图片文件尺寸 : 2178 x 2367px
沃尔特·克莱恩的《命运之卷》-Walter Crane
命运之卷--Walter Crane (英国, 1845 - 1915)
大约有84幅作品符合查询(搜索耗时:0.8980秒)
图片文件尺寸 : 5328 x 4300px
Richard Hamilton:Swingeing London 67 (Lullin 69)
Photo-offset lithograph in colours, 1968, on wove paper, from the unsigned edition of 1000, printed by the artist and Sergio Tosi, published by ED 912 Edizioni di Cultura Contemporanea, Milan, with the copyright details verso, the full sheet rolled, with pale time staining and other surface defects, in overall good condition
Sheet 707 x 499mm. (27 7/8 x 19 5/8in.)
汉密尔顿 Swinging伦敦67
图片文件尺寸 : 5060 x 4107px
ANONYMOUS (16TH CENTURY):A True Portrait of High Priest Chinzei Shoko
Muromachi period (1333-1573), 16th century
The painting in ink and colors on paper depicting an elderly man with a shaved head holding a Buddhist rosary and wearing a priest\'s robes with a kesa garment hanging from his left shoulder while seated on a dais, to his right three rolled-up sutra scrolls on top of a side table; above his head a calligraphy of twenty characters describing his achievements; of hanging scroll format now mounted in a frame
27 7/8 x 14in (70.8 x 35.6cm)
匿名(16世纪) 16世纪室町清泽昭子大祭司的真实肖像
彼得·哈雷,当代艺术I-
Peter Halley - Zeitgenössische Kunst I-
(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm
We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.
Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna
Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014
Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.
“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…
Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric
大约有84幅作品符合查询(搜索耗时:0.8980秒)
图片文件尺寸 : 5328 x 4300px
Richard Hamilton:Swingeing London 67 (Lullin 69)
Photo-offset lithograph in colours, 1968, on wove paper, from the unsigned edition of 1000, printed by the artist and Sergio Tosi, published by ED 912 Edizioni di Cultura Contemporanea, Milan, with the copyright details verso, the full sheet rolled, with pale time staining and other surface defects, in overall good condition
Sheet 707 x 499mm. (27 7/8 x 19 5/8in.)
汉密尔顿 Swinging伦敦67
图片文件尺寸 : 5060 x 4107px
ANONYMOUS (16TH CENTURY):A True Portrait of High Priest Chinzei Shoko
Muromachi period (1333-1573), 16th century
The painting in ink and colors on paper depicting an elderly man with a shaved head holding a Buddhist rosary and wearing a priest\'s robes with a kesa garment hanging from his left shoulder while seated on a dais, to his right three rolled-up sutra scrolls on top of a side table; above his head a calligraphy of twenty characters describing his achievements; of hanging scroll format now mounted in a frame
27 7/8 x 14in (70.8 x 35.6cm)
匿名(16世纪) 16世纪室町清泽昭子大祭司的真实肖像
彼得·哈雷,当代艺术I-
Peter Halley - Zeitgenössische Kunst I-
(born in New York 1953)
Six Prisons, 2006, signed and dated on the reverse, acrylic, fluorescent acrylic, pearlescent, metallic acrylic, and Roll-a-Tex on 6 adjoined canvases, 190.5 x 190.5 cm
We are grateful to Peter Halley Studio, New York for the kind assistance with the cataloguing of this work.
Provenance:
Galerie Forsblom, Stockholm (label on the reverse)
Private Collection, Vienna
Exhibited:
Galerie Forsblom, Helsinki, 10 November
2006 - 10 January 2007
Peter Halley – Prisons, Friedrich Schiller University,
Jena, 德国y, 10 May 2014 – 27 July 2014
Literature:
Martin S. Fischer, Barbara Happe, Steffen Siegel, et al.,
Peter Halley – Prisons, exhibition catalogue (Jena: Friedrich Schiller University, 2014), 91, ill.
“The deployment of the geometric dominates the landscape. Space is divided into discrete, isolated cells, explicitly determined as to extent and function. Cells are reached through complex networks of corridors and roadways that must be traveled at prescribed speeds and at prescribed times. The constant increase in the complexity and scale of these geometries continuously transforms the landscape…
Along with the geometrization of the landscape, there occurs the geo-metrization of thought. Specific reality is displaced by the primacy of the model. And the model is in turn imposed on the landscape, further displacing reality in a process of ever more complete circularity.”
Peter Halley, The Employment of the Geometric