65. 理查德桑德斯。1613-1675. 生理学、Chiromacie、Metoposcopy、身体的对称比例和信号鼹鼠……以梦为主题:记忆的艺术由此而来。伦敦:纳撒尼尔·布鲁克(Nathaniel Brook)的H.Bragis,1671-[1670年]。 高清作品[48%]

Physiognomie, and Chiromancie, Metoposcopie, the Symmetrical Proportions and Signal Moles of the Body ... with the Subject of Dreams Made Plain: Whereunto is Added the Art of Memory. London:  H. Bragis for Nathaniel Brook, 1671-[1670].

图片文件尺寸 : 4395 x 5643px

SAUNDERS, RICHARD. 1613-1675.:Physiognomie, and Chiromancie, Metoposcopie, the Symmetrical Proportions and Signal Moles of the Body ... with the Subject of Dreams Made Plain: Whereunto is Added the Art of Memory. London: H. Bragis for Nathaniel Brook, 1671-[1670].
3 parts in 1 volume. 4to (288 x 180 mm). Engraved portrait frontis, engraved vignettes to title, and to sectional titles, inserted engraved plate, 2 full page engravings, and numerous engravings in text. Early 19th-century polished calf, wear to joints.
Provenance: T. Allen, F.S.A. (engraved heraldic bookplate).

SECOND EDITION, \"very much enlarged,\" a lavishly illustrated production, much of which is taken from Jean Belot\'s Oeuvres (1640). Krivatsky 10280.

理查德桑德斯。1613-1675. 生理学、Chiromacie、Metoposcopy、身体的对称比例和信号鼹鼠……以梦为主题:记忆的艺术由此而来。伦敦:纳撒尼尔·布鲁克(Nathaniel Brook)的H.Bragis,1671-[1670年]。

67. 各种艺术家 就职印象,民主党全国委员会 高清作品[39%]

Inaugural Impressions, Democratic National Committee

图片文件尺寸 : 5248 x 4682px

Various Artists:Inaugural Impressions, Democratic National Committee, 1977
The complete set, comprising 5 lithographs and screenprints in colors on wove paper, each signed in pencil and numbered 74/100 (there were also 20 artist\'s proofs), the Lawrence titled and dated, the Lichtenstein dated, published by the Democratic National Committee, for the Inauguration of President Jimmy Carter, Washington, D.C., each with full margins, loose (as issued), each framed, lacking the original linen covered portfolio. (5)

Artists and titles include:
Jacob Lawrence, The Swearing In; Roy Lichtenstein, Inaugural Print (C. 151); Robert Rauschenberg, 1977 Presidential Inauguration (ULAE 53); Andy Warhol, Jimmy Carter III (F. S. II 152); Jamie Wyeth, [Plains]
various sizes

各种艺术家 就职印象,民主党全国委员会

68. 菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖 高清作品[37%]

A set of ten lacquer bowls and covers with plant motifsEdo period , 19th century

图片文件尺寸 : 4465 x 5952px

KIYOKAWA (ACTIVE 19TH CENTURY):A set of ten lacquer bowls and covers with plant motifs
Edo period (1603-1868), 19th century
The ten suimonowan of lacquered wood, with a plain brown-black exterior and an individual plant depicted in hiramaki-e on the interior of the bowl and cover, including iris, plum blossom, bush clover, nandina, lily, narcissus, cherry blossom, bellflower, golden lace, and Adonis ramosa, each bowl signed in lacquer in the interior of the foot Kiyokawa-saku (10)
With a wood tomobako storage box and two fabric sleeves
4 1/2in (11.4cm) diameter, each

菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖

69. 三棵松 江户时代和明治或大正时代,19/20世纪 高清作品[36%]

Edo period  and Meiji  or Taisho  eras, 19th/20th century

图片文件尺寸 : 5058 x 5487px

THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868) and Meiji (1868-1912) or Taisho (1912-1926) eras, 19th/20th century
The first, of a large peacock surrounded by multicolored clouds and peonies, above two dragons amidst waves and rocks, the panels of the kesa created through a woven metal thread that is sewn onto the surface of the textile, six floral motif square patches, the backing of purple silk with a geometric floral design; the second, of gold brocade with woven design of lion dogs, various floral motifs, and square patches of cream-colored silk with leaves and flowers, the backing of plain red fabric; the third, of orange panels with woven designs of dragons, dragon-fish, shells, coral, and leafy peonies, all in multiple colors, framed by blue fabric with a woven brown geometric design interspersed with large peonies and floral crests, the backing of white silk (3)
45 1/2 x 80 7/8in (115.6 x 205.4cm), the largest

三棵松 江户时代和明治或大正时代,19/20世纪

70. TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪 高清作品[35%]

A gold lacquer four-case inro and matching ojimeEdo period  or Meiji era , and Showa era , 20th century

图片文件尺寸 : 4036 x 3791px

TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪

plains油画图片- 高清plains绘画作品- 代表作全集 中艺名画下载


65. 理查德桑德斯。1613-1675. 生理学、Chiromacie、Metoposcopy、身体的对称比例和信号鼹鼠……以梦为主题:记忆的艺术由此而来。伦敦:纳撒尼尔·布鲁克(Nathaniel Brook)的H.Bragis,1671-[1670年]。 高清作品[48%]

Physiognomie, and Chiromancie, Metoposcopie, the Symmetrical Proportions and Signal Moles of the Body ... with the Subject of Dreams Made Plain: Whereunto is Added the Art of Memory. London:  H. Bragis for Nathaniel Brook, 1671-[1670].

图片文件尺寸 : 4395 x 5643px

SAUNDERS, RICHARD. 1613-1675.:Physiognomie, and Chiromancie, Metoposcopie, the Symmetrical Proportions and Signal Moles of the Body ... with the Subject of Dreams Made Plain: Whereunto is Added the Art of Memory. London: H. Bragis for Nathaniel Brook, 1671-[1670].
3 parts in 1 volume. 4to (288 x 180 mm). Engraved portrait frontis, engraved vignettes to title, and to sectional titles, inserted engraved plate, 2 full page engravings, and numerous engravings in text. Early 19th-century polished calf, wear to joints.
Provenance: T. Allen, F.S.A. (engraved heraldic bookplate).

SECOND EDITION, \"very much enlarged,\" a lavishly illustrated production, much of which is taken from Jean Belot\'s Oeuvres (1640). Krivatsky 10280.

理查德桑德斯。1613-1675. 生理学、Chiromacie、Metoposcopy、身体的对称比例和信号鼹鼠……以梦为主题:记忆的艺术由此而来。伦敦:纳撒尼尔·布鲁克(Nathaniel Brook)的H.Bragis,1671-[1670年]。

67. 各种艺术家 就职印象,民主党全国委员会 高清作品[39%]

Inaugural Impressions, Democratic National Committee

图片文件尺寸 : 5248 x 4682px

Various Artists:Inaugural Impressions, Democratic National Committee, 1977
The complete set, comprising 5 lithographs and screenprints in colors on wove paper, each signed in pencil and numbered 74/100 (there were also 20 artist\'s proofs), the Lawrence titled and dated, the Lichtenstein dated, published by the Democratic National Committee, for the Inauguration of President Jimmy Carter, Washington, D.C., each with full margins, loose (as issued), each framed, lacking the original linen covered portfolio. (5)

Artists and titles include:
Jacob Lawrence, The Swearing In; Roy Lichtenstein, Inaugural Print (C. 151); Robert Rauschenberg, 1977 Presidential Inauguration (ULAE 53); Andy Warhol, Jimmy Carter III (F. S. II 152); Jamie Wyeth, [Plains]
various sizes

各种艺术家 就职印象,民主党全国委员会

68. 菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖 高清作品[37%]

A set of ten lacquer bowls and covers with plant motifsEdo period , 19th century

图片文件尺寸 : 4465 x 5952px

KIYOKAWA (ACTIVE 19TH CENTURY):A set of ten lacquer bowls and covers with plant motifs
Edo period (1603-1868), 19th century
The ten suimonowan of lacquered wood, with a plain brown-black exterior and an individual plant depicted in hiramaki-e on the interior of the bowl and cover, including iris, plum blossom, bush clover, nandina, lily, narcissus, cherry blossom, bellflower, golden lace, and Adonis ramosa, each bowl signed in lacquer in the interior of the foot Kiyokawa-saku (10)
With a wood tomobako storage box and two fabric sleeves
4 1/2in (11.4cm) diameter, each

菊川(活跃于19世纪) 19世纪江户时代的一套十个带有植物图案的漆碗和漆盖

69. 三棵松 江户时代和明治或大正时代,19/20世纪 高清作品[36%]

Edo period  and Meiji  or Taisho  eras, 19th/20th century

图片文件尺寸 : 5058 x 5487px

THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868) and Meiji (1868-1912) or Taisho (1912-1926) eras, 19th/20th century
The first, of a large peacock surrounded by multicolored clouds and peonies, above two dragons amidst waves and rocks, the panels of the kesa created through a woven metal thread that is sewn onto the surface of the textile, six floral motif square patches, the backing of purple silk with a geometric floral design; the second, of gold brocade with woven design of lion dogs, various floral motifs, and square patches of cream-colored silk with leaves and flowers, the backing of plain red fabric; the third, of orange panels with woven designs of dragons, dragon-fish, shells, coral, and leafy peonies, all in multiple colors, framed by blue fabric with a woven brown geometric design interspersed with large peonies and floral crests, the backing of white silk (3)
45 1/2 x 80 7/8in (115.6 x 205.4cm), the largest

三棵松 江户时代和明治或大正时代,19/20世纪

70. TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪 高清作品[35%]

A gold lacquer four-case inro and matching ojimeEdo period  or Meiji era , and Showa era , 20th century

图片文件尺寸 : 4036 x 3791px

TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO(活跃于19世纪)和SARATANI TOMIZO(1949年出生) 金漆四格,与明治时代和昭和时代相匹配,20世纪