81. UTAGAWA KUNIYOSHI(1797-1861) 江户时期,1845年 高清作品[93%]

Edo period , 1845

图片文件尺寸 : 4173 x 4986px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), 1845
An oban tate-e print triptych entitled Giyu Koshin Eiyo Soroi (A Trial of Strength between the Two Wrestlers Nuregami Chogoro and Hanaregoma Chokichi), each sheet signed Ichiyusai Kuniyashi ga, published by Wakasaya Yoichi (3)
14 1/4 x 9 1/2in (36.3 x 23.9cm) approximately, each sheet

UTAGAWA KUNIYOSHI(1797-1861) 江户时期,1845年

82. UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪中期 高清作品[92%]

Edo period , mid-19th century

图片文件尺寸 : 4776 x 5696px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), mid-19th century
A vertical oban tate-e print triptych entitled Yoshinoyama gassen (Battle at Mount Yoshino) depicting the fight between Sato Tadanobu, dressed in Minamoto Yoshitsune\'s armor, and the Yamabushi (warrior monk) Yokogawa Kakuhan, signed Ichiyusai Kuniyoshi and with a kiri seal; published by Sumiyoshiya Matagoro, with a black aratame seal and censor\'s seals Kinugasa and Murata (3)
14 x 9 1/2in (35.6 x 24cm) each approximately

UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪中期

85. Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年 高清作品[88%]

The Monster SkeletonEdo period , circa 1844

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年

86. “泽村彻(Sawamura ChōjūrഅV)在宇川久弥(Utagawa Kuniyoshi)的话剧《神奈川彻》(Kanadehon Chūshingura)第五幕中饰演隼野菅平(Hayano Kanpei),一川久弥二(Ichikawa Kuz 333 II)饰演小野 高清作品[84%]

Sawamura Chōjūrō V as Hayano Kanpei and Ichikawa Kuzō II as Ono Sadakurō in Act Five of the play Kanadehon Chūshingura-

图片文件尺寸 : 3522 x 2323px

“泽村彻(Sawamura ChōjūrഅV)在宇川久弥(Utagawa Kuniyoshi)的话剧《神奈川彻》(Kanadehon Chūshingura)第五幕中饰演隼野菅平(Hayano Kanpei),一川久弥二(Ichikawa Kuz 333 II)饰演小野-Utagawa Kuniyoshi

Sawamura Chōjūrō V as Hayano Kanpei and Ichikawa Kuzō II as Ono Sadakurō in Act Five of the play Kanadehon Chūshingura--Utagawa Kuniyoshi (Japanese, 1797-1861)

kuniyoshi油画图片- 高清kuniyoshi绘画作品- 代表作全集 中艺名画下载


81. UTAGAWA KUNIYOSHI(1797-1861) 江户时期,1845年 高清作品[93%]

Edo period , 1845

图片文件尺寸 : 4173 x 4986px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), 1845
An oban tate-e print triptych entitled Giyu Koshin Eiyo Soroi (A Trial of Strength between the Two Wrestlers Nuregami Chogoro and Hanaregoma Chokichi), each sheet signed Ichiyusai Kuniyashi ga, published by Wakasaya Yoichi (3)
14 1/4 x 9 1/2in (36.3 x 23.9cm) approximately, each sheet

UTAGAWA KUNIYOSHI(1797-1861) 江户时期,1845年

82. UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪中期 高清作品[92%]

Edo period , mid-19th century

图片文件尺寸 : 4776 x 5696px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), mid-19th century
A vertical oban tate-e print triptych entitled Yoshinoyama gassen (Battle at Mount Yoshino) depicting the fight between Sato Tadanobu, dressed in Minamoto Yoshitsune\'s armor, and the Yamabushi (warrior monk) Yokogawa Kakuhan, signed Ichiyusai Kuniyoshi and with a kiri seal; published by Sumiyoshiya Matagoro, with a black aratame seal and censor\'s seals Kinugasa and Murata (3)
14 x 9 1/2in (35.6 x 24cm) each approximately

UTAGAWA KUNIYOSHI(1797-1861) 江户时代,19世纪中期

85. Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年 高清作品[88%]

The Monster SkeletonEdo period , circa 1844

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年

86. “泽村彻(Sawamura ChōjūrഅV)在宇川久弥(Utagawa Kuniyoshi)的话剧《神奈川彻》(Kanadehon Chūshingura)第五幕中饰演隼野菅平(Hayano Kanpei),一川久弥二(Ichikawa Kuz 333 II)饰演小野 高清作品[84%]

Sawamura Chōjūrō V as Hayano Kanpei and Ichikawa Kuzō II as Ono Sadakurō in Act Five of the play Kanadehon Chūshingura-

图片文件尺寸 : 3522 x 2323px

“泽村彻(Sawamura ChōjūrഅV)在宇川久弥(Utagawa Kuniyoshi)的话剧《神奈川彻》(Kanadehon Chūshingura)第五幕中饰演隼野菅平(Hayano Kanpei),一川久弥二(Ichikawa Kuz 333 II)饰演小野-Utagawa Kuniyoshi

Sawamura Chōjūrō V as Hayano Kanpei and Ichikawa Kuzō II as Ono Sadakurō in Act Five of the play Kanadehon Chūshingura--Utagawa Kuniyoshi (Japanese, 1797-1861)