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恩斯特·费迪南德·旺德鲁什-

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(Wien 1949 geb.)
"Die Grosse Mutter", signiert, datiert E. F. Wondrusch 04 sowie betitelt, Acryl, Eitempera auf Leinwand, 210 x 140 cm, über Holzrahmen

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Yaacov Agam:Festival (Tapestry), 1982
Wool pile tapestry in colors with signature in black wool on recto, signed in blue ink on label verso, titled, dated and numbered 94/99, with fabric loops at top edge on verso for installation purposes.
83 x 82 1/2in (210.9 x 209.5cm)

亚科夫·阿加姆 节日

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安娜·埃加米娜-

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(Jewpatorija, Krim, 1986 geb., lebt und arbeitet in Wien)
"The Return of the Prodigal Sun", auf der Rückseite signiert, datiert, betitelt Anna Egarmina "The Return of the Prodigal Sun", 2021 sowie mit Technik- und Maßangabe, Acryl auf Leinwand, 210 x 145 cm, auf Keilrahmen

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After Sir Peter Paul Rubens: The Marriage of the Virgin
oil on canvas
210.5 x 194.8cm (82 7/8 x 76 11/16in).
unframed

源自彼得·保罗·鲁本斯爵士 圣母玛利亚的婚姻

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Gunter Damisch，当代艺术I-

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(Steyr 1958–2016 Wien)
„Helles Weltfeldfließen“, auf der Rückseite zweimal signiert und datiert G. Damisch 2001/0 bzw. 01/02, Öl auf Leinwand, 110 x 210 cm, auf Metallspannrahmen

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LAWRENCE CALCAGNO:Floating Red Horizon, 1967

signed, titled and dated \'Floating Red Horizon 1967 Lawrence Calcango\' (on the reverse)
oil on canvas

83 x 67 3/4 in.
210.8 x 172.1 cm.

劳伦斯·卡尔加诺 《漂浮的红色地平线》，1967年

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Charles Frederick Tunnicliffe O.B.E., R.A.:The Spotted Sow; To the Slaughter
Etching, 1928, on wove, signed and numbered 8/75 in pencil, with margins, 175 x 250mm (6 7/8 x 9 3/4in)(PL); together with \'To the Slaughter\', etching, on laid, signed in pencil, with margins, 285 x 210mm (11 1/4 x 8 1/4in)(PL)(2)

Charles Frederick Tunnicliffe O.B.E.，R.A.。 斑点母猪致屠宰场

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Marc Chagall:Abraham pleurant Sara (Abraham mourning Sara), from La Bible (Vollard 210; Cramer Books 30), 1931-1939
Etching with handcoloring on Arches paper, initialed in pencil and numbered 37/100, published/printed by Tériade/Raymond Haasen, Paris, 1958, with full margins.
11 1/2 x 9 1/2in (29 x 24cm)
sheet 21 x 15 1/2in (54 x 39cm)

马克·夏加尔 亚伯拉罕从圣经中为撒拉哭泣

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Edward Borein:Longhorns; Navajos; Navajo Visitors at Oraibi; Taos (Galvin 105; 183; 210; 234), no date
A group of 4 etching and drypoints on various papers, each signed in pencil, one with the artist remarque in pencil, with margins, one with signature rubbed, each framed. (4)
various sizes

爱德华·博林 长角羚纳瓦霍人奥拉比的纳瓦霍游客陶斯4

图片文件尺寸 : 4253 x 4473px

STELLUTI, FRANCESCO. 1577-1652.:Trattato del legno fossile minerale. Rome: Vitale Mascardi, 1637.
Folio (312 x 210 mm). Woodcut printer\'s device and woodcut border on title page, 13 engraved plates (2 double-page). Modern quarter green morocco and marbled boards. Light foxing, some ink underlining in text.

Stelluti\'s examination of petrified wood and other fossils follows his earlier works Apiarium (1625, with Federico Cesi) and Persio tradotto in verso sciolto e dichiarato (1630), among the first published works containing illustrations of organisms as viewed through the microscope. Brunet V, 529; Nissen ZBI 3989.

弗朗西斯科·斯特鲁蒂。1577–1652. 矿物化石木材处理。罗马：维塔利·马斯卡迪，1637年。