62. 让·保罗·里奥佩尔,当代艺术I 高清作品[56%]

DO-Jean-Paul Riopelle - 现代艺术 I
图片文件像素:4695 x 5195 px

让·保罗·里奥佩尔,当代艺术I-

Jean-Paul Riopelle - Zeitgenössische Kunst I-

(Montreal 1923–2002 Ile-aux-Grues)
Untitled, 1978, signed on the reverse, oil on canvas, 38 x 46 cm, framed

This work is accompanied by a photo certificate issued by Yseult Riopelle

Provenance:
Pierre Matisse Gallery, New York (label on the reverse)
Studio Simonis, Paris (label on the reverse)
Sale, Calmels, Chambre, Cohen, 23 November 1997, lot 79
Sale Sotheby’s London, 26 October 2000, lot 136
Aurelio Stefanini - Arte Moderna e Contemporanea, Florence (label on the reverse and certificate of provenance available)
European Private Collection

Literature:
Y. Riopelle, T. Riopelle, Jean Paul Riopelle: catalogue raisonné, Tome 5, 1972–1979, Hibou éditeurs, Montréal Québec 2014, p. 273, no. 059H with ill.

67. 菲利普·杰克逊 剑圣22厘米高 高清作品[47%]

The Sword Master 22cm  high

图片文件尺寸 : 4486 x 4601px

Philip Jackson: The Sword Master
signed, stamped with foundry mark and inscribed \'JACKSON &;\' (to rear of sculpture)
bronze and polished bronze
22cm (8 11/16in) high
The present lot is an Artist\'s cast

菲利普·杰克逊 剑圣22厘米高

68. 雷蒙德·佩蒂本 无标题,1993 高清作品[47%]

No Title , 1993

图片文件尺寸 : 4565 x 4629px

RAYMOND PETTIBON: No Title (Surfer in the Great Wave), 1993

signed \'Raymond Pettibon\'
acrylic on Plexiglas, double-sided

48 x 96 in.
121.9 x 243.8 cm.

This work is accompanied by a video of Raymond Pettibon creating the present lot.

雷蒙德·佩蒂本 无标题,1993

70. 朱塞佩·桑托马索 高清作品[46%]

DO-Giuseppe Santomaso  - 现代艺术 I
图片文件像素:5880 x 4350 px

朱塞佩·桑托马索-

Giuseppe Santomaso * - Zeitgenössische Kunst I-

(Venice 1907–1990)
Nero e giallo, 1959, signed and dated, oil on paper laid down on wood, 66.5 x 47 cm, framed

This work is registered in the Archivio Santomaso, Galleria Blu, Milan

Provenance:
Alitalia Collection
Sale Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009, lot 132
Sale Farsetti, Prato, 28 November 2014, lot 405 (certificate of provenance available)
European Private Collection

Exhibited:
Rome, Santomaso, Galleria Pogliani, 28 November - 20 December 1959, mentioned in the exh. cat. (with wrong medium)

Literature:
L. Alfieri, Santomaso. Catalogue raisonné 1931–1974, Alfieri,
Venice 1975, no. 318 (with wrong medium)

The great achievements of the Alitalia airline between 1960 and 1961 also comprise the exact period in which the nucleus of the entire collection was formed. The idea of bringing works of art on board aircraft was Corrado Cagli’s, who had to garner the support of engineer Bruno Velani. He had two clear objectives: to make the flight more pleasant by stimulating the traveller\'s aesthetic sensibilities and to disseminate 意大利 artistic culture abroad. Cagli, helped by his friend and gallery owner Bruno Herlitzka, directly commissioned some of the paintings exhibited in the aircraft from the most talented young artists.

[...] Taken as a whole, the collection constitutes a rare compendium of what was happening mainly between 1954 and 1962, thus documenting a good part of the major trends in the 意大利 art world (Burri, Fontana, Gruppo degli Otto, Forma 1, etc.).
(Cfr. Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009)

lot油画图片- 高清lot绘画作品- 代表作全集 中艺名画下载


62. 让·保罗·里奥佩尔,当代艺术I 高清作品[56%]

DO-Jean-Paul Riopelle - 现代艺术 I
图片文件像素:4695 x 5195 px

让·保罗·里奥佩尔,当代艺术I-

Jean-Paul Riopelle - Zeitgenössische Kunst I-

(Montreal 1923–2002 Ile-aux-Grues)
Untitled, 1978, signed on the reverse, oil on canvas, 38 x 46 cm, framed

This work is accompanied by a photo certificate issued by Yseult Riopelle

Provenance:
Pierre Matisse Gallery, New York (label on the reverse)
Studio Simonis, Paris (label on the reverse)
Sale, Calmels, Chambre, Cohen, 23 November 1997, lot 79
Sale Sotheby’s London, 26 October 2000, lot 136
Aurelio Stefanini - Arte Moderna e Contemporanea, Florence (label on the reverse and certificate of provenance available)
European Private Collection

Literature:
Y. Riopelle, T. Riopelle, Jean Paul Riopelle: catalogue raisonné, Tome 5, 1972–1979, Hibou éditeurs, Montréal Québec 2014, p. 273, no. 059H with ill.

67. 菲利普·杰克逊 剑圣22厘米高 高清作品[47%]

The Sword Master 22cm  high

图片文件尺寸 : 4486 x 4601px

Philip Jackson: The Sword Master
signed, stamped with foundry mark and inscribed \'JACKSON &;\' (to rear of sculpture)
bronze and polished bronze
22cm (8 11/16in) high
The present lot is an Artist\'s cast

菲利普·杰克逊 剑圣22厘米高

68. 雷蒙德·佩蒂本 无标题,1993 高清作品[47%]

No Title , 1993

图片文件尺寸 : 4565 x 4629px

RAYMOND PETTIBON: No Title (Surfer in the Great Wave), 1993

signed \'Raymond Pettibon\'
acrylic on Plexiglas, double-sided

48 x 96 in.
121.9 x 243.8 cm.

This work is accompanied by a video of Raymond Pettibon creating the present lot.

雷蒙德·佩蒂本 无标题,1993

70. 朱塞佩·桑托马索 高清作品[46%]

DO-Giuseppe Santomaso  - 现代艺术 I
图片文件像素:5880 x 4350 px

朱塞佩·桑托马索-

Giuseppe Santomaso * - Zeitgenössische Kunst I-

(Venice 1907–1990)
Nero e giallo, 1959, signed and dated, oil on paper laid down on wood, 66.5 x 47 cm, framed

This work is registered in the Archivio Santomaso, Galleria Blu, Milan

Provenance:
Alitalia Collection
Sale Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009, lot 132
Sale Farsetti, Prato, 28 November 2014, lot 405 (certificate of provenance available)
European Private Collection

Exhibited:
Rome, Santomaso, Galleria Pogliani, 28 November - 20 December 1959, mentioned in the exh. cat. (with wrong medium)

Literature:
L. Alfieri, Santomaso. Catalogue raisonné 1931–1974, Alfieri,
Venice 1975, no. 318 (with wrong medium)

The great achievements of the Alitalia airline between 1960 and 1961 also comprise the exact period in which the nucleus of the entire collection was formed. The idea of bringing works of art on board aircraft was Corrado Cagli’s, who had to garner the support of engineer Bruno Velani. He had two clear objectives: to make the flight more pleasant by stimulating the traveller\'s aesthetic sensibilities and to disseminate 意大利 artistic culture abroad. Cagli, helped by his friend and gallery owner Bruno Herlitzka, directly commissioned some of the paintings exhibited in the aircraft from the most talented young artists.

[...] Taken as a whole, the collection constitutes a rare compendium of what was happening mainly between 1954 and 1962, thus documenting a good part of the major trends in the 意大利 art world (Burri, Fontana, Gruppo degli Otto, Forma 1, etc.).
(Cfr. Finarte, Asta della Collezione Alitalia, Rome, 8 December 2009)