图片文件尺寸 : 4743 x 5492px

LOLÓ SOLDEVILLA:Untitled
1955

signed and dated 55 on the reverse
oil and collage elements on board

22 1/4 by 28 3/8 in.
56.5 by 72.1 cm.

This work has been authenticated by Martha Flora Carranza Barba, Havana, Cuba on 3 January, 2022 and is registered under inventory number L-574.

LOLóSOLDEVILLA 无标题1955

图片文件尺寸 : 4663 x 5733px

Sir Terry Frost R.A.:Blue, Red, Black Vertical Rhythm (Kemp 246)
Screenprint in colours with collage elements and embossing, 2003, on heavy wove, signed and numbered 52/125 in pencil, printed by Coriander Studio, London, published by CCA Galleries, Tilford, with full margins, 530 x 543mm (20 7/8 x 21 3/8in)(SH)

Terry Frost R.A.爵士。 蓝色、红色、黑色垂直节奏

图片文件尺寸 : 4517 x 5237px

Richard Smith:Times Square Remembered
The complete set of five lithographs with collage elements in colours, 1973, each on wove, signed, dated and inscribed \'PP\' in pencil, printer\'s proofs aside from the numbered edition of 42, the full sheets printed to the edges, each 900 x 600mm (35 3/8 x 23 5/8in)(and similar)(SH)(unframed)(5)

理查德·史密斯 时代广场纪念

图片文件尺寸 : 4679 x 4479px

John McCracken: Untitled
1983

signed and dated 83
polyester resin, fiberglass and plywood mounted to oil on masonite in artist\'s frame

Overall: 31 3/4 by 24 by 2 in. (80.6 by 60.9 by 5 cm.)
Painting: 30 1/4 by 22 1/2 in. (76.8 by 57.1 cm.)
Resin element: 11 1/4 by 8 1/8 by 1 1/8 in. (28.5 by 20.6 by 2.8 cm.)

约翰·麦克拉肯 无标题1983

图片文件尺寸 : 3951 x 5527px

LOL&; SOLDEVILLA: Untitled
circa 1955

signed on the reverse
oil, twine, and collage elements on jute canvas laid to board, in artist\'s frame

27 3/4 by 35 1/2 in.
70.5 by 90.2 cm.

This work was executed circa 1955.

This work is accompanied by a certificate of authenticity signed by Martha Flora Carranza Barba, Havana, Cuba.

LOL索尔德维拉 约1955年无 题

图片文件尺寸 : 5329 x 4326px

Andy Warhol:Andy Warhol\'s Index (Book) (not in F. S.), 1967
Bound book comprising 39 offset lithographs, pop-ups in colors, plastic record and collage elements on wove papers, missing the postcard of 8 detachable stamps, bound in original three-dimensional Rowlux and screenprinted cover, published by Random House, New York, lacking plastic bag slipcase.
Sheet overall 11 1/4 x 8 5/8 x 3/4in (28.5 x 21.9 x 1.9cm)

安迪·沃霍尔 安迪·沃霍尔指数

图片文件尺寸 : 4787 x 5602px

ÉDOUARD LÉON THÉODORE MESENS: Le rire au fond du soir
signed \'Mesens.\' (lower right) and dated \'8/1960\' (lower left)
oil, collage and brass elements on card
22 x 29cm (8 11/16 x 11 7/16in); 24.8 x 31cm (9 3/4 x 12 3/16in) (with the artist\'s frame)
Executed in August 1960

ÉDOUARD L在第嗅系膜 深夜的笑声

图片文件尺寸 : 4302 x 4795px

IOKI BUNSAI (1863-1906):Nikko Toshogu Honden
Meiji era (1868-1912)
A painting in oil on canvas of a green-robed Shinto priest descending the stairs in front of the Karamon gate of the main hall of the central shrine at Toshogu Shrine in Nikko, each architectural element modeled in realistic detail; signed B. IOKI and dated 1893
27 1/2 x 39in (69.8 x 99cm)

IOKI BUNSAI（1863-1906） 日子东邦宏明治时代

图片文件像素：5713 x 4685 px

托姆布雷-

Cy Twombly * - Zeitgenössische Kunst I-

(Lexington, Virginia 1928–2011 Rome)
Untitled, 1963/1964, signed Cy Twombly, colored pencil, wax crayon on paper, 86 x 67 cm, framed

Provenance:
Galleria La Tartaruga, Rome
Galerie Karsten Greve, Cologne
Private Collection, 德国y
Kunsthaus Lempertz, 3 December 2016, lot 450 - acquired there by the present owner

Literature:
Nicola Del Roscio, Cy Twombly, drawings, catalogue raisonné, Gagosian Gallery, New York (Ed.), Munich 2011, vol. 4, no. 20

Cy Twombly occupies a unique position among US artists. Twombly lived and worked in Italy, far from the 美国 art world, and felt free to experiment. In Rome, Twombly refined his distinctive artistic language. Twombly\'s visual language is informed by classical literature, ancient history, poetry and mythology, as well as his own life experience. Since the 1950s, Twombly\'s drawings have been dominated by rhythmically repeated line progressions, swirls, dense tangles and isolated numbers. Pencil, coloured pens and ballpoint pens enabled Twombly to make this \'scriptural\' drawing, which ultimately includes the signature of the artist himself. On the white of the paper, the pictorial elements provoke by appearing as scribbles, appearing as if randomly distributed on the surface.

The untitled work offered here is a vivid example of Twombly\'s unique pictorial language. The pictorial elements merge into an abstract composition that is both delicate and dynamic. The work was created in Italy between 1963-64. Twombly lived in a 17th-century palazzo on Via di Monserrato in Rome at the time the work was created. Untitled is emblematic of the groundbreaking work Twombly produced in the 1960s, widely regarded as a critical and highly fruitful period in his long and illustrious career.

“Paint is something that I use with my hands and do all those tactile things. I really don’t like oil because you can’t get back into it, or you make a mess. It’s not my favourite thing... pencil is more my medium than wet paint.”
Cy Twombly

图片文件尺寸 : 5164 x 3790px

James Rosenquist:Kabuki Blushes, from Secrets in Carnations (Glenn 206), 1986
Lithograph with monoprint collage in colors on Chiri Kozo paper, the collage elements on Somerset Satin paper, signed in pencil, dated, titled and numbered 54/59, with the blindstamp of the publisher/printer, Graphicstudio/U.S.F., Tampa, with full margins, framed.
sheet 39 x 41 1/2in (99.1 x 105.4cm)

詹姆斯·罗森奎斯特 歌舞伎脸红，来自康乃馨的秘密