图片文件尺寸 : 4369 x 4851px

MICHAEL RAY CHARLES:(Forever Free) Get Emerged, 1999

signed and dated \'MICHAEL R A Y CHARLES 99\' (lower right)
acrylic latex, stain and copper penny on canvas

60 1/4 x 36 in.
153 x 91.4 cm.

迈克尔·雷·查尔斯 《崭露头角》，1999年

图片文件尺寸 : 6619 x 8642px

拉夏尔·罗梅罗（Rachael Romero）《从阿根廷监狱中释放奥尔加·塔拉曼特》-Rachael Romero

从阿根廷监狱释放奥尔加·塔拉芒特--Rachael Romero (Australian, b. 1953)

图片文件尺寸 : 2430 x 3728px

约瑟夫·费迪南德·兰克雷农的《解放海伦的卡斯特和波勒斯的窗帘研究》-Joseph-Ferdinand Lancrenon

“窗帘研究”卡斯托和波卢克斯解放海伦--Joseph-Ferdinand Lancrenon (法国, 1794-1874)

图片文件尺寸 : 3906 x 5055px

阿戈斯蒂诺·布鲁尼亚斯的《一个西印度花童和另外两个自由的有色人种女性》-Agostino Brunias

一名西印度花童和另外两名有色人种自由女性--Agostino Brunias (意大利, c. 1730 – 1796)

图片文件尺寸 : 5159 x 3825px

KIRCHER, ATHANASIUS. 1602-1680. :Latium. Id est, nova parallela latii tum veteris tum novi descriptio. Amsterdam: Johannes Janssonius van Waesberge heirs of E. Weyerstraet, 1671.
Folio (405 x 270 mm). Additional engraved allegorical title by Romeyn de Hooghe, engraved portrait of Pope Clement X, 27 engraved plates, maps, and plans (15 double-page), 20 engraved plates in text, woodcut vignette on title, initials and tailpieces. Contemporary vellum, tooled in blind to panel design with centerpiece medallion; covers soiled, text browned and heavily foxed throughout, occasional brittle and chipped leaves, a few closed tears repaired to plates on verso.
Provenance: inscribed \"Cuthbert 1710\" on front free endpaper; Thomas Kingsbury (armorial bookplate); Dublin Jesuit ex-libris ink stamps on front free endpaper and title.

FIRST EDITION of Kircher\'s description of the topography, landscape, buildings, gardens and archeological treasures of the city of Rome and its surroundings. Modern and ancient sites are described, including the Villa Borghese at Mondragone, Hadrian\'s Villa, and the Villa Aldbrandini at Frascati. Caillet 5777; Cicognara 3758; Merrill 23.

阿塔纳修斯·基尔彻。1602-1680. 拉蒂姆。这是一个新的、平行的、既旧又新的描述。阿姆斯特丹：约翰内斯·扬索纽斯·范·瓦斯贝热和E.Weyerstraet的继承人，1671年。

图片文件像素：4600 x 3500 px

詹姆斯·罗森奎斯特-

-

(Grand Forks, North Dakota 1933-2017 New York City)
"A Free for all", 1976, Lithographie in Farbe mit collagierter Kordel auf Velin, signiert und datiert Rosenquist 1976 sowie betitelt, Nr. Nr. 21 von 25 nummerierten Exemplaren Hors Commerce, blattgroßer Druck ca. 66 x 51,5 cm, erschienen innerhalb des Portfolio 'Look out beyond and see: An 美国 portrait 1776-1976', gedruckt bei Derriere L'Etoile Studios und herausgegeben von Transworld Art/New York mit dem Trockenstempel, gerahmt beschrieben, (RAC)

图片文件尺寸 : 4418 x 4746px

FUJINUMA NOBORU (B. 1945; LIVING NATIONAL TREASURE, 2012):A bamboo flower basket
Heisei era (1989-2019), circa 2004
Of nemagaridake bamboo (Sasa kurilensis) with staining, executed in bundled openwork free-style plaiting and wrapping, signed on the base Noboru rokujusai (Noboru, aged 60)
11 3/4in (29.8cm) high

藤沼信（1945年出生《活着的国宝》，2012年） 在竹子花篮上，平成大约在2004年

图片文件尺寸 : 5114 x 5157px

A Shell-Work Sailor\'s Double Valentine, \'Remember Me\', Barbadian, 19th century, :the hinged octagonal mahogany cases mounted with pink, green, brown, and white shells, one reading \'REMEMBER ME\', the other with a small panel painting to the centre depicting a sailor beside an anchor, American shield, and an eagle, captioned \'FREE TRADE AND SAILORS RIGHTS\', each with glazed top,
10in (25.5cm) wide when closed

《贝壳水手的双情人节》，《记住我》，巴巴迪亚，19世纪， 关闭时宽10英寸

图片文件尺寸 : 5238 x 5401px

MOXON, JOSEPH. 1627-1691.:A Tutor to Astronomy and Geography. London: S. Roycroft, for Joseph Moxon, 1686.
Small 4to (199 x 158 mm). Engraved portrait frontispiece, engraved and woodcut illustrations in text. Contemporary brown suede, rebacked. Covers worn, browning and spotting, marginal tear to Bb4 and larger tear to Hh1 into text, ink ownership inscription (dated 1692) on free front endpaper.

Fourth edition, enlarged and corrected. Moxon was Hydrographer to Charles II, as well as a mapmaker, globe maker, and mathematical instrument maker. ESTC R11899; Wing M3025.

约瑟夫·莫森。1627-1691. 天文和地理导师。伦敦：S.Roycroft，代表约瑟夫·莫森，1686年。

图片文件尺寸 : 5072 x 4080px

IIZUKA HOSAI II (1872–1934) OR IIZUKA ROKANSAI (1890–1958):A bamboo flower basket
Showa era (1926-1989), late 1920s/early 1930s
Of madake (timber bamboo) with applications of dust and lacquer, worked in diagonal free-style and bundled plaiting and wrapping, signed on a cross bar on the base Hosai Sanjin (Hosai the Recluse); with an otoshi (water container) formed from a stem of bamboo and cut with vertical striations
11 1/2in (29.2cm) high

IIZUKA HOSAI II（1872–1934）或IIZUKA ROKANSAI（1890–1958） 竹篮昭和时代，20世纪20年代末/30年代初