sheet: 33 7/8 x 27 15/16 (86 x 71 cm)

Louise Bourgeois. Crochet I, from the series, Crochet I-V. 1998

路易丝·布尔乔亚。Crochet I系列，Crochet IV 1998-

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Follower of Hans Rottenhammer I: The Destruction of the Children of Niobe
oil on canvas
79 x 90.3cm (31 1/8 x 35 9/16in).

Hans Rottenhammer I的追随者 尼奥贝儿童的毁灭

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: Sita\'s Grief
signed lower left with artist\'s stamp, inscribed lower centre and lower right Sita\'s Grief and Hanuman on the Mango Tree
watercolour on paper
28.5 x 34.5cm (11 1/4 x 13 9/16in).

无 题 西塔的悲伤

图片文件尺寸 : 4343 x 4175px

UTAGAWA HIROSHIGE (1797–1858):Three woodblock prints
Edo period (1615-1868), circa 1835-38
All oban yoko-e prints from the series Kisokaido rokujukyu tsugi no uchi (The 69 stations of the Kisokai Road), all published by Iseya Rihei (Kinjudo); in numerical order, the first, no. 40, Suhara; the second, no. 60, Imasu, with censor\'s seal kiwame; the third, no. 65, Takamiya, with censor\'s seal kiwame; each signed Hiroshige ga and sealed Ichiryusai (3)
9 7/8 x 14 1/2in (25.1 x 36.8cm), the largest

芥川广志（1797-1858） 江户时期的三幅木版版画，约1835-38年

图片文件尺寸 : 4794 x 3855px

UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately

UTAGAWA KUNIYOSHI（1797-1861） 江户时期，约1844-1845年，三幅木版印刷品

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MASAYOSHI:A lacquer five-case inro
Edo period (1615-1868), late 18th century
Of lenticular profile, with integral cord-runners, decorated in gold, silver, and brown hiramaki-e and takamaki-e against a dark brown-lacquer ground sprinkled with hirame, depicting swallows and wisteria, the interior fundame with patches of nashiji, signed Masayoshi saku; fitted with a brass ojime formed as a jar
3 3/8in (8.6cm) high

正雄 18世纪晚期江户时代的漆五箱

图片文件尺寸 : 5071 x 4269px

: Untitled (House)
signed JR lower right
tempera on paper
34 x 46cm (13 3/8 x 18 1/8in).

无 题 无 题

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KITAGAWA UTAMARO (1754-1806), TORII KIYONAGA (1752-1815), KATSUKAWA SHUNKO (1743-1812), AND OTHERS:Eight woodblock prints
Edo period (1615-1868), 19th century
Seven oban tate-e prints comprising one sheet of a polyptych depicting three courtesans and a gentleman on a veranda, signed Utamaro hitsu; one sheet of a polyptych depicting three beauties looking out into a wintery garden, signed Kiyonaga ga; one sheet of a polyptych depicting a group of women in a pleasure house, signed Shunko ga; a beauty from the series Shokoku meisho zusho (Famous Views of the Provinces Illustrated), signed Kuniyoshi ga; a standing beauty from the series Bijin awase, signed Kochoro Kunisada ga; Suruga Miho (Miho in Suruga Province), from the series Honcho Fukei Bijin Kurabe (Beauties Compared with Scenic Spots of Our Country), signed Kochoro Kunisada ga, published by Sanoya Kihei; a bird\'s-eye view of a large villa with banners flying in celebration of Boys\' Day, signed Shun\'ei ga; an oban yoko-e depicting two samurai (8)
15 3/8 x 10 1/8in (39 x 25.7cm), the largest

北川郁太郎（1754-1806）、菊川拓里（1752-1815）、长川顺子（1743-1812）等 八幅木版印刷品19世纪

图片文件尺寸 : 4356 x 3867px

KATSUSHIKA HOKUSAI (1760-1849):Edo period (1615-1868), circa 1835-1836
Aa oban yoko-e print entitled Ariwara no Narihira, from the series Hyakunin isshu uba ga etoki (100 Poems Explained by the Nurse), signed Zen Hokusai with red manji, censor\'s seal kiwame, published by Nishimuraya Yohachi with seal Eijudo
10 1/4 x 14 7/8in (26 x 37.8cm)

住宅（1760-1849） 或时期，约1835-1836年

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KAJIKAWA LINEAGE:A gold lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded square profile with applied cord-runners, decorated in colored hiramaki-e and togidashi maki-e with nashiji on a ground of hirame depicting a woman dressed in a yukata with a male attendant catching fireflies at night, signed Kajikawa saku (signed Kajikawa); coral bead ojime
3 1/4in (8.2cm) high

KAJIKAWA谱系 19世纪江户时期的四箱金漆