图片文件尺寸 : 4776 x 5696px

UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), mid-19th century
A vertical oban tate-e print triptych entitled Yoshinoyama gassen (Battle at Mount Yoshino) depicting the fight between Sato Tadanobu, dressed in Minamoto Yoshitsune\'s armor, and the Yamabushi (warrior monk) Yokogawa Kakuhan, signed Ichiyusai Kuniyoshi and with a kiri seal; published by Sumiyoshiya Matagoro, with a black aratame seal and censor\'s seals Kinugasa and Murata (3)
14 x 9 1/2in (35.6 x 24cm) each approximately

UTAGAWA KUNIYOSHI（1797-1861） 江户时代，19世纪中期

图片文件尺寸 : 4741 x 4286px

KAWASE HASUI (1883-1957):Showa era (1926-1989), 1929
An oban tate-e print entitled Matsu no yukibare (Pines in Clear Weather after Snow), signed Hasui, published by Kawaguchi Jiro and Sakai Shokichi, 35/100 written in pencil in the lower margin, with a label on the verso reading Shohan seisen, hyaku mai no uchi, dai sanjugo go, Hasui (From 100 carefully selected prints of the first edition, no. 35, Hasui) and with red round stylized artist\'s seal, stamped in black ink Made in Japan and Kawaguchi
16 x 10 5/8in (40.6 x 26.9cm)

卡瓦斯·哈苏（1883-1957） 昭和时代，1929年

图片文件尺寸 : 4778 x 5216px

NARITA MORIKANE (DATES UNKNOWN):Two woodblock prints
Showa era (1926-1989), 1931
Each an oban tate-e, the first depicting a beauty combing her hair by a river, her kimono hanging on a branch beside her, the second depicting a beauty applying a red band to her upper arm, both form the series Adesugata Nijushi ko (24 Figures of Charming Women), each signed and sealed Morikane, and with publisher\'s seal Yamase (2)
16 x 11 1/8in (40.6 x 28.2cm)

纳瑞塔·莫里凯恩（日期不详） 两幅木版印刷品《昭和时代》，1931年

图片文件尺寸 : 5443 x 4888px

TSUKIOKA YOSHITOSHI (1839-1892):A complete set of the series Tsuki hyakushi (One Hundred Aspects of the Moon)
Meiji era (1868-1912), 1885-1895
A set of 100 oban tate-e prints from the above-mentioned series, showing no signs of having been bound as an album, depicting scenes from Japanese and Chinese history, legends, and literature, together with a memorial portrait of Yoshitoshi by his student Toshikage, and the double-page table of contents, some with blind printing and mica, published by Akiyama Bunzaemon between 1885 and 1892; each with the artist\'s signature and various seals (103)
14 5/8 x 9 7/8in (37.1 x 25.1cm) each

筑冈义雄（1839-1892） 明治时代，1885-1895年

图片文件尺寸 : 4560 x 4052px

After Louise Bourgeois:Be Calm; Red Room (parents) detail, 2005; 2009
Screenprints in colors with machine embroidery, one on linen tea towel and one on double-sided cotton pillowcase, each with the artist\'s printed signature and printed artist\'s copyright, the tea towel numbered in black felt-tip pen 981 (both from the editions of 1000), co-published by Tate, London and Third Drawer Down, Melbourne, both folded (as issued), both with original envelopes. (2)
tea towel 27 x 19 3/4in (68.6 x 50.2cm)
pillowcase 21 1/2 x 30in (54.6 x 76.2cm)
each envelope 8 3/4 x 12in (22.2 x 30.5cm)

源自路易丝·布尔乔亚 保持冷静红色房间详图2

图片文件尺寸 : 4302 x 3793px

KATSUSHIKA HOKUSAI (1760-1849):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Comprising two oban yoko-e prints from the series Kanadehon Chushingura (The Storehouse of Loyal Retainers, a Primer), entitled Kudanme (Act 9), and Godanme (Act 5), each unsigned, published by Tsuruya Kinsuke; a chuban tate-e print from the series Mitate nijushiko (Parodies of the 24 Paragons of Filial Piety), depicting a courtesan nursing Fukurokuju in a parody of Saishi (Cui She), signed Gakyojin Hokusai ga (3)
10 1/4 x 15in (26 x 38.1cm); 9 1/4 x 7in (23.5 x 17.8cm)

住宅（1760-1849） 三幅木版版画多时期，约1806年和1802年

图片文件尺寸 : 4888 x 4220px

KEISAI EISEN (1790-1848):Three woodblock prints
Edo period (1615-1868), circa 1820-1830
Comprising oban tate-e prints, all signed Keisai Eisen ga, including Hara no eki (Hara Station, no. 14) from an untitled series of the 53 Stations of the Tokaido Road, published by Tsutaya Kichizo; Rokugatsu, Tenno Matsuri (June, Tenno Festival), from the series Ukiyo Bijin Junikagetsu (12 Months of Beautiful Women of the Floating World), published by Sano Kichibei; Takanawa Harbor, from the series Edo Meisho adakurabe (Contest of the Famous Views of Edo), published by Maruya Jinpachi (3)
14 3/4 x 10in (37.4 x 25.4cm) each approximately

艾森修正案（1790-1848） 三幅木版版画创作时期，约1820-1830年

图片文件尺寸 : 4172 x 5081px

UTAGAWA TOYOKUNI I (1769-1825):Five woodblock prints
Edo period (1615-1868), circa 1800-1811
Each an oban tate-e print, signed Toyokuni ga, comprising: a beauty seated before a makeup stand; a seated courtesan watching as a man adjusts his topknot before a mirror, from an unidentified series; a woman adjusting her hair, from the series Bijin awase (Comparison of Beauties); an actor print entitled Onoe Kikugoro ai tsutome moshi soro (Onoe Kikugoro Performing) from the series Henka no zu (Illustrations of Transformations); the actors Iwai Hanshiro and Bando Mitsugoro as a couple beneath an umbrella (5)
14 3/4 x 9 3/8in (37.5 x 23.8cm) each approximately

东京国际一期（1769-1825） 五幅木版版画多时期，约1800年至1811年

图片文件尺寸 : 4066 x 5133px

UTAGAWA TOYOKUNI II (TOYOSHIGE, 1777-1835):Three woodblock prints
Edo period (1615-1868), circa 1806 and 1802
Oban tate-e prints including two from the series Shin nishikide Inoguchi, the fist depicting a courtesan lighting a pipe from a brazier, the second depicting a beauty carrying a child on her shoulder as he plays with a toy, each signed Ichiryusai Toyoshige ga, published by Nishimuraya Yohachi, the third from an unknown series depicting a beauty holding a fan, and a landscape cartouche, signed Toyokuni ga, published by Izumiya Ichibei (3)
14 3/8 x 9 3/4in (36.5 x 24.7cm) each approximately

芥川丰久二世（丰治，1777-1835年） 三幅木版版画多时期，约1806年和1802年

图片文件尺寸 : 4794 x 3855px

UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately

UTAGAWA KUNIYOSHI（1797-1861） 江户时期，约1844-1845年，三幅木版印刷品