图片文件尺寸 : 3914 x 4803px

Karel Appel: Bedized Pudding Canadian Suite, 1979
The complete suite of 6 mixed media prints with embossing in color on Arches paper, 5 signed, 4 dated and all numbered 113/130, with the blindstamp of the publisher Editions Canada, London, Ontario, each with full margins, housed in the original screenprinted fabric-covered portfolio.
Titles Include: Lying in Red; The Falling Face; Purple Owl; Face; Sound; The Soft Oriental (6 works)
each 30 5/8 x 20 7/8in (77.8 x 53cm)
each sheet 35 x 26in (88.9 x 66cm)

卡雷尔.阿佩尔 床上用品布丁加拿大套房

图片文件尺寸 : 2355 x 2835px

拉尔夫·巴顿（Ralph Barton）的《热情的纽约客》——“为什么，先生，在美国，我们所有的女人都很漂亮。我不敢让你在大街上发现一张丑陋的脸”-Ralph Barton

Enthusiastic New Yorker Why, sir, all our women are beautiful here in America. I defy you to find a really ugly face on the avenue--Ralph Barton (美国, 1891–1931)

图片文件尺寸 : 4717 x 5280px

PAUL JACOULET (1902-1960):Four large vertical prints
Showa era (1926-1989), 1940-1948
The first, entitled L\'Homme accroupi. Chinois (The Squatting Man. Chinese), carved by Maeda Kentaro, printed by Fujii Shunosuke, owl seal, with edition number 18/250 on verso; the second, Le Betel \"Yap\" (The Betel Nut Boy, Yap), carved by Maeda Kentaro, printed by Uchikawa Matashiro, boat seal, with edition number 255/350 on verso; the third, LE NID \"Coree\" (The Nest. Korea), carved by Maeda Kentaro, printed by Ogawa Fusakichi, sparrow seal, with edition number 123/350 on verso; the fourth, La Soupe aux Huitres. Chinois (Oyster Stew. Chinese), carved by Maeda Kentaro, printed by Ogawa Fusakichi, peach seal, with edition number 243/350 on verso; all signed in pencil Paul Jacoulet (4)
The first, and largest, 18 7/8 x 14 1/4in (47.9 x 36.3cm)

保罗·雅克莱特（1902-1960） 昭和时代，1940-1948年，四幅大型垂直版画

图片文件尺寸 : 4205 x 4967px

Malangatana Valente Ngwenya:Two studies and an illustrated letter (i-iii):
(i) Head Studies
signed, dated and inscribed \'Malangatana/ Harare - Aug./ 1989\' (lower right)
pen on paper
25.4 x 18cm (10 x 7 1/16in).

(ii) Female Nude Study
signed, dated and inscribed \'Harare/ 15.16/11.81/ Malangatana\' (lower right)
pen and pencil on paper
43.3 x 30.5cm (17 1/16 x 12in).

(iii) Illustrated handwritten letter from the artist
dated \'15/11/1985\' (upper right)
pen on paper
29.8 x 21cm (11 3/4 x 8 1/4in).
(3)
(all unframed)

Malangana Valente Ngwani 两项研究和一封带插图的信：

图片文件尺寸 : 5390 x 5418px

Karel Appel:Looking Like Green; Smiling Face; Heads Like Clouds (3 works), 1970; 1971
3 lithographs in colors on Arches paper, each signed in pencil, dated and numbered 26/100; 26/100; or 77/100, respectively, all with full margins. (3 works)
26 1/4 x 20 1/2in (66.6 x 52cm); 20 1/4 x 26 3/8in (51.4 x 67cm); 26 1/4 x 40 1/4in (66.6 x 102.2cm)
sheet 31 1/2 x 23 5/8in (80 x 60cm); 21 x 30 in (53.2 x 76.1cm); 28 x 41 1/2in (71 x 105.3cm)

卡雷尔.阿佩尔 看起来像绿色笑脸头如云

图片文件尺寸 : 3933 x 4387px

HAYAL POZANTI: 40 (Percentage of all text posted to Instagram that contains at least one emoji in the photo caption), 2015

signed and dated \'hayal \'15\' (on the reverse)
acrylic on canvas

40 x 39 3/4 in.
101.6 x 101 cm.

哈亚尔·波赞蒂 40 , 2015

图片文件尺寸 : 5306 x 4849px

English School:A view of Mercara Fort (Madikeri Fort) circa 1852 and three additional views believed to be in Coorg, India
watercolour heightened with white
21 x 30.8cm (8 1/4 x 12 1/8in) and smaller. (4)
all unframed

英语学校 一张大约1852年的Mercara Fort的照片，以及另外三张照片，据信是在印度库格，尺寸为21 x 30.8cm及以下。全部未加框

图片文件尺寸 : 4884 x 5840px

Robert Rauschenberg:Tribute 21 (22 works), 1994
The complete portfolio, comprising of 22 lithographs printed in colors on Arches wove paper, each signed in pencil, dated and numbered PP 3/5 (a printer\'s proof, aside from the edition of 50), each with the blindstamp of the publisher, Felissimo Corporation, Tokyo, all contained in the original white cloth-covered clamshell portfolio box with the project title and artist\'s signature printed on a silver metal plaque, cover. (22 works)
each sheet: 41 1/8 x 27in (104.4 x 68.5cm)

罗伯特·劳森伯格 致敬21

图片文件尺寸 : 4567 x 4228px

Bruce Onobrakpeya:Four plastographs (i-iv):
(i) Owen No Riokun
signed, titled, dated, numbered \'16/75\' and inscribed \'Ibadan March 1984\' (lower margin)
deep etching on paper
image: 23 x 28cm (9 1/16 x 11in)
sheet: 26.5 x 37.5cm (10 7/16 x 14 3/4in).

(ii) Ohworigita
signed, titled, dated, numbered \'69/75\' and inscribed \'Ibadan March 1984\' (lower margin)
deep etching on paper
image: 23 x 28cm (9 1/16 x 11in)
sheet: 26.5 x 37.5cm (10 7/16 x 14 3/4in).

(iii) Erhue
signed, titled, dated, numbered \'55/75\' and inscribed \'Ibadan March 1984\' (lower margin)
deep etching on paper
image: 23 x 28cm (9 1/16 x 11in)
sheet: 26.9 x 39.4cm (10 9/16 x 15 1/2in).

(iv) Kuruma
signed, titled, dated, numbered \'54/75\' and inscribed \'Ibadan March 1984\' (lower margin)
deep etching on paper
image: 28 x 23cm (11 x 9 1/16in)
sheet: 37.7 x 26.6cm (14 13/16 x 10 1/2in).
(all unframed)
(4)

布鲁斯·奥诺布拉克佩亚 四张塑料照片：

图片文件尺寸 : 5395 x 4941px

A SMALL SLIP-DECORATED BUNCHEONG BOTTLE:Goryeo dynasty (918-1392), 15th/16th century
The pear-shapes bottle set on a ring foot and with a flaring mouth, decorated with tightly packed rows of rings punctuated with three sets of parallel bands, all in white slip, the body covered in a celadon-tinged glaze
With a wood tomobako storage box
6 5/8in (16.8cm) high

一个装饰精美的小瓶子 高丽王朝，15/16世纪