68. 俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。 高清作品[73%]

Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926.

图片文件尺寸 : 5489 x 4959px

RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.

A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.

俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。

69. 雷纳托·古图索-现代 高清作品[72%]

DO-Renato Guttuso - Moderne
图片文件像素：6176 x 4035 px

雷纳托·古图索-现代-

Renato Guttuso * - Moderne-

(Bagheria/Palermo 1912–1987 Rom)
Girasole nero, 1971, signiert; rückseitig signiert, datiert, Öl auf Leinwand, 58 x 70 cm, gerahmt

Provenienz:
Toninelli Arte Moderna, Mailand-Rom (rückseitig Stempel)
Sammlung Giorgio Soavi, Mailand
Privatsammlung, Turin
Europäische Privatsammlung

Ausgestellt:
XIII Biennale d’Arte Figurativa Città di Imola, Imola, 30. September – 30. Oktober 1972 (Rückseite Klebezettel)
Mailand, Guttuso 1972: Le visite e altri dipinti, Toninelli Arte Moderna, Mai – Juni 1972, Ausst.-Kat. mit Abb.
San Vincent, Guttuso, Grand Hotel Billia, 6. – 29. Juli 1973, Ausst.-Kat. Nr. 18 mit Abb.
Turin, Guttuso, Galleria La Colomba, Mai 1977, Ausst.-Kat. mit Abb.

Literatur:
„Il tratto in Arte“, Nr. 4 Juni 1971 mit Abb.
L. Lang, Renato Guttuso, Welt der Kunst, Henschelverlag Kunst und Gesellschaft, Berlin 1975, Nr. 23 mit Abb.
E. Crispolti (Hrsg.), Catalogo ragionato generale dei dipinti di Renato Guttuso, Bd. III, Mondadori associati, Mailand 1985, S. 150, Nr. 71/29 mit Abb.

相关：
arts art and language art阿诺德language wolfe art art1917人物画 academic-art
首页 主题 艺术运动 风景
art油画图片- 高清art绘画作品- 代表作全集 中艺名画下载


68. 俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。 高清作品[73%]

Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926.

图片文件尺寸 : 5489 x 4959px

RUSSIAN ART JOURNAL.:Zhar-Ptitsa/Jar-Ptitza [The Firebird]. Paris and Berlin: Russkoe Iskusstvo, August 1921-January 1926. 14 issues in 13 volumes (No. 4/5 double issue). 4to (315 x 240 mm). Illustrated in color and black and white, with many plates tipped in. Original color lithographed wrappers. Some issues missing spines with pages detached; internal tears and some loss.

A COMPLETE SET OF THE RARE RUSSIAN EMIGRE LITERARY ART MAGAZINE IN ORIGINAL ISSUES, reportedly no more than 300 copies were printed. Supplemental summaries of the numbers were provided in the back in a variety of languages including English. Zhar-ptitsa was the most influential art journal of the flourishing community of exiles who were feverishly trying to keep the culture of Old Russia alive. Due to paper shortages and extensive censorship by the Bolsheviks back in the USSR, the Russian book business was booming in Germany and France. This lavish periodical was the natural successor to S. Diaghilev\'s Mir iskusstva since many of those involved had been members of the World of Art Group and designers for the Ballets Russes. The rich selection subjects and contributors under A. E. Kogan\'s art department embraced L. Bakst, A. Benois, I. Bilibin, M. Chagall, S. Chekhonin, N. Goncharova, B. Grigoriev, B. Kustodiev, M. Larionov, V. Shukaev, K. Somov, S. Sudeikin and many other important artists. Poet Sasha Cherny was literary editor; and such important writers as L. Andreev, K. Balmont, I. Bunin, V. Khodasevich, B. Pilnyak, A. Remizov, N. Teffi, A.N. Tolstoi, B. Zaitsev, and the young Vladimir Nabokov (as \"V. Sirin\") appeared in its pages. Fekula called Zhar-ptitsa \"perhaps the most famous of post-revolutionary art journals, whose contributors threw new light on the development of Russian art at the beginning of the twentieth century.\" According to Vengerov, \"Even separate issues of the magazine, let alone complete sets of its issues, are a great bibliographic rarity.\" Fekula 5742; Vengerov Staraya russkaya kniga 105.

俄罗斯艺术杂志。 Zhar Ptitsa/Jar Ptitsa[火鸟]。巴黎和柏林：Russkoe Iskustvo，1921年8月至1926年1月。

69. 雷纳托·古图索-现代 高清作品[72%]

DO-Renato Guttuso - Moderne
图片文件像素：6176 x 4035 px

雷纳托·古图索-现代-

Renato Guttuso * - Moderne-

(Bagheria/Palermo 1912–1987 Rom)
Girasole nero, 1971, signiert; rückseitig signiert, datiert, Öl auf Leinwand, 58 x 70 cm, gerahmt

Provenienz:
Toninelli Arte Moderna, Mailand-Rom (rückseitig Stempel)
Sammlung Giorgio Soavi, Mailand
Privatsammlung, Turin
Europäische Privatsammlung

Ausgestellt:
XIII Biennale d’Arte Figurativa Città di Imola, Imola, 30. September – 30. Oktober 1972 (Rückseite Klebezettel)
Mailand, Guttuso 1972: Le visite e altri dipinti, Toninelli Arte Moderna, Mai – Juni 1972, Ausst.-Kat. mit Abb.
San Vincent, Guttuso, Grand Hotel Billia, 6. – 29. Juli 1973, Ausst.-Kat. Nr. 18 mit Abb.
Turin, Guttuso, Galleria La Colomba, Mai 1977, Ausst.-Kat. mit Abb.

Literatur:
„Il tratto in Arte“, Nr. 4 Juni 1971 mit Abb.
L. Lang, Renato Guttuso, Welt der Kunst, Henschelverlag Kunst und Gesellschaft, Berlin 1975, Nr. 23 mit Abb.
E. Crispolti (Hrsg.), Catalogo ragionato generale dei dipinti di Renato Guttuso, Bd. III, Mondadori associati, Mailand 1985, S. 150, Nr. 71/29 mit Abb.

相关：
arts art and language art阿诺德language wolfe art art1917人物画 academic-art
首页 主题 艺术运动 风景