials furnished by the mind itself\" (Coleridge, Letter to Lady Beaumont, January 21, 1810).

直肠。公元412-485年。 在柏拉图,《性的神学》一书中。汉堡和法兰克福:Apud Rulandios,1618年。

90. W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题 高清作品[35%]

图片文件尺寸 : 4958 x 5464px

Butte Opal Carving Depicting Sea Life by W.K. Ngai :Opal Butte, Oregon
Opal Butte opal is a rare precious stone mined from the depths of the Opal Butte in the Blue Mountains of Oregon. This unique silica-rich opal is found within geode-like structures called thunder eggs, formed 65 million years ago by lava flow. Opal Butte is one of the few active precious opal mines in the world today. Depicting sea life in a vertical presentation, with a sea turtle, multiple starfish and scallop shell and stylized coral, carved from a single large specimen of orange and white opal in a matrix of brown and taupe. Raised on a base of natural coral, above a free-form base of polished black onyx. Measuring 11 x 9 x 7in (27.9 x 22.9 x 17.8cm)

W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题

rich油画图片- 高清rich绘画作品- 代表作全集 中艺名画下载


81. 佛登斯列·汉德瓦萨 五号平衡眼,雨天看 高清作品[41%]

Eyebalance Number Five, from Look at it on a Rainy Day

图片文件尺寸 : 5143 x 3944px

Friedensreich Hundertwasser:Eyebalance Number Five, from Look at it on a Rainy Day (Koschatzky 44), 1971
Screenprint in colors with metallic embossing on wove paper, signed in ink, numbered 226/300 and 2251 (from the total edition of 3000 of which 300 ending in 1 are signed and numbered by the artist), with the Schoeller star blindstamp, published/printed by Ars Viva, Zürich/Dietz Offizin, Lengmoos, Bavaria, with full margins, framed.
sheet 19 1/2 x 26 1/2in (49.5 x 67.3cm)

佛登斯列·汉德瓦萨 五号平衡眼,雨天看

82. 约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen) 高清作品[40%]

Konrad Wachsmann, Bauen in Unserer Zeit (Architecture in Our Time) (Poster for an exhibition at the Kunstgewerbemuseum Zürich)-

图片文件尺寸 :

约瑟夫·穆勒·布罗克曼(Josef Müller Brockmann)的《Unser Zeit(我们时代的建筑)》(Konrad Wachsmann,Bauen)-Josef Müller-Brockmann

Konrad Wachsmann,Bauen in Unser Zeit(我们时代的建筑)(苏黎世Kunstgewerbemuseum展览海报)--Josef Müller-Brockmann (瑞士, 1914 – 1996)

84. 佛登斯列·汉德瓦萨 十字军十字军东征,来自《雨天看》 高清作品[39%]

Crusade of the Crossroaders, from Look at it on a Rainy Day

图片文件尺寸 : 5241 x 4563px

Friedensreich Hundertwasser:Crusade of the Crossroaders, from Look at it on a Rainy Day (Koschatzky 53), 1971-72
Screenprint in colors with metallic imprints on tarred brown wove paper, signed in ink and numbered 1850/3000 and 185/300 (one of 300, ending in 0, signed and numbered by hand), with the artist\'s red seals, published/printed by Ars Viva, Zürich/Dietz Offizin, Lengmoos, Bavaria, with margins.
15 3/8 x 23 1/8in (39 x 58.8cm)
sheet 19 3/8 x 26 7/16in (49.2 x 67.2cm)

佛登斯列·汉德瓦萨 十字军十字军东征,来自《雨天看》

85. 中国外销画。 36幅画集,木髓纸上的水墨和水粉,182 x 280毫米,19世纪, 高清作品[38%]

Collection of 36 paintings, ink and gouache on pith paper, 182 x 280 mm, 19th century,

图片文件尺寸 : 4904 x 4739px

CHINESE EXPORT PAINTINGS.:Collection of 36 paintings, ink and gouache on pith paper, 182 x 280 mm, 19th century, each with blue paper border, bound together. Some chips and splits to pith paper, occasional spots, but general bright and clean, lacks covers.

A richly colored collection of Chinese export paintings of various subject matter including brightly-colored birds, flowers and butterflies, royalty and other figures in sumptuous interiors, farmers at work, sailing boats.

中国外销画。 36幅画集,木髓纸上的水墨和水粉,182 x 280毫米,19世纪,

86. 社区谱系 19世纪江户时期的黑漆四箱 高清作品[37%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4532 x 3836px

KOAMI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a rich roiro black lacquer ground and decorated with Okame peering out from a circular window, one hand held to her face, looking at two oni fleeing from beans thrown at them in the mamemaki (bean scattering) ritual on the day before the beginning of spring, the interior gold nashiji, signed Koami with a kao (cursive monogram); ojime glass, with wood storage box
3 3/8in (8.5cm) high

社区谱系 19世纪江户时期的黑漆四箱

87. 路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题 高清作品[36%]

图片文件尺寸 : 4120 x 5538px

Fine Hawk\'s Eye Quartz Carving Depicting a Galloping Horse by Luis Alberto Quispe Aparicio :Carved from a single large specimen of blue tiger\'s eye, known in the mineral trade as \"hawk\'s eye\" quartz from South Africa, the rich coloration and banding distinguishing the musculature and motion of the galloping horse with three legs in the air above the grassy turf. Raised on an octagonal-form base carved of a single large specimen of black obsidian. Measuring 14 x 6 x 11in (35.6 x 15.3 x 28cm)

路易斯·阿尔伯托·奎斯佩·阿普里西奥(Luis Alberto Quispe Aparicio)的鹰眼石英雕刻作品 无 题

88. KAJIKAWA谱系 19世纪江户时期的黑漆四箱 高清作品[36%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 5190 x 4783px

KAJIKAWA LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of lenticular profile with integral cord-runners, decorated in gold and colored hiramaki-e, takamaki-e, and sumi-e togidashi maki-e against a black lacquer ground liberally sprinkled with hirame, depicting an oni (demon) fallen to the ground in shock as Shoki the Demon-Queller comes to life from a large hanging scroll painting, his two companions shown on the reverse fleeing in fear, the interior rich gold nashiji, signed Kajikawa saku (Made by Kajikawa) with a pot seal Ei; ojime stained bone
3in (7.6cm) high

KAJIKAWA谱系 19世纪江户时期的黑漆四箱

89. 直肠。公元412-485年。 在柏拉图,《性的神学》一书中。汉堡和法兰克福:Apud Rulandios,1618年。 高清作品[35%]

In Platonis Theologiam Libri Sex. Hamburg and Frankfurt: Apud Rulandios, 1618.

图片文件尺寸 : 5373 x 4089px

PROCLUS. 412-485 A.D.:In Platonis Theologiam Libri Sex. Hamburg and Frankfurt: Apud Rulandios, 1618. 4to (320 x 206 mm). Contemporary calf, some wear to binding, front joint cracked, but firm.
Provenance: Archivum V.-Prov. Helveticae (stamped over another JHS stamp on title); \"Bibliothek SJ. Zürich Prov. Helv.\" (stamp).

PROCLUS\'S MASTERPIECE, called by Samuel Taylor Coleridge, \"The most beautiful and orderly development of [the Platonic] philosophy, which endeavours to explain all things by an analysis of consciousness, and builds up a world in the mind out of materials furnished by the mind itself\" (Coleridge, Letter to Lady Beaumont, January 21, 1810).

直肠。公元412-485年。 在柏拉图,《性的神学》一书中。汉堡和法兰克福:Apud Rulandios,1618年。

90. W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题 高清作品[35%]

图片文件尺寸 : 4958 x 5464px

Butte Opal Carving Depicting Sea Life by W.K. Ngai :Opal Butte, Oregon
Opal Butte opal is a rare precious stone mined from the depths of the Opal Butte in the Blue Mountains of Oregon. This unique silica-rich opal is found within geode-like structures called thunder eggs, formed 65 million years ago by lava flow. Opal Butte is one of the few active precious opal mines in the world today. Depicting sea life in a vertical presentation, with a sea turtle, multiple starfish and scallop shell and stylized coral, carved from a single large specimen of orange and white opal in a matrix of brown and taupe. Raised on a base of natural coral, above a free-form base of polished black onyx. Measuring 11 x 9 x 7in (27.9 x 22.9 x 17.8cm)

W.K.Ngai的Butte Opal雕刻描绘海洋生物 无 题