63. 《无题》(奇怪的是,像这样的时刻,一切似乎都挣脱了束缚,一切都可能发生),2002年。-Markus Muntean和Adi Rosenblum 高清作品[56%]

Untitled (Strange, the moments like that when everything seems to break free and just drift and anything might happen), 2002.

材质 : Acrylic on canvas

图片文件尺寸 : 4859 x 3695 px

Markus Muntean Adi Rosenblum-Untitled (Strange, the moments like that when everything seems to break free and just drift and anything might happen), 2002.

Markus Muntean和Adi Rosenblum-《无题》(奇怪的是,像这样的时刻,一切似乎都挣脱了束缚,一切都可能发生),2002年。

67. “蔬菜、水果和凯撒也可以免费向华盛顿特区国家战争花园委员会(National War Garden Commission,Washington,D.C.)写一本J.Paul Verrees的书吗 高清作品[54%]

Can vegetables, fruit, and the kaiser tooWrite for free book to National War Garden Commission, Washington, D.C.-

图片文件尺寸 : 2697 x 3992px

“蔬菜、水果和凯撒也可以免费向华盛顿特区国家战争花园委员会(National War Garden Commission,Washington,D.C.)写一本J.Paul Verrees的书吗-J. Paul Verrees

Can vegetables, fruit, and the kaiser tooWrite for free book to National War Garden Commission, Washington, D.C.--J. Paul Verrees (比利时, 1889-1942)

69. Hans Hartung,当代艺术I 高清作品[51%]

DO-Hans Hartung  - 现代艺术 I
图片文件像素:5822 x 4298 px

Hans Hartung,当代艺术I-

Hans Hartung * - Zeitgenössische Kunst I-

(Leipzig 1904–1989 Antibes)
T 1964 - E 40, 1964, signed, dated Hartung 64, titled and inscribed and with directional arrow on the stretcher, acrylic on canvas, 81 x 130 cm, framed

This work is registered at the Foundation Hans Hartung and Anna-Eva Bergman, Antibes, and will be included in the forthcoming Catalogue Raisonné being prepared by the Foundation Hartung Bergman, Antibes (confirmation via email 3. October 2022).

Provenance:
Galerie Kallenbach, Munich
Private collection, North Rhine-Westphalia
Ketterer Kunst, Munich, 18 June 2021, lot 302 - acquired there by the present owner

Hans Hartung\'s entire oeuvre is characterised by abstract, non-objective painting. This interplay of light and shadow, structure, texture and airiness would become the formative elements of his later works. The non-figurative painting T 1964 - E 40 offered here also belongs to his catalogue of work. The canvas is primed in yellow, the upper part of the painting is dipped in a rich black. Above this is a layer of dark blue paint splashes with white accents, which the artist has worked on with a steel brush and scraper. A particular focus of the work is the complementary contrast of blue and yellow as well as the contrast between surface and stroke. The pictorial space is composed of light, shadow and their contrast.

The multitude of brushstrokes and scratches, the result of the painter\'s activity on the canvas, represent Hartung\'s style of the 1960s. The compositional scheme of the work offered here is reminiscent of the depiction of fireworks. The rockets explode in the night sky and colour it a sulphurous yellow.

“The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.”
Hans Hartung

free油画图片- 高清free绘画作品- 代表作全集 中艺名画下载


63. 《无题》(奇怪的是,像这样的时刻,一切似乎都挣脱了束缚,一切都可能发生),2002年。-Markus Muntean和Adi Rosenblum 高清作品[56%]

Untitled (Strange, the moments like that when everything seems to break free and just drift and anything might happen), 2002.

材质 : Acrylic on canvas

图片文件尺寸 : 4859 x 3695 px

Markus Muntean Adi Rosenblum-Untitled (Strange, the moments like that when everything seems to break free and just drift and anything might happen), 2002.

Markus Muntean和Adi Rosenblum-《无题》(奇怪的是,像这样的时刻,一切似乎都挣脱了束缚,一切都可能发生),2002年。

67. “蔬菜、水果和凯撒也可以免费向华盛顿特区国家战争花园委员会(National War Garden Commission,Washington,D.C.)写一本J.Paul Verrees的书吗 高清作品[54%]

Can vegetables, fruit, and the kaiser tooWrite for free book to National War Garden Commission, Washington, D.C.-

图片文件尺寸 : 2697 x 3992px

“蔬菜、水果和凯撒也可以免费向华盛顿特区国家战争花园委员会(National War Garden Commission,Washington,D.C.)写一本J.Paul Verrees的书吗-J. Paul Verrees

Can vegetables, fruit, and the kaiser tooWrite for free book to National War Garden Commission, Washington, D.C.--J. Paul Verrees (比利时, 1889-1942)

69. Hans Hartung,当代艺术I 高清作品[51%]

DO-Hans Hartung  - 现代艺术 I
图片文件像素:5822 x 4298 px

Hans Hartung,当代艺术I-

Hans Hartung * - Zeitgenössische Kunst I-

(Leipzig 1904–1989 Antibes)
T 1964 - E 40, 1964, signed, dated Hartung 64, titled and inscribed and with directional arrow on the stretcher, acrylic on canvas, 81 x 130 cm, framed

This work is registered at the Foundation Hans Hartung and Anna-Eva Bergman, Antibes, and will be included in the forthcoming Catalogue Raisonné being prepared by the Foundation Hartung Bergman, Antibes (confirmation via email 3. October 2022).

Provenance:
Galerie Kallenbach, Munich
Private collection, North Rhine-Westphalia
Ketterer Kunst, Munich, 18 June 2021, lot 302 - acquired there by the present owner

Hans Hartung\'s entire oeuvre is characterised by abstract, non-objective painting. This interplay of light and shadow, structure, texture and airiness would become the formative elements of his later works. The non-figurative painting T 1964 - E 40 offered here also belongs to his catalogue of work. The canvas is primed in yellow, the upper part of the painting is dipped in a rich black. Above this is a layer of dark blue paint splashes with white accents, which the artist has worked on with a steel brush and scraper. A particular focus of the work is the complementary contrast of blue and yellow as well as the contrast between surface and stroke. The pictorial space is composed of light, shadow and their contrast.

The multitude of brushstrokes and scratches, the result of the painter\'s activity on the canvas, represent Hartung\'s style of the 1960s. The compositional scheme of the work offered here is reminiscent of the depiction of fireworks. The rockets explode in the night sky and colour it a sulphurous yellow.

“The first and most important thing is to remain free, free in each line you undertake, in your ideas and in your political action, in your moral conduct. The artist especially must remain free from all outer restraints.”
Hans Hartung