图片文件尺寸 : 5100 x 5714px

A FINE MINIATURE UCHIDASHI (REPOUSSE) ARMOR:Meiji (1868-1912) or Taisho (1912-1926) era, early 20th century
The component parts of russet-iron, including a kabuto adorned with a gilt-metal oni maedate, hanbo, do, o-sode, kote, haidate, and tsubo suneate, all assembled and laced in the manner of a full-sized armor, the do and o-sode decorated with a coiling rain dragon hammered up in uchidashi technique; with a stand and wood storage box
14 1/4in (36.3cm) high, mounted as in illustration

一种精致的微型内置（再生）盔甲 明治或大正时代，20世纪初

图片文件尺寸 : 4190 x 3815px

KAWASE HASUI (1883-1957):Three oban tate-e prints
Showa era (1926-1989), 1931-1948
The first, entitled Meguro Fudodo (The Fudo Hall of Meguro), dated 1931; the second, entitled Okayama no Kanetsukido (The Bell Tower of Okayama), dated 1947; the third, entitled Haru no Yu (Ueno Toshogu) (Spring Evening (Ueno Tosho-gu Shrine)), dated 1948, with Evening in Spring at Uyeno Park, Tokyo Hasui Kawase written in pencil; all published by Watanabe Shozaburo, with Watanabe 6mm round seal, and signed Hasui (3)
The first, 15 5/8 x 10 9/16in (39.7 x 26.8cm); the second, 15 5/16 x 10 3/8in (38.9 x 26.4cm); the third, 14 15/16 x 10 3/8in (38 x 26.4cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1931-1948年

图片文件尺寸 : 4274 x 5603px

Francis Newton Souza:Sketch Book 1996-97 (20 Drawings including 2 artist inscriptions)
all signed and dated
mixed media on paper
each 18 x 26.5 cm

弗朗西斯·牛顿·苏萨 素描本1996-97，每本18 x 26.5厘米

图片文件尺寸 : 5307 x 5690px

Sam Francis:Untitled, from Boundayr (Lembark I. 83, SFE-048), 1987
Aquatint in colors on wove paper, signed in pencil and annotated \'AP\' (one of 9 artist\'s proofs all issued without text, aside from the edition of 35), published by The Lapis Press, Santa Monica, with the blindstamp of the printer, The Litho Shop, Inc., Santa Monica, with full margins.
4 x 3in (10.2 x 7.6cm)
sheet 6 3/4 x 5 1/4in (17.1 x 13.3cm)

山姆·弗朗西斯 无题，来自Boudayr

图片文件尺寸 : 4211 x 4326px

Hank Willis Thomas:Keep The Faith Baby, 2019
Letterpress in colors on coventry rag paper, signed in pencil and numbered PP 1 (a printer\'s proof, aside from the edition of 50), from a benefit edition in support of the Portland Art Museum on the occasion of the artist\'s exhibition, Hank Willis Thomas: All Things Being Equal..., (October, 2019-January, 2020), the full sheet.
sheet 20 x 20in (50.8 x 50.8cm)

汉克·威利斯-托马斯 保持信念宝贝

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KEISAI EISEN (1790-1848):Three woodblock prints
Edo period (1615-1868), circa 1820-1830
Comprising oban tate-e prints, all signed Keisai Eisen ga, including Hara no eki (Hara Station, no. 14) from an untitled series of the 53 Stations of the Tokaido Road, published by Tsutaya Kichizo; Rokugatsu, Tenno Matsuri (June, Tenno Festival), from the series Ukiyo Bijin Junikagetsu (12 Months of Beautiful Women of the Floating World), published by Sano Kichibei; Takanawa Harbor, from the series Edo Meisho adakurabe (Contest of the Famous Views of Edo), published by Maruya Jinpachi (3)
14 3/4 x 10in (37.4 x 25.4cm) each approximately

艾森修正案（1790-1848） 三幅木版版画创作时期，约1820-1830年

图片文件尺寸 : 4213 x 6007px

KANETANE (ACTIVE CIRCA 1467):A Mino tanto with mounts
Muromachi period (1333-1573), 15th century
Hirazukuri, iorimune forged in itame-hada with visible ji-nie, the narrow suguha tempered edge ending in a short turnback and a very small boshi, the omote side carved with suken and the ura side with goma-bashi, the machi-okuri tang with three holes (one plugged), indistinct file marks and signed Kanetane, 11in (27.9cm) long, with a one-piece silver habaki
The koshira-e comprising a black-lacquer saya and tsuka wrapped with same stained dark, the en-suite silver fittings all carved with chrysanthemums with dew drops, the gilt-metal menuki formed as crabs
With Tokubetsu Hozon Token certificate no. 1013969 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 28, 2020

卡尼坦（约1467年活跃） 带山的米诺坦陀罗摩町时期，15世纪

图片文件尺寸 : 3974 x 5919px

HANS HOFMANN:Let There Be Light (And the Sun Beautiful as She Was and Pregnant – Scattered Her Colours All over the Earth)
1955-1961

signed; signed with the artist\'s initials, titled, dated 1955-1961 and variously inscribed on the reverse
​oil on canvas,​ in an artist\'s frame

51 1/2 by 89 1/2 in.
130.8 by 227.3 cm.

汉斯·霍夫曼 让光明存在1955-1961

图片文件尺寸 : 4436 x 5763px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I（丰谷三世，1786-1864年） 江户时期，约1857-1859年，五幅欧本州式双联版画

图片文件尺寸 : 5189 x 5322px

Harold Barling Town, RCA,OSA,CGP,CPE,OC: Eleven figure studies including: Chester Conklin and Mack Swain, Charles Farrell and Dolores Del Rio, Rudolph Valentino A Sainted Devil 1924 and Marilyn Monroe
nine signed \'^HTown\' and dated between \'1970-76\' (various places recto)
mixed media
the largest 78.8 x 76.5cm (31 x 30 1/8in). (11)
all unframed

Harold Barling镇、RCA、OSA、CGP、CPE、OC 11个数字研究，包括：最大的78.8 x 76.5cm。所有无边框