76. 曼弗雷德·维尔德的《祖斯特红宝石与水晶雕刻——沉睡的苍鹭》 无 题 高清作品[83%]

图片文件尺寸 : 4590 x 5468px

Ruby-in-Zoisite and Rock Crystal Carving by Manfred Wild--\"The Sleeping Heron\" :Circa 1990
Idar-Oberstein, Germany

The elegant figure of the heron, carved from a single specimen of ruby-in-zoisite from Tanzania, the beak of agate, the eyes of black tourmaline, the feet and base trim of 18K yellow gold. The base with reverse carving depicting shells and an underwater scene. Raised on a circular on black obsidian base. EB and M.Wild, unsigned. Measuring 7 1/4 x 5 1/2in (18.5 x 14cm)

曼弗雷德·维尔德的《祖斯特红宝石与水晶雕刻——沉睡的苍鹭》 无 题

77. Luis Alberto Quispe Aparicio的《Zoisite雕刻猫头鹰与两只猫头鹰》中的红宝石 无 题 高清作品[83%]

图片文件尺寸 : 4898 x 4524px

Ruby-in-Zoisite Carving of an Owl with Two Owlets by Luis Alberto Quispe Aparicio :Carved from a single specimen of ruby-in-zoisite, the ruby portions used to depict the mother owl and her owlets, the green zoisite portions depicting the textured tree trunk in which they are housed. Raised on a polished black onyx base. Measuring 9 x 4 1/4 x 4 1/4in (22.9 x 10.8 x 10.8cm)

Luis Alberto Quispe Aparicio的《Zoisite雕刻猫头鹰与两只猫头鹰》中的红宝石 无 题

78. 塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪 高清作品[82%]

Edo period , 18th/19th century

图片文件尺寸 : 4041 x 5306px

A TAHOTO SHARI YOKI (MANY-JEWELED STUPA RELIQUARY):Edo period (1615-1868), 18th/19th century
Constructed of lacquered wood and bronze in the form of a single-story pagoda set on a rectangular stepped base and railing decorated in square inlays of mother-of-pearl alternating with gold-lacquer cloud patterns, the cylindrical housing fitted with four sets of double doors, two guardian figures painted on the interior of the front facing doors, the exterior lacquered in nashiji, the sloping tiled roof surmounted with a multi-tiered stupa topped with a sacred jewels supported by a lotus dais, from which chains lead down to the roof\'s corners, each corner with a pendant bell
19 3/4in (50.2cm) high

塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪

79. 塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。 高清作品[69%]

Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. jar vyl gemehret. Basel: Henrichum Petri, 1564.

图片文件尺寸 : 4279 x 4681px

MÜNSTER, SEBASTIAN. 1489-1552.:Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. jar vyl gemehret. Basel: Henrichum Petri, 1564.
Folio (312 x 207 mm). 14 double page maps, 41 double-page plans and views (3 extended and folded) in collation; folding table at Ddd3; register bound before the 14 maps. Contemporary panelled pigskin, recently rebacked in morocco, lacking straps, and one clasp from rear board, rubbed. Title page re-margined, and re-inserted on stub, numerous marginal repairs to leaves throughout, only sometimes affecting text, staining; plate, \"Die statt kom in aller Weldt\" (K1-2), stained from censor\'s ink applied to engraving on verso; plate \"Die Statt Heidelberg\" trimmed at outer margin, re-cornered with loss; \"Die Statt Frankfurt\" trimmed at left margin (Ooo4); plate \"Die Statt Wyen...\" trimmed at outer edge (Ppp 2), with loss.

A complete copy of an early edition in German of the book that \"sealed the fate of \'America\' as the name of the New World\" (Burden 12). Münster\'s map of the Americas is the first to show America in its correct continental form, and the first to name the Pacific Ocean. While it first appeared in Münster\'s Geographia in 1540, it was its appearance in the 1544 Cosmographia that crystalized the name \"America\" in the popular lexicon. The hugely popular and influential work was created collaboratively, with Münster reaching out to international scholars to provide information on their localities. Sabin 51390.

塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。

宝石油画图片- 高清宝石绘画作品- 代表作全集 中艺名画下载


76. 曼弗雷德·维尔德的《祖斯特红宝石与水晶雕刻——沉睡的苍鹭》 无 题 高清作品[83%]

图片文件尺寸 : 4590 x 5468px

Ruby-in-Zoisite and Rock Crystal Carving by Manfred Wild--\"The Sleeping Heron\" :Circa 1990
Idar-Oberstein, Germany

The elegant figure of the heron, carved from a single specimen of ruby-in-zoisite from Tanzania, the beak of agate, the eyes of black tourmaline, the feet and base trim of 18K yellow gold. The base with reverse carving depicting shells and an underwater scene. Raised on a circular on black obsidian base. EB and M.Wild, unsigned. Measuring 7 1/4 x 5 1/2in (18.5 x 14cm)

曼弗雷德·维尔德的《祖斯特红宝石与水晶雕刻——沉睡的苍鹭》 无 题

77. Luis Alberto Quispe Aparicio的《Zoisite雕刻猫头鹰与两只猫头鹰》中的红宝石 无 题 高清作品[83%]

图片文件尺寸 : 4898 x 4524px

Ruby-in-Zoisite Carving of an Owl with Two Owlets by Luis Alberto Quispe Aparicio :Carved from a single specimen of ruby-in-zoisite, the ruby portions used to depict the mother owl and her owlets, the green zoisite portions depicting the textured tree trunk in which they are housed. Raised on a polished black onyx base. Measuring 9 x 4 1/4 x 4 1/4in (22.9 x 10.8 x 10.8cm)

Luis Alberto Quispe Aparicio的《Zoisite雕刻猫头鹰与两只猫头鹰》中的红宝石 无 题

78. 塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪 高清作品[82%]

Edo period , 18th/19th century

图片文件尺寸 : 4041 x 5306px

A TAHOTO SHARI YOKI (MANY-JEWELED STUPA RELIQUARY):Edo period (1615-1868), 18th/19th century
Constructed of lacquered wood and bronze in the form of a single-story pagoda set on a rectangular stepped base and railing decorated in square inlays of mother-of-pearl alternating with gold-lacquer cloud patterns, the cylindrical housing fitted with four sets of double doors, two guardian figures painted on the interior of the front facing doors, the exterior lacquered in nashiji, the sloping tiled roof surmounted with a multi-tiered stupa topped with a sacred jewels supported by a lotus dais, from which chains lead down to the roof\'s corners, each corner with a pendant bell
19 3/4in (50.2cm) high

塔霍托沙里约基(许多宝石的佛塔圣物) 江户时期,18/19世纪

79. 塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。 高清作品[69%]

Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. jar vyl gemehret. Basel: Henrichum Petri, 1564.

图片文件尺寸 : 4279 x 4681px

MÜNSTER, SEBASTIAN. 1489-1552.:Cosmographey, oder beschreibung aller lander ... jetzunder biss auff das M.D.LXIIII. jar vyl gemehret. Basel: Henrichum Petri, 1564.
Folio (312 x 207 mm). 14 double page maps, 41 double-page plans and views (3 extended and folded) in collation; folding table at Ddd3; register bound before the 14 maps. Contemporary panelled pigskin, recently rebacked in morocco, lacking straps, and one clasp from rear board, rubbed. Title page re-margined, and re-inserted on stub, numerous marginal repairs to leaves throughout, only sometimes affecting text, staining; plate, \"Die statt kom in aller Weldt\" (K1-2), stained from censor\'s ink applied to engraving on verso; plate \"Die Statt Heidelberg\" trimmed at outer margin, re-cornered with loss; \"Die Statt Frankfurt\" trimmed at left margin (Ooo4); plate \"Die Statt Wyen...\" trimmed at outer edge (Ppp 2), with loss.

A complete copy of an early edition in German of the book that \"sealed the fate of \'America\' as the name of the New World\" (Burden 12). Münster\'s map of the Americas is the first to show America in its correct continental form, and the first to name the Pacific Ocean. While it first appeared in Münster\'s Geographia in 1540, it was its appearance in the 1544 Cosmographia that crystalized the name \"America\" in the popular lexicon. The hugely popular and influential work was created collaboratively, with Münster reaching out to international scholars to provide information on their localities. Sabin 51390.

塞巴斯蒂安先生。1489-1552. Cosmographey,或所有着陆者的描述,现在咬了M.D.LXIII。jar vyl宝石。巴塞尔:亨利·彻姆·佩特里,1564年。