62. 威廉·巴特利特 从集市回来,高威 高清作品[44%]

Returning from the Fair, Co. Galway

图片文件尺寸 : 4334 x 5342px

William H Bartlett:Returning from the Fair, Co. Galway
\'To the periodical Markets, held on the mainland, the inhabitants of the outlying islands are often obliged (owing to the smallness of the boats) to tow their cattle after them.\'
signed and dated \'WHBARTLETT 1888\' (lower right)
oil on canvas
87.5 x 142cm (34 1/2 x 55 7/8in).

威廉·巴特利特 从集市回来,高威

63. Al持有 斯科尔斯I 高清作品[44%]

Scholes I

图片文件尺寸 : 4719 x 5305px

Al Held:Scholes I (PCN.XXIII (May-June 1992), P. 61), 1991
Screenprint in colors on wove paper, signed in pencil and numbered 78/80, with the blindstamp of the publisher Mezzanine Gallery, The Metropolitan Museum of Art, New York, printed by Hidemi Norura, New York, with full margins, framed.
23 1/4 x 29in (59 x 73.7cm)
sheet 29 x 34in (73.7 x 86.4cm)

Al持有 斯科尔斯I

65. YAKASA佛像的小石像 朝鲜王朝,19世纪 高清作品[43%]

Joseon dynasty , 19th century

图片文件尺寸 : 4851 x 5801px

A SMALL STONE FIGURE OF YAKASA BUDDHA:Joseon dynasty (1392-1897), 19th century
The figure shown standing on a lotus base with the right hand held in the abhaya (\"fear not\") mudra and the left hand holding a medicine jar, the robes hanging in folds over the arms and open at the chest, the inlaid urna now lost
8in (20.3cm) high

YAKASA佛像的小石像 朝鲜王朝,19世纪

66. 新赛琉玉约(1764-1820) 江户时期,18世纪末/19世纪初 高清作品[42%]

Edo period , late 18th/early 19th century

图片文件尺寸 : 5399 x 5511px

RYURYUKYO SHINSAI (1764?-1820):Edo period (1615-1868), late 18th/early 19th century
A surimono shikishiban print of a woman in a multi-layered kimono strolling and gazing at small pine trees while under an umbrella held by a male servant, with poems, signed Shinsai
8 1/8 x 7 1/8in (20.6 x 18.1cm)

新赛琉玉约(1764-1820) 江户时期,18世纪末/19世纪初

67. Jannis Kounellis,当代艺术I 高清作品[40%]

DO-Jannis Kounellis  - 现代艺术 I
图片文件像素:6346 x 5756 px

Jannis Kounellis,当代艺术I-

Jannis Kounellis * - Zeitgenössische Kunst I-

(Piräus 1936–2017 Rome)
Untitled, 2009, metal sheet, coat and iron plate, 108 x 101 cm

This work is accompanied by a photo certificate signed by the artist

Provenance:
Galleria Fumagalli, Bergamo (label and stamp on the certificate)
European Private Collection

Exhibited:
Bergamo, Kounellis, Galleria Fumagalli, May-September 2009,
exh. cat. with ill.

Literature:
A. Maggi, V. Labarile, B. Corà, Jannis Koumellis, Silvana Editoriale,2010, view of the exhibition held at Galleria Fumagalli in 2009

68. 阿米达佛(阿弥陀佛)的漆木像 江户时代,19世纪 高清作品[37%]

Edo period , 19th century

图片文件尺寸 : 4185 x 5525px

A LACQUERED WOOD FIGURE OF AMIDA BUDDHA (AMITABHA):Edo period (1615-1868), 19th century
The figure shown dressed in flowing robes open at the chest, the byakugo (urna) and the nikkeishu (jewel of wisdom) inlaid in color stones, the hands held in the raigo-in (vitarka mudra) gesture used by Amida when descending from heaven to receive the souls of the deceased, the right hand raised and the left hand lowered, both with palm facing outward, standing on a multi-tiered lotus pedestal painted in green pigment with gilt highlights
31 1/4in (79.4cm) high (figure only); 41 1/4in (104.7cm) high overall

阿米达佛(阿弥陀佛)的漆木像 江户时代,19世纪

69. 社区谱系 19世纪江户时期的黑漆四箱 高清作品[37%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4532 x 3836px

KOAMI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a rich roiro black lacquer ground and decorated with Okame peering out from a circular window, one hand held to her face, looking at two oni fleeing from beans thrown at them in the mamemaki (bean scattering) ritual on the day before the beginning of spring, the interior gold nashiji, signed Koami with a kao (cursive monogram); ojime glass, with wood storage box
3 3/8in (8.5cm) high

社区谱系 19世纪江户时期的黑漆四箱

70. “一幅印有国王查理一世肖像的巨幅油画,1734年出版的《雾杂志》,一支羽毛笔和封蜡,由雅各布斯·普拉斯查特(Jacobus Plasschaert)靠在一块木板上 高清作品[36%]

A trompel oeil painting with an engraved portrait of King Charles I, an issue of Fog s Journal, dated 1734, a quill pen and sealing wax, held against a wooden backboard-

图片文件尺寸 : 2721 x 5479px

“一幅印有国王查理一世肖像的巨幅油画,1734年出版的《雾杂志》,一支羽毛笔和封蜡,由雅各布斯·普拉斯查特(Jacobus Plasschaert)靠在一块木板上-Jacobus Plasschaert

1734年出版的《雾杂志》上的一张带有国王查理一世雕刻肖像的特朗普油画,一支羽毛笔和密封蜡,贴在一块木板上--Jacobus Plasschaert (Flemish, active circa 1730–1765)

held油画图片- 高清held绘画作品- 代表作全集 中艺名画下载


62. 威廉·巴特利特 从集市回来,高威 高清作品[44%]

Returning from the Fair, Co. Galway

图片文件尺寸 : 4334 x 5342px

William H Bartlett:Returning from the Fair, Co. Galway
\'To the periodical Markets, held on the mainland, the inhabitants of the outlying islands are often obliged (owing to the smallness of the boats) to tow their cattle after them.\'
signed and dated \'WHBARTLETT 1888\' (lower right)
oil on canvas
87.5 x 142cm (34 1/2 x 55 7/8in).

威廉·巴特利特 从集市回来,高威

63. Al持有 斯科尔斯I 高清作品[44%]

Scholes I

图片文件尺寸 : 4719 x 5305px

Al Held:Scholes I (PCN.XXIII (May-June 1992), P. 61), 1991
Screenprint in colors on wove paper, signed in pencil and numbered 78/80, with the blindstamp of the publisher Mezzanine Gallery, The Metropolitan Museum of Art, New York, printed by Hidemi Norura, New York, with full margins, framed.
23 1/4 x 29in (59 x 73.7cm)
sheet 29 x 34in (73.7 x 86.4cm)

Al持有 斯科尔斯I

65. YAKASA佛像的小石像 朝鲜王朝,19世纪 高清作品[43%]

Joseon dynasty , 19th century

图片文件尺寸 : 4851 x 5801px

A SMALL STONE FIGURE OF YAKASA BUDDHA:Joseon dynasty (1392-1897), 19th century
The figure shown standing on a lotus base with the right hand held in the abhaya (\"fear not\") mudra and the left hand holding a medicine jar, the robes hanging in folds over the arms and open at the chest, the inlaid urna now lost
8in (20.3cm) high

YAKASA佛像的小石像 朝鲜王朝,19世纪

66. 新赛琉玉约(1764-1820) 江户时期,18世纪末/19世纪初 高清作品[42%]

Edo period , late 18th/early 19th century

图片文件尺寸 : 5399 x 5511px

RYURYUKYO SHINSAI (1764?-1820):Edo period (1615-1868), late 18th/early 19th century
A surimono shikishiban print of a woman in a multi-layered kimono strolling and gazing at small pine trees while under an umbrella held by a male servant, with poems, signed Shinsai
8 1/8 x 7 1/8in (20.6 x 18.1cm)

新赛琉玉约(1764-1820) 江户时期,18世纪末/19世纪初

67. Jannis Kounellis,当代艺术I 高清作品[40%]

DO-Jannis Kounellis  - 现代艺术 I
图片文件像素:6346 x 5756 px

Jannis Kounellis,当代艺术I-

Jannis Kounellis * - Zeitgenössische Kunst I-

(Piräus 1936–2017 Rome)
Untitled, 2009, metal sheet, coat and iron plate, 108 x 101 cm

This work is accompanied by a photo certificate signed by the artist

Provenance:
Galleria Fumagalli, Bergamo (label and stamp on the certificate)
European Private Collection

Exhibited:
Bergamo, Kounellis, Galleria Fumagalli, May-September 2009,
exh. cat. with ill.

Literature:
A. Maggi, V. Labarile, B. Corà, Jannis Koumellis, Silvana Editoriale,2010, view of the exhibition held at Galleria Fumagalli in 2009

68. 阿米达佛(阿弥陀佛)的漆木像 江户时代,19世纪 高清作品[37%]

Edo period , 19th century

图片文件尺寸 : 4185 x 5525px

A LACQUERED WOOD FIGURE OF AMIDA BUDDHA (AMITABHA):Edo period (1615-1868), 19th century
The figure shown dressed in flowing robes open at the chest, the byakugo (urna) and the nikkeishu (jewel of wisdom) inlaid in color stones, the hands held in the raigo-in (vitarka mudra) gesture used by Amida when descending from heaven to receive the souls of the deceased, the right hand raised and the left hand lowered, both with palm facing outward, standing on a multi-tiered lotus pedestal painted in green pigment with gilt highlights
31 1/4in (79.4cm) high (figure only); 41 1/4in (104.7cm) high overall

阿米达佛(阿弥陀佛)的漆木像 江户时代,19世纪

69. 社区谱系 19世纪江户时期的黑漆四箱 高清作品[37%]

A black lacquer four-case inroEdo period , 19th century

图片文件尺寸 : 4532 x 3836px

KOAMI LINEAGE:A black lacquer four-case inro
Edo period (1615-1868), 19th century
Of rounded rectangular profile with applied cord-runners, decorated in gold and colored takamaki-e against a rich roiro black lacquer ground and decorated with Okame peering out from a circular window, one hand held to her face, looking at two oni fleeing from beans thrown at them in the mamemaki (bean scattering) ritual on the day before the beginning of spring, the interior gold nashiji, signed Koami with a kao (cursive monogram); ojime glass, with wood storage box
3 3/8in (8.5cm) high

社区谱系 19世纪江户时期的黑漆四箱

70. “一幅印有国王查理一世肖像的巨幅油画,1734年出版的《雾杂志》,一支羽毛笔和封蜡,由雅各布斯·普拉斯查特(Jacobus Plasschaert)靠在一块木板上 高清作品[36%]

A trompel oeil painting with an engraved portrait of King Charles I, an issue of Fog s Journal, dated 1734, a quill pen and sealing wax, held against a wooden backboard-

图片文件尺寸 : 2721 x 5479px

“一幅印有国王查理一世肖像的巨幅油画,1734年出版的《雾杂志》,一支羽毛笔和封蜡,由雅各布斯·普拉斯查特(Jacobus Plasschaert)靠在一块木板上-Jacobus Plasschaert

1734年出版的《雾杂志》上的一张带有国王查理一世雕刻肖像的特朗普油画,一支羽毛笔和密封蜡,贴在一块木板上--Jacobus Plasschaert (Flemish, active circa 1730–1765)