61. Charles Frederick Tunnicliffe O.B.E.,R.A.。 小偷种马 高清作品[44%]

The Thief; The Stallion

图片文件尺寸 : 5169 x 4918px

Charles Frederick Tunnicliffe O.B.E., R.A.:The Thief; The Stallion
Etching, 1928, on laid, signed and numbered 47/75 in pencil, with margins, 150 x 230mm (5 7/8 x 12 5/8in)(PL); together with \'The Stallion\', 1928, etching, on laid, signed in pencil, with margins, 170 x 225mm (6 3/4 x 8 7/8in)(PL)(2)

Charles Frederick Tunnicliffe O.B.E.,R.A.。 小偷种马

62. 詹姆斯·罗森奎斯特 回转滤网 高清作品[44%]

Swing Screen

图片文件尺寸 : 4685 x 5139px

James Rosenquist:Swing Screen (Glenn 170), 1979
Etching and aquatint in colors with hand-coloring on Pescia Italia paper, signed, titled, dated and numbered 45/78 in pencil, published by Multiples, Inc., New York, printed by Flatstone Studio, Tampa,Florida, with full margins.
17 3/4 x 35 3/4in (45 x 90.8cm)
sheet 22 3/4 x 39 3/4in (57.8 x 100.9cm)

詹姆斯·罗森奎斯特 回转滤网

63. 汤姆·韦塞尔曼 卧室面#41 高清作品[44%]

Bedroom Face #41

图片文件尺寸 : 4759 x 4238px

Tom Wesselmann:Bedroom Face #41, 1990
Screenprint in colors on museum board, signed in pencil and numbered 80/100 (there were also 12 artist\'s proofs), with the blindstamps of the publisher, International Images, Inc., Putney, Vermont and the printer Screened Images, New York, with full margins, framed.
49 3/4 x 58 1/4in (126.3 x 147.9cm)
sheet 59 1/4 x 67 1/4 in (150.5 x 170.8cm)

汤姆·韦塞尔曼 卧室面#41

64. Lyonel Feininger表示` by Nach Lyonel Feininger 高清作品[43%]

DO-Nach Lyonel Feininger - Druckgrafik und Editionen
图片文件像素:4600 x 3500 px

Lyonel Feininger表示-

-

(New York 1871-1956)
"Rathaus, Swinemünde", Lithographie in Farbe auf Velin, nach dem 1912 entstandenen Gemälde, mit der gedruckten Signatur, Nr. 170 von 200 nummerierten Exemplaren der Vorzugsausgabe ohne Schrift neben der Verwendung als Plakat für die Ausstellung der Galerie Berggruen/Paris 1974, Darstellungsmaße 57,3 x 48 cm, Blattmaße 72,4 x 55,7 cm, gedruckt von Mourlot/Paris, (RAC)

65. Hubert Scheibl,当代艺术I 高清作品[43%]

DO-Hubert Scheibl  - 现代艺术 I
图片文件像素:5722 x 4126 px

Hubert Scheibl,当代艺术I-

Hubert Scheibl * - Zeitgenössische Kunst I-

(born in Gmunden in 1952)
“Wir wissen nicht wer den krieg begonnen hat, wir oder sie” (Matrix), signed, dated Hubert Scheibl 2002 on the reverse as well as with “Wir wissen nicht wer den krieg begonnen hat, wir oder sie” (Matrix), oil on canvas, 240 x 170 cm, on metal stretcher

The title is from Matrix: chapter 6: Reality

Provenance:
Private Collection, 德国y

66. 胡安·米罗 一块板,从蜥蜴到金色羽毛 高清作品[43%]

One Plate, from Le lézard aux plumes d\'or

图片文件尺寸 : 4986 x 5916px

Joan Miró:One Plate, from Le lézard aux plumes d\'or (Maeght 812), 1971
Lithograph in colors on japon kochi paper, signed in pencil and numbered IX/X (aside from the regular edition of 170 on Rives paper), published/printed by Broder/Mourlot, Paris, the full sheet.
sheet 13 15/16 x 19 3/4in (35.7 x 50.1cm)

胡安·米罗 一块板,从蜥蜴到金色羽毛

68. 汤姆·韦塞尔曼 卧室面#41 高清作品[43%]

Bedroom Face #41

图片文件尺寸 : 4163 x 4106px

Tom Wesselmann:Bedroom Face #41, 1990
Screenprint in colors on 4 ply cotton rag museum board, signed in pencil and numbered PP 1/3 (a printer\'s proof aside from the edition of 90, there were also 12 artist\'s proofs), with the blindstamps of the publisher, International Images, Inc., Putney, Vermont/ Screened Images, Long Island, with full margins.
50 x 58 1/4in (127 x 148cm)
sheet 59 1/4 x 67 1/4in (150.5 x 170.8cm)

汤姆·韦塞尔曼 卧室面#41

69. 巴勃罗·毕加索 杰奎琳·奥切瓦莱 高清作品[42%]

Jacqueline au Chevalet

图片文件尺寸 : 4639 x 3876px

Pablo Picasso:Jacqueline au Chevalet (Bloch 107 (variant); Alain Ramié 334 (variant); François and Pierre Hugo pg. 170), 1956
Silver repoussé round dish, stamped with the artist\'s signature and numbered \'3/20\', stamped with the silversmith\'s mark, François and Pierre Hugo and the French assay mark for silver and numbered 1428/1953\' on underside.
diameter 16 5/8in (42cm)

巴勃罗·毕加索 杰奎琳·奥切瓦莱

170油画图片- 高清170绘画作品- 代表作全集 中艺名画下载


61. Charles Frederick Tunnicliffe O.B.E.,R.A.。 小偷种马 高清作品[44%]

The Thief; The Stallion

图片文件尺寸 : 5169 x 4918px

Charles Frederick Tunnicliffe O.B.E., R.A.:The Thief; The Stallion
Etching, 1928, on laid, signed and numbered 47/75 in pencil, with margins, 150 x 230mm (5 7/8 x 12 5/8in)(PL); together with \'The Stallion\', 1928, etching, on laid, signed in pencil, with margins, 170 x 225mm (6 3/4 x 8 7/8in)(PL)(2)

Charles Frederick Tunnicliffe O.B.E.,R.A.。 小偷种马

62. 詹姆斯·罗森奎斯特 回转滤网 高清作品[44%]

Swing Screen

图片文件尺寸 : 4685 x 5139px

James Rosenquist:Swing Screen (Glenn 170), 1979
Etching and aquatint in colors with hand-coloring on Pescia Italia paper, signed, titled, dated and numbered 45/78 in pencil, published by Multiples, Inc., New York, printed by Flatstone Studio, Tampa,Florida, with full margins.
17 3/4 x 35 3/4in (45 x 90.8cm)
sheet 22 3/4 x 39 3/4in (57.8 x 100.9cm)

詹姆斯·罗森奎斯特 回转滤网

63. 汤姆·韦塞尔曼 卧室面#41 高清作品[44%]

Bedroom Face #41

图片文件尺寸 : 4759 x 4238px

Tom Wesselmann:Bedroom Face #41, 1990
Screenprint in colors on museum board, signed in pencil and numbered 80/100 (there were also 12 artist\'s proofs), with the blindstamps of the publisher, International Images, Inc., Putney, Vermont and the printer Screened Images, New York, with full margins, framed.
49 3/4 x 58 1/4in (126.3 x 147.9cm)
sheet 59 1/4 x 67 1/4 in (150.5 x 170.8cm)

汤姆·韦塞尔曼 卧室面#41

64. Lyonel Feininger表示` by Nach Lyonel Feininger 高清作品[43%]

DO-Nach Lyonel Feininger - Druckgrafik und Editionen
图片文件像素:4600 x 3500 px

Lyonel Feininger表示-

-

(New York 1871-1956)
"Rathaus, Swinemünde", Lithographie in Farbe auf Velin, nach dem 1912 entstandenen Gemälde, mit der gedruckten Signatur, Nr. 170 von 200 nummerierten Exemplaren der Vorzugsausgabe ohne Schrift neben der Verwendung als Plakat für die Ausstellung der Galerie Berggruen/Paris 1974, Darstellungsmaße 57,3 x 48 cm, Blattmaße 72,4 x 55,7 cm, gedruckt von Mourlot/Paris, (RAC)

65. Hubert Scheibl,当代艺术I 高清作品[43%]

DO-Hubert Scheibl  - 现代艺术 I
图片文件像素:5722 x 4126 px

Hubert Scheibl,当代艺术I-

Hubert Scheibl * - Zeitgenössische Kunst I-

(born in Gmunden in 1952)
“Wir wissen nicht wer den krieg begonnen hat, wir oder sie” (Matrix), signed, dated Hubert Scheibl 2002 on the reverse as well as with “Wir wissen nicht wer den krieg begonnen hat, wir oder sie” (Matrix), oil on canvas, 240 x 170 cm, on metal stretcher

The title is from Matrix: chapter 6: Reality

Provenance:
Private Collection, 德国y

66. 胡安·米罗 一块板,从蜥蜴到金色羽毛 高清作品[43%]

One Plate, from Le lézard aux plumes d\'or

图片文件尺寸 : 4986 x 5916px

Joan Miró:One Plate, from Le lézard aux plumes d\'or (Maeght 812), 1971
Lithograph in colors on japon kochi paper, signed in pencil and numbered IX/X (aside from the regular edition of 170 on Rives paper), published/printed by Broder/Mourlot, Paris, the full sheet.
sheet 13 15/16 x 19 3/4in (35.7 x 50.1cm)

胡安·米罗 一块板,从蜥蜴到金色羽毛

68. 汤姆·韦塞尔曼 卧室面#41 高清作品[43%]

Bedroom Face #41

图片文件尺寸 : 4163 x 4106px

Tom Wesselmann:Bedroom Face #41, 1990
Screenprint in colors on 4 ply cotton rag museum board, signed in pencil and numbered PP 1/3 (a printer\'s proof aside from the edition of 90, there were also 12 artist\'s proofs), with the blindstamps of the publisher, International Images, Inc., Putney, Vermont/ Screened Images, Long Island, with full margins.
50 x 58 1/4in (127 x 148cm)
sheet 59 1/4 x 67 1/4in (150.5 x 170.8cm)

汤姆·韦塞尔曼 卧室面#41

69. 巴勃罗·毕加索 杰奎琳·奥切瓦莱 高清作品[42%]

Jacqueline au Chevalet

图片文件尺寸 : 4639 x 3876px

Pablo Picasso:Jacqueline au Chevalet (Bloch 107 (variant); Alain Ramié 334 (variant); François and Pierre Hugo pg. 170), 1956
Silver repoussé round dish, stamped with the artist\'s signature and numbered \'3/20\', stamped with the silversmith\'s mark, François and Pierre Hugo and the French assay mark for silver and numbered 1428/1953\' on underside.
diameter 16 5/8in (42cm)

巴勃罗·毕加索 杰奎琳·奥切瓦莱