图片文件尺寸 : 4767 x 4274px

Josef Albers:I-S Va 2, from Six Variants (Danilowitz 192.2), 1969
Screenprint in colors on wove paper, signed in pencil, titled, dated and numbered 106/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
21 3/8 x 29 7/8in (54.3 x 75.9cm)
sheet 27 7/8 x 35 3/4in (70.8 x 90.8cm)

阿伯斯 I-S Va 2，来自六种变体

图片文件尺寸 : 5203 x 5797px

Roy Lichtenstein:Sandwich and Soda, from the X + X (Ten Works by Ten Painters) (Corlett 35), 1964
Screenprint in colors on clear plastic, unsigned as issued, from the edition of 500, published by the Wadsworth Atheneum, Hartford, Connecticut, printed by Sirocco Screenprints, North Haven, Connecticut, with full margins, framed.
19 x 23in (48.3 x 58.4cm)
sheet 20 x 24in (50.8 x 61cm)

罗伊·利希滕斯坦 三明治和苏打，来自X+X

图片文件尺寸 : 4674 x 5669px

Roy Lichtenstein: Sandwich and Soda, from the X + X (Ten Works by Ten Painters) portfolio (Corlett 35), 1964
Screenprint in colors on clear plastic, unsigned as issued, from the edition of 500, published by the Wadsworth Atheneum, Hartford, Connecticut, printed by Sirocco Screenprints, North Haven, Connecticut, with full margins.
19 x 23in (48.3 x 58.4cm)
sheet 20 x 24in (50.8 x 61cm)

罗伊·利希滕斯坦 三明治和苏打水，来自X+X组合

图片文件尺寸 : 4915 x 4178px

Ellsworth Kelly:Red Blue, from the Ten Works x Ten Painters Portfolio, 1964
Screenprint on Mohawk Superfine Cover paper, from the edition of 500, unsigned, as issued, published by The Wadsworth Atheneum, Hartford, Connecticut, printed by Ives-Sillman, New Haven, Connecticut, with full margins.
21 7/8 x 17 7/8in (55.6 x 45.5cm)
sheet 23 3/4 x 19 15/16 in (60.3 x 50.6cm)

埃尔斯沃思·凯利 十幅作品x十位画家作品集中的红蓝

图片文件尺寸 : 4741 x 5634px

Josef Albers:Four plates, from Six Variants (4 works) (Danilowitz 192.1; 192.2; 192.3; 192.6), 1969
4 screenprints in colors on Arches paper, each signed in pencil, each titled, each dated and each numbered 135/150, with the blindstamp of the publisher Ives-Sillman, Inc., New Haven, Connecticut, with full margins.
Titles include: I-S Va 1, I-S Va 2, I-S Va 3, I-S Va 6 (4 works)
assorted from 25 x 25 7/8in (63.5 x 65.7cm) to 21 1/2 x 30in (54.6 x 76.2cm)
sheet 27 7/8 x 35 7/8in (70.8 x 91.1cm)

阿伯斯 六种型号的四块板

图片文件尺寸 : 3994 x 5123px

Josef Albers:Formulation: Articulation Portfolio II, Folder 26 (D. Appx C, p. 204), 1972
Screenprint in colors on Mohawk Superfine Bristol paper, unsigned as issued, from the edition of 1000, with printed artist and title, verso, with the blindstamp of the artist, published/printed by Ives-Sillman, Inc./Sirocco Screenprints, New Haven, in collaboration with Harry N. Abrams, New York, with full margins, folded as issued.
13 1/2 x 13 5/8in (34.3 x 34.6cm)
sheet 15 x 20in (38.1 x 50.8cm) (closed)

约瑟夫·亚伯斯 公式：发音组合II，文件夹26

图片文件像素：4600 x 3500 px

根据Piet Mondrian的说法-

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(Amersfoort 1872-1944 New York) "A Portfolio of 10 Paintings",1967, 10 Siebdrucke in Farbe auf Velin, Nr. 14 von 150 im Druckvermerk nummerierten Exemplaren, Blattmaße jeweils 43,2 x 43,1 cm, gedruckt bei Sirocco Screenprints und herausgegeben von Ives-Sillman/ New Haven, Connecticut, mit dem Trockenstempel, die Siebdrucke jeweils in typographisch bezeichneten Umschlägen, mit 8 Seiten Titel, Essay von Harry Holtzman, dem Text von Piet Mondrian, dem Inhaltverzeichnis sowie dem Druckvermerk in Orig.-Leinenkassette und schwarzem Schuber, beiliegend ein Doppelblatt mit farbiger typographischer Widmung an den Kunsthistoriker George Heard Hamilton/Yale University unterzeichnet von seinen Kollegen, darunter die Kunsthistoriker Vincent Scully und Gibson Danes sowie die Künstler Lester Johnson und Bernard Chaet, ebenfalls beiliegend der Editionsprospekt mit einem weiteren farbigen Siebdruck nach Mondrian, Blattmaße 24,7 x 24,7 cm, (13), (RAC)

图片文件尺寸 : 4242 x 3809px

NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。