71. 朝鲜血统 19世纪江户时期的黑漆五箱 高清作品[95%]

A black lacquer five-case  inroEdo period , 19th century

图片文件尺寸 : 4336 x 4477px

KOMA KORYU LINEAGE:A black lacquer five-case inro
Edo period (1615-1868), 19th century
Of oval profile with applied cord-runners, decorated in gold, silver, colored hiramaki-e, takamaki-e, and togidashi-e against a gold hirame-dusted black lacquer ground, depicting Kantan no makura (The Kantan Pillow): Rosei, a poor young man briefly asleep at an inn, dreams of riding to the Chinese capital in a shining litter; Rosei\'s fan of translucent shell, a flowering tree above, grasses below, signed Koma Koryu saku (Made by Koma Koryu); hardstone ojime
3 3/4in (9.8cm) high

朝鲜血统 19世纪江户时期的黑漆五箱

73. 一个小金漆盒和盖子 19世纪江户时代或五月时代 高清作品[95%]

Edo period  or Meiji era , 19th century

图片文件尺寸 : 3939 x 4022px

A SMALL GOLD LACQUER BOX AND COVER:Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of overlapping shikishi (poem card) form decorated in iro-e takamkai-e and hiramaki-e with butterflies and shinobu ferns (Davallia mariesii) on a nashiji ground, and chrysanthemum and paulownia blossoms, the interior nashiji with fundame edges
3 7/8 x 3 7/8 x 1 3/4in (9.8 x 9.8 x 4.4cm)

一个小金漆盒和盖子 19世纪江户时代或五月时代

74. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画 高清作品[95%]

Five oban tate-e print diptychs Edo period , circa 1857-1859

图片文件尺寸 : 4436 x 5763px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画

75. 阿伯斯 I-S LXXIIa型 高清作品[95%]

I-S LXXIIIa

图片文件尺寸 : 4550 x 5167px

Josef Albers:I-S LXXIIIa (Danilowitz 218), 1973
Screenprint in colors on wove paper, initialed in pencil, titled, dated and numbered 93/100 (there were also 35 hors commerce), with the blindstamp of the publisher, Ives-Sillman, Inc., New Haven, printed by Sirocco Screenprints, New Haven, with full margins, framed.
17 1/2 x 17 1/2in (44.5 x 44.5cm)
sheet 28 x 28in (71.1 x 71.1cm)

阿伯斯 I-S LXXIIa型

76. 两个漆盒 江户时代或明治时代,19世纪/20世纪初 高清作品[95%]

Edo period  or Meiji era , 19th/early 20th century

图片文件尺寸 : 4476 x 5027px

TWO LACQUER BOXES:Edo period (1615-1868) or Meiji era (1868-1912), 19th/early 20th century
Both boxes with domed overhanging kabusebuta covers, decorated in gold and silver hiramaki-e on a nashiji or hirame ground, the larger tebako (cosmetic box) with floral family crests and scrolling vines and flowers with inlays of shell, applied with gilt cord rings engraved with paulownia flowers, with a removable inner tray decorated in hirame on a dark brown ground; the smaller fushibako (pigment box) decorated with fruiting tachibana (mandarin) and pine trees, interiors nashiji
6in (15.2cm) high, the larger

两个漆盒 江户时代或明治时代,19世纪/20世纪初

77. 伊阿尼斯·莫拉里斯 满月I 高清作品[95%]

Pleine Lune I

图片文件尺寸 : 5465 x 5832px

Yiannis Moralis:Pleine Lune I
inscription en grec, signé et daté \'1977\' (en bas à droite); inscription, signé et daté \'Yannis MORALIS/ Athènes -Grèce/ 1977\' (au revers)
acrylique sur toile
146 x 124cm (57 1/2 x 48 13/16in).

signed and inscribed in Greek and dated (lower right); signed, dated and inscribed (on the reverse)
acrylic on canvas

伊阿尼斯·莫拉里斯 满月I

78. 托利·科东多(1900-1976) 昭和时代,1929年 高清作品[95%]

Showa era , 1929

图片文件尺寸 : 5333 x 4412px

TORII KOTONDO (1900-1976):Showa era (1926-1989), 1929
A dai oban tate-e print entitled Nagajuban (Long Undergarment) dated July 1929, published by Sakai Kawaguchi Goban, signed Kotondo saku, sealed Kotondo, with sticker Gaikoku yuki nihyakumai zeppan, dai-hyakunanajuroku-go (For Export Limited Edition 176/200) and inscribed Torii Kotondo and sealed Kotondo on verso
18 x 11 11/16in (45.7 x 29.7cm)

托利·科东多(1900-1976) 昭和时代,1929年

79. 名称GILLION 空中提升机翼研究 高清作品[95%]

Ascensione aerea ; Studio di ala

图片文件尺寸 : 5453 x 5883px

GIULIO D\'ANNA:Ascensione aerea (recto); Studio di ala (verso)
signed \'Giulio D\'Anna\' (lower right)
gouache and pencil on paper
24.4 x 27.5cm (9 5/8 x 10 13/16in).
Executed circa 1932

名称GILLION 空中提升机翼研究

i油画图片- 高清i绘画作品- 代表作全集 中艺名画下载


71. 朝鲜血统 19世纪江户时期的黑漆五箱 高清作品[95%]

A black lacquer five-case  inroEdo period , 19th century

图片文件尺寸 : 4336 x 4477px

KOMA KORYU LINEAGE:A black lacquer five-case inro
Edo period (1615-1868), 19th century
Of oval profile with applied cord-runners, decorated in gold, silver, colored hiramaki-e, takamaki-e, and togidashi-e against a gold hirame-dusted black lacquer ground, depicting Kantan no makura (The Kantan Pillow): Rosei, a poor young man briefly asleep at an inn, dreams of riding to the Chinese capital in a shining litter; Rosei\'s fan of translucent shell, a flowering tree above, grasses below, signed Koma Koryu saku (Made by Koma Koryu); hardstone ojime
3 3/4in (9.8cm) high

朝鲜血统 19世纪江户时期的黑漆五箱

73. 一个小金漆盒和盖子 19世纪江户时代或五月时代 高清作品[95%]

Edo period  or Meiji era , 19th century

图片文件尺寸 : 3939 x 4022px

A SMALL GOLD LACQUER BOX AND COVER:Edo period (1615-1868) or Meiji era (1868-1912), 19th century
Of overlapping shikishi (poem card) form decorated in iro-e takamkai-e and hiramaki-e with butterflies and shinobu ferns (Davallia mariesii) on a nashiji ground, and chrysanthemum and paulownia blossoms, the interior nashiji with fundame edges
3 7/8 x 3 7/8 x 1 3/4in (9.8 x 9.8 x 4.4cm)

一个小金漆盒和盖子 19世纪江户时代或五月时代

74. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画 高清作品[95%]

Five oban tate-e print diptychs Edo period , circa 1857-1859

图片文件尺寸 : 4436 x 5763px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画

75. 阿伯斯 I-S LXXIIa型 高清作品[95%]

I-S LXXIIIa

图片文件尺寸 : 4550 x 5167px

Josef Albers:I-S LXXIIIa (Danilowitz 218), 1973
Screenprint in colors on wove paper, initialed in pencil, titled, dated and numbered 93/100 (there were also 35 hors commerce), with the blindstamp of the publisher, Ives-Sillman, Inc., New Haven, printed by Sirocco Screenprints, New Haven, with full margins, framed.
17 1/2 x 17 1/2in (44.5 x 44.5cm)
sheet 28 x 28in (71.1 x 71.1cm)

阿伯斯 I-S LXXIIa型

76. 两个漆盒 江户时代或明治时代,19世纪/20世纪初 高清作品[95%]

Edo period  or Meiji era , 19th/early 20th century

图片文件尺寸 : 4476 x 5027px

TWO LACQUER BOXES:Edo period (1615-1868) or Meiji era (1868-1912), 19th/early 20th century
Both boxes with domed overhanging kabusebuta covers, decorated in gold and silver hiramaki-e on a nashiji or hirame ground, the larger tebako (cosmetic box) with floral family crests and scrolling vines and flowers with inlays of shell, applied with gilt cord rings engraved with paulownia flowers, with a removable inner tray decorated in hirame on a dark brown ground; the smaller fushibako (pigment box) decorated with fruiting tachibana (mandarin) and pine trees, interiors nashiji
6in (15.2cm) high, the larger

两个漆盒 江户时代或明治时代,19世纪/20世纪初

77. 伊阿尼斯·莫拉里斯 满月I 高清作品[95%]

Pleine Lune I

图片文件尺寸 : 5465 x 5832px

Yiannis Moralis:Pleine Lune I
inscription en grec, signé et daté \'1977\' (en bas à droite); inscription, signé et daté \'Yannis MORALIS/ Athènes -Grèce/ 1977\' (au revers)
acrylique sur toile
146 x 124cm (57 1/2 x 48 13/16in).

signed and inscribed in Greek and dated (lower right); signed, dated and inscribed (on the reverse)
acrylic on canvas

伊阿尼斯·莫拉里斯 满月I

78. 托利·科东多(1900-1976) 昭和时代,1929年 高清作品[95%]

Showa era , 1929

图片文件尺寸 : 5333 x 4412px

TORII KOTONDO (1900-1976):Showa era (1926-1989), 1929
A dai oban tate-e print entitled Nagajuban (Long Undergarment) dated July 1929, published by Sakai Kawaguchi Goban, signed Kotondo saku, sealed Kotondo, with sticker Gaikoku yuki nihyakumai zeppan, dai-hyakunanajuroku-go (For Export Limited Edition 176/200) and inscribed Torii Kotondo and sealed Kotondo on verso
18 x 11 11/16in (45.7 x 29.7cm)

托利·科东多(1900-1976) 昭和时代,1929年

79. 名称GILLION 空中提升机翼研究 高清作品[95%]

Ascensione aerea ; Studio di ala

图片文件尺寸 : 5453 x 5883px

GIULIO D\'ANNA:Ascensione aerea (recto); Studio di ala (verso)
signed \'Giulio D\'Anna\' (lower right)
gouache and pencil on paper
24.4 x 27.5cm (9 5/8 x 10 13/16in).
Executed circa 1932

名称GILLION 空中提升机翼研究