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皮埃尔·奥古斯特·雷诺阿（Pierre Auguste Renoir）的《乔治·夏彭蒂埃夫人（Marguérite Louise Lemonnier，1848-1904）和她的孩子们，乔治·贝尔特（1872-1945）和保罗·埃米尔·查尔斯（1875-1895）》-Pierre-Auguste Renoir

Madame Georges Charpentier (MarguériteLouise Lemonnier, 1848–1904) and Her Children, GeorgetteBerthe (1872–1945) and PaulÉmileCharles (1875–1895)--Pierre-Auguste Renoir (法国, 1841-1919)

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皮埃尔·奥古斯特·雷诺阿（Pierre Auguste Renoir）的《乔治·夏彭蒂埃夫人（Marguérite Louise Lemonnier，1848-1904）和她的孩子们，乔治·贝尔特（1872-1945）和保罗·埃米尔·查尔斯（1875-1895）》-Pierre-Auguste Renoir

乔治·夏彭蒂尔夫人（Marguérite Louise Lemonnier，1848–1904）和她的孩子们，乔治·贝蒂（1872–1945）和保罗·埃米尔·查尔斯（1875–1895）--Pierre-Auguste Renoir (法国, 1841-1919)

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KEISAI EISEN (1790-1848):Three woodblock prints
Edo period (1615-1868), circa 1820-1830
Comprising oban tate-e prints, all signed Keisai Eisen ga, including Hara no eki (Hara Station, no. 14) from an untitled series of the 53 Stations of the Tokaido Road, published by Tsutaya Kichizo; Rokugatsu, Tenno Matsuri (June, Tenno Festival), from the series Ukiyo Bijin Junikagetsu (12 Months of Beautiful Women of the Floating World), published by Sano Kichibei; Takanawa Harbor, from the series Edo Meisho adakurabe (Contest of the Famous Views of Edo), published by Maruya Jinpachi (3)
14 3/4 x 10in (37.4 x 25.4cm) each approximately

艾森修正案（1790-1848） 三幅木版版画创作时期，约1820-1830年

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“克里斯蒂安八世（1786-1848年）和卡罗琳·阿玛莉王后（1796-1881年）约瑟夫·德西雷·科特（Joseph DésiréCourt）的加冕长袍-Joseph-Désiré Court

Christian VIII (17861848) And Queen Caroline Amalie (17961881) In Coronation Robes--Joseph-Désiré Court (法国, 1797 - 1865)

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“丹尼尔·弗朗西斯·沙斯（1772-1848），1814年至1820年，亚历山大·让·杜波依斯·德拉霍内（Alexandre Jean Dubois Drahonet）担任商业和殖民地委员会成员-Alexandre-Jean Dubois-Drahonet

Daniel Francis Schas (17721848), Member of the Council for Commerce and the Colonies from 1814 to 1820--Alexandre-Jean Dubois-Drahonet (法国, 1791 - 1829)

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19世纪的油画和水彩-

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(Wien 1820–1883/84 Wien)
“Barikadenkampf in Wien 1848, bey der Nußdorfer Linie”, rückseitig betitelt, monogrammiert, datiert Z 1848, Öl auf Leinwand, 29,5 x 36 cm, gerahmt, (JP)

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SIX SURIMONO SHIKISHIBAN PRINTS:Edo period (1615-1868), 19th century
The first, a courtesan in a kimono decorated with a large dragon, and two poems, from the series Fuzoku onna Suikoden, hyaku-hachi ban no uchi (Fashionable Women as the 108 of the Water Margin), signed Ichiyusai Kuniyoshi ga (Utagawa Kuniyoshi, 1797–1861) and sealed; the second, the archer Miuranosuke confronting the court lady Tamamo no mae, with poems, signed Gakutei (Yashima Gakutei, 1786?–1868), with partially obscured publisher\'s seal; the third, depicting a beauty in a roundel and a peacock on a fan face, with a poem, from the series Honchoren juban tsuzuki (10 for the Honcho Circle), signed Gakutei (Yashima Gakutei, 1786?–1868) and sealed Sadaoka; the fourth, of the goddess Benzaiten playing a biwalute beneath prunus blossoms, with four poems, signed Eisen ga (Keisai Eisen, 1790-1848); the fifth, of two beauties, one preparing to put an inked brush to paper and the other holding a painting of Mount Fuji, with four poems, signed Keisai (Keisai Eisen, 1790-1848); the sixth, of two beauties playing with Japanese battledore and shuttlecock next to a blossoming prunus tree, with two poems, signed Eisho hitsu (Shunsai Eisho/Harukawa Eicho, 1784-1848) and sealed (6)
8 5/16 x 7 1/2in (21.1 x 19cm), the largest

六张＜I＞SURIMONO SHIKISHIBAN</I＞照片 江户时代，19世纪

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保罗·高更的《风景》-Paul Gauguin

Landscape--Paul Gauguin (法国, 1848-1903)

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保罗·高更的《室内》-Paul Gauguin

Interior--Paul Gauguin (法国, 1848-1903)

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保罗·高更的《午睡》-Paul Gauguin

午睡--Paul Gauguin (法国, 1848-1903)