图片文件尺寸 : 5363 x 5140px

Robert Rauschenberg:Dream Cycle from Ground Rules, 1997
Etching and photogravure in colors on Arches En Tout Cas paper, signed in pencil, dated and numbered PP 3/4 (a printer\'s proof, aside from the edition of 44), with the blindstamp of the publisher Universal Limited Art Editions, West Islip, New York, the full sheet.
sheet 52 1/2 x 33 3/4in (133.35 cm x 85.73cm)

罗伯特·劳森伯格 基本规则中的梦想循环

图片文件尺寸 : 5131 x 5034px

Robert Rauschenberg: Dream Cycle from Ground Rules, 1997
Etching and photogravure in colors on Arches En Tout Cas paper, signed in pencil, dated and numbered PP 3/4 (a printer\'s proof, aside from the edition of 44), with the blindstamp of the publisher Universal Limited Art Editions, West Islip, New York, the full sheet.
sheet 52 1/2 x 33 3/4in (133.35 cm x 85.73cm)

罗伯特·劳森伯格 基本规则中的梦想循环

图片文件尺寸 : 4920 x 5538px

Roy Lichtenstein:Sunshine Through the Clouds, from Landscape Series (Cortlett 216, Gemini 1258), 1985
Lithograph, woodcut and screenprint in colors on Arches 88 paper, signed in pencil, dated and annotated \'AP 6/11\' (an artist\'s proof, aside from the edition of 60), with the blindstamp of the publisher/printer, Gemini G.E.L., Los Angeles, with full margins, framed.
52 3/8 x 37in (133 x 94cm)
sheet 55 1/8 x 39 7/8in (140 x 101.3cm)

罗伊·利希滕斯坦 阳光穿过云层，来自风景系列

图片文件尺寸 : 4999 x 5193px

James Seymour:A brown thoroughbred, traditionally identified as \'Spanking Roger\', held by a groom before an extensive landscape
signed with initials and dated \'J.S.,/ 1745\' (lower left)
oil on canvas
76.7 x 133cm (30 3/16 x 52 3/8in).

詹姆斯·西摩 一匹棕色纯种马，传统上被称为“施潘罗杰”，由新郎在广阔的景观前牵着

图片文件尺寸 : 4851 x 4163px

KIRCHER, ATHANASIUS. 1602-1680. :China Monumentis, qua Sacris qua Profanis. Amsterdam: Johannes Janssonius van Waesberge Elizeus Weyerstraet, 1667.
Folio (385 x 265 mm). Engraved portrait, 2 engraved maps (1 folding); 23 engraved plates and tables (2 folding), 59 engravings to text, LACKING engraved frontispiece. Modern quarter red morocco; title and following two leaves repaired at margins on verso, plate at p. 137 lacking all areas beyond folds, 120 mm vertical tear to T3, gutter of final leaf repaired.

FIRST EDITION of Kircher\'s popular and richly illustrated work on Chinese culture and language, drawn largely from the accounts of fellow Jesuits Adam Schall, Martino Marinti, Johann Grueber, and Matteo Ricci. This work contains the first Chinese vocabulary and Sanskrit grammar printed in the West and remained the primary source for the study of those languages until the nineteenth century. The Chinese vocabulary is drawn from a translation of the 8th-century Nestorian stele; the Sanskrit grammar on the work of Jesuit Heinrich Roth. Caillet 5773; Brunet III, 666; Honeyman V, 1824; Löwendahl 133 (\"one of the most influential books in shaping the European conception of China in its day\"); Lust 37; Merrill 20.

阿塔纳修斯·基尔彻。1602-1680. 中国纪念碑，作为圣礼，作为普罗法尼。阿姆斯特丹：约翰内斯·扬索纽斯·范·瓦斯贝热和埃利埃斯·韦耶尔斯特雷特，1667年。

图片文件尺寸 : 4371 x 4678px

MICROSCOPY.:8 titles:
1. GIROD-CHANTRANS, JUSTIN. 1750-1841. Recherches chimiques et microscopiques sur les conserves, bisses, tremelles, etc. Paris: Chez Bernard, An X (1802). 4to (265 x 202 mm). 36 hand-colored engraved plates. Later half green straight-grain morocco and marbled boards. Rubbed, old cloth tape label on spine, scattered spotting.
2. QUEKETT, JOHN THOMAS. 1815-1861. A Practical Treatise on the Use of the Microscope. London: Hippolyte Balliere, 1848. 8vo (215 x 133 mm). 9 engraved plates, numerous wood-engraved illustrations in text. Late-19th century half calf and marbled boards, spine decorated in blind with 5 raised bands, marbled edges. Large chip to top edge of spine, soiling to covers, plates closely trimmed at outside edges, toning.
3. COLE, ARTHUR C. 1821-1900. Studies in Microscopical Science. London: Balliere, Tindall Cox, 1883. 2 volumes. 8vo. 89 lithographic plates. Publisher\'s red cloth, stamped in gilt. Spines sunned, corners bumped, slight chipping to spine ends, mis-matched bookplates on front paste-downs, shaken, light browning.
4. ---. The Methods of Microscopical Research. London: Balliere, Tindall Cox, 1884. 8vo. 2 lithographic plates. Contemporary half black sheep and marbled boards. Rubbed, toning.
5. PETRI, RICHARD JULIUS. 1852-1921. Das Mikroskop. Von seinen Anfangen bis zur jetzigen Vervollkommnung fur alle Freunde dieses Instruments. Berlin: Richard Schoetz, 1896. Small 4to. 2 portrait plates, numerous illustrations in text. Contemporary half morocco and marbled boards. Heavily chipped, top joint cracked, toning.
6. CLAY, REGINALD S. 1868-1954, and THOMAS H. COURT. The History of the Microscope. London: Charles Griffin and Company, 1932. 4to. 164 illustrations in text. Publisher\'s red cloth. Sunned, slightly loose, spine ends bumped, a few pages with tape repairs, some ink notations.
7. BRÄUTIGAM, FRITZ. and ALFRED GRABNER. Editors. Beiträge zur Floreszenz-Mikroskopie. Vienna: Georg Fromme Co., 1949. 20 color illustrations on 10 pp. Publisher\'s quarter cloth and printed boards. Some staining and soiling to boards, insect damage to spine, light toning.
8. ROOSEBOOM, MARIA. Microscopium. Leiden: Rijksmuseum voor de Geschiedenis der Natuurwetenschappen, 1956. 4to. Publisher\'s grey cloth. Fabric tape label on spine, light soiling and wear., minor toning.

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