图片文件尺寸 : 4150 x 5828px
Jim Dine:Two Hearts at Sunset, from 2005 Suite, 2005
Lithograph in colors on Rives BFK paper, signed in pencil, dated and numbered 25/200 (there were also 10 artist\'s proofs), published by Marco Fine Arts Contemporary, Hawthorne, California, printed by Atelier Michael Woolworth, Paris, the full sheet.
sheet 20 1/2 x 26 3/8in (52 x 66.9cm)
吉姆·戴恩 日落的两颗心，2005套房
图片文件尺寸 : 4854 x 5866px
Jim Dine:The Jerusalem Plant #8 (D\'Oench Feinberg 176), 1984
Lithograph with intaglio in colors on wove paper, signed in pencil, dated and numbered 4/26 (there were also 5 artist\'s proofs), with the blindstamp of the publisher/printer, ULAE, West Islip, with full margins, framed.
plate 35 1/2 x 26 5/8in (90.2 x 67.6cm)
sheet 39 5/8 x 30 5/8in (10.6 x 77.9cm)
吉姆·戴恩 耶路撒冷工厂8号
图片文件尺寸 : 3935 x 5026px
Jim Dine:In The Thicket (Carpenter 68), 1993
Woodcut, etching, spit-bite aquatint, and soft-ground etching with hand-coloring on Rives BFK Gray paper, signed in pencil, dated and numbered 32/75 (there were also 16 artist\'s proofs), printed by Spring Street Workshop, New York, with full margins, framed.
12 1/2 x 21 1 /4in (31.8 x 54cm)
sheet 19 3/4 x 27in (50.2 x 68.6cm)
吉姆·戴恩 在灌木丛中
图片文件尺寸 : 4816 x 5937px
Jim Dine:Hand Painting on the Mandala (Carpenter 13), 1986
Engraving and power-tool drypoint in colors, with hand coloring in watercolor, on Arches Cover white paper, signed in pencil, dated and numbered 16/60 (there were also 16 artist\'s proofs), with the blindstamp of the publisher/printer Graphicstudio, University of South Florida, Tampa, with full margins.
37 1/4 x 35 1/2in (94.6 x 90.1cm)
sheet 49 5/8 x 40in (126 x 101.6cm)
吉姆·戴恩 曼荼罗手绘
图片文件尺寸 : 4514 x 5334px
Jim Dine:Palette IV, from Four Palettes (G. M. 56), 1969
Painted wood multiple mounted to board, signed in pencil and numbered 36/75, with stamped title and publisher inkstamp Petersburg Press, New York, verso, the full sheet, in original Plexiglas frame.
28 1/4 x 20 1/4 x 1 1/4in (71.7 x 51.4 x 3.2cm)
吉姆·戴恩 调色板IV，来自四个调色板
图片文件尺寸 : 5237 x 4208px
Jim Dine:The Albertina Venus (Carpenter 33), 1989
Aquatint, drypoint, soft-ground and sugar-life etching on Zerkall White paper, signed and dated in pencil and numbered 31/100 (there were also 30 artist\'s proofs), published by Gesellschaft Der Freunde der Albertina (Society of Friends of the Albertina Museum), with their embossed stamp, with full margins.
17 7/8 x 12 1/8in (45.4 x 30.8cm)
sheet 26 3/4 x 21 1/8in (67.9 x 53.7cm)
吉姆·戴恩 阿尔贝蒂娜金星
图片文件尺寸 : 5082 x 5264px
Jim Dine:The Mighty Robe, from Astra, 1985
Lithograph in colors on wove paper, signed in pencil and numbered AP 46/50 (an artist\'s proof, aside from the edition of 400), published by AB Astra and the artist in association with Waddington Graphics, London, and Pace Editions, New York, printed by Staib Maye, Stuttgart, with full margins, framed.
23 3/4 x 19 3/4in (60.3 x 50.2cm)
sheet 35 x 24 7/8in (88.9 x 63.2cm)
吉姆·戴恩 强大的长袍，来自阿斯特拉
图片文件尺寸 : 3997 x 5998px
Jim Dine:
Oscar Wilde, The Picture of Dorian Gray (Galerie Mikro 47A-J), 1968
The complete artist\'s book comprising 12 lithographs in colors (one with collage and one with acetate overlay) on Arches paper, signed, annotated \'Edition B\' and numbered 14/200 in green ink on the justification page (there were also 25 artist\'s proofs), with the additional suite of four etchings in color, each signed in pencil, stamped \'Edition B\' verso and numbered 14/200 verso, with full margins, published by Petersburg Press, London, bound (as issued), housed in the original green velvet binding with title in silver, black velvet chemise and slipcase.
The additional suite including: Red Design for Satin Heart (Design for Satin Heart); Study for Rings on Dorian Gray\'s Hand; Dorian Gray at the Opium Den; Imprint from Dorian Gray\'s Stomach (16 works)
overall 18 x 12 1/2 x 1 1/4in (45.9 x 35 x 3cm)
吉姆·戴恩 奥斯卡·王尔德，《道林·格雷的照片》
图片文件尺寸 : 4000 x 5716px
11 Pop Artist\'s Volume 1:Various Artists, 1965
The complete set of 11 prints in colors, including 10 screenprints (one with collage additions) and 1 lithograph, each signed in various media (the Warhol stamp-signed on reverse) and numbered 55/200 (there were also 50 artist\'s proofs), published by Original Editions, New York, with text and justification, numbered in ink 55 on the justification, sheets loose (as issued), contained in the original orange linen-covered portfolio with printed title.
Artists and Titles Include:
Allan D\'Arcangelo, Landscape; Jim Dine, Awl; Allen Jones, Miss America (Levy 29); Gerald Laing, Compact; Roy Lichtenstein, Moonscape (Corlett 37); Peter Phillips, Custom Print I; Mel Ramos, Chic; James Rosenquist, Circles of Confusion (Glenn 8); Andy Warhol, Jacqueline Kennedy (Feldman Schellmann II.13); John Wesley, Maiden and Tom Wesselmann, Cut-out Nude.
portfolio 24 5/8 x 20 1/2 x 1 1/8in (62.5 x 52 x 3cm)
11流行艺术家第1卷 各种艺术家
图片文件尺寸 : 5462 x 4991px
Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)
Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes
各种艺术家 彼得·诺顿圣诞艺术项目
图片文件尺寸 : 4150 x 5828px
Jim Dine:Two Hearts at Sunset, from 2005 Suite, 2005
Lithograph in colors on Rives BFK paper, signed in pencil, dated and numbered 25/200 (there were also 10 artist\'s proofs), published by Marco Fine Arts Contemporary, Hawthorne, California, printed by Atelier Michael Woolworth, Paris, the full sheet.
sheet 20 1/2 x 26 3/8in (52 x 66.9cm)
吉姆·戴恩 日落的两颗心，2005套房
图片文件尺寸 : 4854 x 5866px
Jim Dine:The Jerusalem Plant #8 (D\'Oench Feinberg 176), 1984
Lithograph with intaglio in colors on wove paper, signed in pencil, dated and numbered 4/26 (there were also 5 artist\'s proofs), with the blindstamp of the publisher/printer, ULAE, West Islip, with full margins, framed.
plate 35 1/2 x 26 5/8in (90.2 x 67.6cm)
sheet 39 5/8 x 30 5/8in (10.6 x 77.9cm)
吉姆·戴恩 耶路撒冷工厂8号
图片文件尺寸 : 3935 x 5026px
Jim Dine:In The Thicket (Carpenter 68), 1993
Woodcut, etching, spit-bite aquatint, and soft-ground etching with hand-coloring on Rives BFK Gray paper, signed in pencil, dated and numbered 32/75 (there were also 16 artist\'s proofs), printed by Spring Street Workshop, New York, with full margins, framed.
12 1/2 x 21 1 /4in (31.8 x 54cm)
sheet 19 3/4 x 27in (50.2 x 68.6cm)
吉姆·戴恩 在灌木丛中
图片文件尺寸 : 4816 x 5937px
Jim Dine:Hand Painting on the Mandala (Carpenter 13), 1986
Engraving and power-tool drypoint in colors, with hand coloring in watercolor, on Arches Cover white paper, signed in pencil, dated and numbered 16/60 (there were also 16 artist\'s proofs), with the blindstamp of the publisher/printer Graphicstudio, University of South Florida, Tampa, with full margins.
37 1/4 x 35 1/2in (94.6 x 90.1cm)
sheet 49 5/8 x 40in (126 x 101.6cm)
吉姆·戴恩 曼荼罗手绘
图片文件尺寸 : 4514 x 5334px
Jim Dine:Palette IV, from Four Palettes (G. M. 56), 1969
Painted wood multiple mounted to board, signed in pencil and numbered 36/75, with stamped title and publisher inkstamp Petersburg Press, New York, verso, the full sheet, in original Plexiglas frame.
28 1/4 x 20 1/4 x 1 1/4in (71.7 x 51.4 x 3.2cm)
吉姆·戴恩 调色板IV，来自四个调色板
图片文件尺寸 : 5237 x 4208px
Jim Dine:The Albertina Venus (Carpenter 33), 1989
Aquatint, drypoint, soft-ground and sugar-life etching on Zerkall White paper, signed and dated in pencil and numbered 31/100 (there were also 30 artist\'s proofs), published by Gesellschaft Der Freunde der Albertina (Society of Friends of the Albertina Museum), with their embossed stamp, with full margins.
17 7/8 x 12 1/8in (45.4 x 30.8cm)
sheet 26 3/4 x 21 1/8in (67.9 x 53.7cm)
吉姆·戴恩 阿尔贝蒂娜金星
图片文件尺寸 : 5082 x 5264px
Jim Dine:The Mighty Robe, from Astra, 1985
Lithograph in colors on wove paper, signed in pencil and numbered AP 46/50 (an artist\'s proof, aside from the edition of 400), published by AB Astra and the artist in association with Waddington Graphics, London, and Pace Editions, New York, printed by Staib Maye, Stuttgart, with full margins, framed.
23 3/4 x 19 3/4in (60.3 x 50.2cm)
sheet 35 x 24 7/8in (88.9 x 63.2cm)
吉姆·戴恩 强大的长袍，来自阿斯特拉
图片文件尺寸 : 3997 x 5998px
Jim Dine:
Oscar Wilde, The Picture of Dorian Gray (Galerie Mikro 47A-J), 1968
The complete artist\'s book comprising 12 lithographs in colors (one with collage and one with acetate overlay) on Arches paper, signed, annotated \'Edition B\' and numbered 14/200 in green ink on the justification page (there were also 25 artist\'s proofs), with the additional suite of four etchings in color, each signed in pencil, stamped \'Edition B\' verso and numbered 14/200 verso, with full margins, published by Petersburg Press, London, bound (as issued), housed in the original green velvet binding with title in silver, black velvet chemise and slipcase.
The additional suite including: Red Design for Satin Heart (Design for Satin Heart); Study for Rings on Dorian Gray\'s Hand; Dorian Gray at the Opium Den; Imprint from Dorian Gray\'s Stomach (16 works)
overall 18 x 12 1/2 x 1 1/4in (45.9 x 35 x 3cm)
吉姆·戴恩 奥斯卡·王尔德，《道林·格雷的照片》
图片文件尺寸 : 4000 x 5716px
11 Pop Artist\'s Volume 1:Various Artists, 1965
The complete set of 11 prints in colors, including 10 screenprints (one with collage additions) and 1 lithograph, each signed in various media (the Warhol stamp-signed on reverse) and numbered 55/200 (there were also 50 artist\'s proofs), published by Original Editions, New York, with text and justification, numbered in ink 55 on the justification, sheets loose (as issued), contained in the original orange linen-covered portfolio with printed title.
Artists and Titles Include:
Allan D\'Arcangelo, Landscape; Jim Dine, Awl; Allen Jones, Miss America (Levy 29); Gerald Laing, Compact; Roy Lichtenstein, Moonscape (Corlett 37); Peter Phillips, Custom Print I; Mel Ramos, Chic; James Rosenquist, Circles of Confusion (Glenn 8); Andy Warhol, Jacqueline Kennedy (Feldman Schellmann II.13); John Wesley, Maiden and Tom Wesselmann, Cut-out Nude.
portfolio 24 5/8 x 20 1/2 x 1 1/8in (62.5 x 52 x 3cm)
11流行艺术家第1卷 各种艺术家
图片文件尺寸 : 5462 x 4991px
Various Artists:Peter Norton Christmas Art Projects, 1989-2017
A group of 27 multiples in various media, from the editions of 2500-5000, published by the Peter Norton Family Christmas Project, Santa Monica, California. (27)
Artists, titles and dates include:
Untitled (Stereoscopic Slide Viewer), Mitchell Syrop, 1989; Untitled (Four Napkins), May Sun, 1990; Untitled (Stars Don\'t Stand Still in the Sky for Anybody pin), Lawrence Weiner, 1991; Untitled (NO IT CAN ASSESS AN ACTION wall template, Fred Fehlau, 1992 (2); Untitled (Miniature Book), Luciano Perna, 1993; III (Three Wishbones in a Wood Box), Lorna Simpson, 1994; Aimai-no-bi (Ambiguous Beauty), Yasumasa Morimura, 1995; Oblique Strategies, Brian Eno/Pae White, 1996; Freedom, a Fable: A Curious Interpretation of the Wit of a Negress in Troubled Times, Kara Walker, 1997; Untitled (Double-sided Blanket), Jim Hodges, 1998; Untitled (Peep Show), Anna Gaskell, 2001; Untitled (Dollhouse), Yinka Shonibare, 2002; Teacup, Robert Lazzarini, 2003; Untitled (Glass Bowl), Do Ho Suh, 2004; Untitled (Music Box), Christian Marclay, 2005; Untitled (Spiral, Pop-up Photo Album), Peter Coffin, 2006; Salt and Pepper Shaker, Nina Katchadourian, 2007; Cheshire Smile, Sanford Biggers, 2008; Untitled (Sequined Antler), Marc Swanson, 2009; Ikebana Kit, Escher GuneWardena Architecture, 2012; Trophy Modern, Ry Rocklen, 2013; Once Again, But Different This Time: The Canasta Edition, Kevin Sommers, 2014; Lazerian et al. Gerald the Dog, 2015; This is the End, 2017; Untitled (Holiday Card Portrait), Catherine Opie, n.d.; Currency, Brenna Youngblood, 2006 (signed in pencil, titled, dated and numbered 156/200 verso)
various sizes
各种艺术家 彼得·诺顿圣诞艺术项目