图片文件尺寸 : 4452 x 5734px

Pierre-Auguste Renoir:Maternité, Grand Planche (Delteil 50; Stella 50), c.1912
Lithograph in tones of grey, a proof on Chine paper (aside from the edition of 200 on Arches paper), signed in the stone, with wide margins.
19 1/2 x 18 1/2in (49.5 x 47cm)
sheet 23 1/4 x 19 7/8in (59 x 50cm)

皮埃尔·奥古斯特·雷诺阿 母性，大板

图片文件尺寸 : 4476 x 5422px

Keith Haring:Plate 3, from Chocolate Buddha (Littmann p. 124), 1989
Lithograph in colors on wove paper, signed in pencil, dated and numbered 36/90 (there were also 15 artist\'s proofs), published/printed by Editions F.B./Arts-Litho, Paris, with full margins, colors slightly attenuated, framed.
19 1/2 x 25 1/4in (49.5 x 64.1cm)
sheet 22 x 28in (55.9 x 71.1cm)

基思·哈林 盘子3，来自巧克力佛

图片文件尺寸 : 4821 x 4768px

Rufino Tamayo:Personaje en Gris, from Rufino Tamayo 15 Aguafuertes (Pereda 271), 1980
Etching in colors on Guarro paper, signed in black crayon and numbered 65/99 (there were also 15 artist\'s proofs), published/printed by Ediciones Polígrafa, Barcelona, the full sheet.
sheet 29 5/8 x 22in (75.2 x 55.9cm)

塔马约 灰色角色，来自Rufino Tamayo 15 Aguafortes

图片文件尺寸 : 5251 x 5194px

Keith Haring:Plate 1, from Chocolate Buddha (Littmann p. 123), 1989
Lithograph in colors on wove paper, signed in pencil, dated and numbered 36/90 (there were also 15 artist\'s proofs), published/printed by Editions F.B./Arts-Litho, Paris, with full margins, red slightly attenuated, framed.
19 3/8 x 25 1/4in (49.2 x 64.1cm)
sheet 22 x 28in (55.9 x 71.1cm)

基思·哈林 盘子1，来自巧克力佛

图片文件尺寸 : 4117 x 3821px

Sam Gilliam:Untitled, for Lincoln Center Festival, 2001
Screenprint in colors on Somerset paper, signed in pencil, dated and numbered 60/108 (there were also 18 artist\'s proofs), published by Lincoln Center List Program, New York, with the blindstamp of the printer, Brand X Editions, New York, with full margins.
28 3/4 x 36 1/4in (73 x 92cm)
sheet 35 1/4 x 41in (89.5 x 103cm)

山姆·吉列姆 无题，林肯中心节

图片文件尺寸 : 4073 x 5974px

James Rosenquist:When a Leak (Glenn 175), 1980
Lithograph in colors on wove paper, signed in pencil, titled, dated and numbered 22/58 (there were also 11 artist\'s proofs), with the blindstamp of the publisher Gemini G.E.L., Los Angeles, with full margins.
39 5/8 x 50 1/2in (100.6 x 128.2cm)
sheet 43 1/4 x 53 3/4in (109.8 x 136.5cm)

詹姆斯·罗森奎斯特 发生泄漏时

图片文件尺寸 : 4003 x 5707px

Sam Francis:Untitled Red (American Foundation) (SFE-080RC), 1992
Etching in colors on Fabriano paper, signed in pencil and numbered IV/XXIV (an artist\'s proof, aside from the edition of 75), published by 2RC Edizioni d\'Arte, Rome, with the blindstamp of the printer, Vigna Antoniniana Stamperia Arte, Rome, with full margins.
19 1/2 x 28 3/4in (49.5 x 73cm)
sheet 27 3/4 x 37 1/2in (70.5 x 95.3cm)

山姆·弗朗西斯 无标题红色

图片文件尺寸 : 4563 x 4262px

Julian Schnabel:Malfi, from Sequences (3 works), 1998
The complete set of 3 screenprints in colors with monotype and poured resin, on primed Rising museum board, each signed in pencil, dated and numbered 47/60 (there were also 10 artist\'s proofs), published by Edition Schellmann, Munich/New York, each the full sheet. (3 works)
each sheet 19 5/8 x 15 3/4in (50 x 40cm)

朱利安·施纳贝尔 Malfi，来自序列

图片文件尺寸 : 4901 x 5061px

Keith Haring:Untitled, from Icons (Littman p. 171), 1990
Screenprint in colors with embossing on Arches Cover paper, signed in pencil on the verso by Julia Gruen (the executor of the Keith Haring Estate), dated and numbered 114/250 (there were also 25 artist\'s proofs), with the estate inkstamp verso and the blindstamp of the publisher, Tony Shafrazi Editions, New York, printed by Studio Heinrici, Ltd., the full sheet, framed.
sheet 21 x 25in (53.3 x 63.5cm)

基思·哈林 无标题，来自图标

图片文件像素：4938 x 5880 px

安迪·沃霍尔，当代艺术II-

Andy Warhol - Zeitgenössische Kunst II-

(Pittsburgh 1928–1987 New York)
“Mao”, 1972, screenprint in colors on wove paper, signed in ball-point pen and stamped PP on the reverse, printer’s proof aside from the numbered edition of 250 copies, sheet size 92.4 x 91.5 cm, printed by Styria Studio/New York with their stamp and the artist’s copyright on the reverse, published by Castelli Graphics and Multiples, Inc./New York, Feldman/Schellmann II. 96, framed