73. 贾纳丹·巴特 信心 高清作品[49%]

Confidence

图片文件尺寸 : 4581 x 4808px

Janardan Bhatt:(Untitled) Confidence
singed upper right and signed, dated, 16.6.20, with size 32 x 22, Roll 1 verso
oil on canvas
74 x 56.4cm (29 1/8 x 22 3/16in).

贾纳丹·巴特 信心

75. 汉密尔顿 Swinging伦敦67 高清作品[44%]

Swingeing London 67

图片文件尺寸 : 5328 x 4300px

Richard Hamilton:Swingeing London 67 (Lullin 69)
Photo-offset lithograph in colours, 1968, on wove paper, from the unsigned edition of 1000, printed by the artist and Sergio Tosi, published by ED 912 Edizioni di Cultura Contemporanea, Milan, with the copyright details verso, the full sheet rolled, with pale time staining and other surface defects, in overall good condition

Sheet 707 x 499mm. (27 7/8 x 19 5/8in.)

汉密尔顿 Swinging伦敦67

77. 吉莉斯·吉利斯(Gillis Gillisz)的《一张桌子上摆着一只旋转木马、一只剥了皮的柠檬、樱桃和面包卷的静物》 高清作品[39%]

A Still Life With A Roemer, A Peeled Lemon, Cherries And A Bread Roll On A PartlyDraped Table-

图片文件尺寸 : 2693 x 3260px

吉莉斯·吉利斯(Gillis Gillisz)的《一张桌子上摆着一只旋转木马、一只剥了皮的柠檬、樱桃和面包卷的静物》-Gillis Gillisz. de Bergh

在一张有部分窗帘的桌子上放着一只旋转木马、一只去皮的柠檬、樱桃和一个面包卷的静物--Gillis Gillisz. de Bergh (荷兰, 1600 – 1669)

78. (16世纪) 16世纪室町清泽昭子大祭司的真实肖像 高清作品[37%]

A True Portrait of High Priest Chinzei Shoko Muromachi period , 16th century

图片文件尺寸 : 5060 x 4107px

ANONYMOUS (16TH CENTURY):A True Portrait of High Priest Chinzei Shoko
Muromachi period (1333-1573), 16th century
The painting in ink and colors on paper depicting an elderly man with a shaved head holding a Buddhist rosary and wearing a priest\'s robes with a kesa garment hanging from his left shoulder while seated on a dais, to his right three rolled-up sutra scrolls on top of a side table; above his head a calligraphy of twenty characters describing his achievements; of hanging scroll format now mounted in a frame
27 7/8 x 14in (70.8 x 35.6cm)

匿名(16世纪) 16世纪室町清泽昭子大祭司的真实肖像

79. 全景图 火车站和停车场全景,标题为“Ironville商店图片”,San。德克萨斯州安东尼奥(20世纪50年代)以及美国的许多其他摄影视图,包括大约20幅大型滚动全景图,以及使用全景柯达相机拍摄的大约50幅20世纪早期的小型全景图等。 高清作品[32%]

Panorama of railyard and depot, captioned \'Picture of Ironville Shops\', San. Antonio, Texas, [1950s]; and a quantity of other photographic views of America, including approx. 20 large rolled panoramas, and a collection of approximately 50 early twentieth century small panoramic views taken with Panoram Kodak camera, etc.

图片文件尺寸 : 4298 x 4194px

PANORAMAS:

全景图 火车站和停车场全景,标题为“Ironville商店图片”,San。德克萨斯州安东尼奥(20世纪50年代)以及美国的许多其他摄影视图,包括大约20幅大型滚动全景图,以及使用全景柯达相机拍摄的大约50幅20世纪早期的小型全景图等。

80. 彼得·哈雷,当代艺术I 高清作品[30%]

DO-Peter Halley - 现代艺术 I
图片文件像素:5946 x 5480 px

彼得·哈雷,当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric

rolle油画图片- 高清rolle绘画作品- 代表作全集 中艺名画下载


73. 贾纳丹·巴特 信心 高清作品[49%]

Confidence

图片文件尺寸 : 4581 x 4808px

Janardan Bhatt:(Untitled) Confidence
singed upper right and signed, dated, 16.6.20, with size 32 x 22, Roll 1 verso
oil on canvas
74 x 56.4cm (29 1/8 x 22 3/16in).

贾纳丹·巴特 信心

75. 汉密尔顿 Swinging伦敦67 高清作品[44%]

Swingeing London 67

图片文件尺寸 : 5328 x 4300px

Richard Hamilton:Swingeing London 67 (Lullin 69)
Photo-offset lithograph in colours, 1968, on wove paper, from the unsigned edition of 1000, printed by the artist and Sergio Tosi, published by ED 912 Edizioni di Cultura Contemporanea, Milan, with the copyright details verso, the full sheet rolled, with pale time staining and other surface defects, in overall good condition

Sheet 707 x 499mm. (27 7/8 x 19 5/8in.)

汉密尔顿 Swinging伦敦67

77. 吉莉斯·吉利斯(Gillis Gillisz)的《一张桌子上摆着一只旋转木马、一只剥了皮的柠檬、樱桃和面包卷的静物》 高清作品[39%]

A Still Life With A Roemer, A Peeled Lemon, Cherries And A Bread Roll On A PartlyDraped Table-

图片文件尺寸 : 2693 x 3260px

吉莉斯·吉利斯(Gillis Gillisz)的《一张桌子上摆着一只旋转木马、一只剥了皮的柠檬、樱桃和面包卷的静物》-Gillis Gillisz. de Bergh

在一张有部分窗帘的桌子上放着一只旋转木马、一只去皮的柠檬、樱桃和一个面包卷的静物--Gillis Gillisz. de Bergh (荷兰, 1600 – 1669)

78. (16世纪) 16世纪室町清泽昭子大祭司的真实肖像 高清作品[37%]

A True Portrait of High Priest Chinzei Shoko Muromachi period , 16th century

图片文件尺寸 : 5060 x 4107px

ANONYMOUS (16TH CENTURY):A True Portrait of High Priest Chinzei Shoko
Muromachi period (1333-1573), 16th century
The painting in ink and colors on paper depicting an elderly man with a shaved head holding a Buddhist rosary and wearing a priest\'s robes with a kesa garment hanging from his left shoulder while seated on a dais, to his right three rolled-up sutra scrolls on top of a side table; above his head a calligraphy of twenty characters describing his achievements; of hanging scroll format now mounted in a frame
27 7/8 x 14in (70.8 x 35.6cm)

匿名(16世纪) 16世纪室町清泽昭子大祭司的真实肖像

79. 全景图 火车站和停车场全景,标题为“Ironville商店图片”,San。德克萨斯州安东尼奥(20世纪50年代)以及美国的许多其他摄影视图,包括大约20幅大型滚动全景图,以及使用全景柯达相机拍摄的大约50幅20世纪早期的小型全景图等。 高清作品[32%]

Panorama of railyard and depot, captioned \'Picture of Ironville Shops\', San. Antonio, Texas, [1950s]; and a quantity of other photographic views of America, including approx. 20 large rolled panoramas, and a collection of approximately 50 early twentieth century small panoramic views taken with Panoram Kodak camera, etc.

图片文件尺寸 : 4298 x 4194px

PANORAMAS:

全景图 火车站和停车场全景,标题为“Ironville商店图片”,San。德克萨斯州安东尼奥(20世纪50年代)以及美国的许多其他摄影视图,包括大约20幅大型滚动全景图,以及使用全景柯达相机拍摄的大约50幅20世纪早期的小型全景图等。

80. 彼得·哈雷,当代艺术I 高清作品[30%]

DO-Peter Halley - 现代艺术 I
图片文件像素:5946 x 5480 px

彼得·哈雷,当代艺术I-

Peter Halley - Zeitgenössische Kunst I-

(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm

We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.

Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna

Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014

Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.

“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…

Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric