图片文件尺寸 : 5196 x 3817px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1932
An oban tate-e print entitled Soshu Maekawa no ame (Rain at Maekawa in Sagami Province), from the series Tokaido fukei senshu (Views of the Tokaido Road), dated 1932, published by Watanabe Shozaburo, with the Hanken shoyu fuko myosha Watanabe Shozaburo seal, signed Hasui
13 x 10 1/2in (33.1 x 26.6cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1932年
图片文件尺寸 : 4414 x 4928px
UTAGAWA KUNISADA (1786-1864):Edo period (1615-1868), 1857
An oban tate-e print triptych entitled Shonin (Shopkeepers) from the series Imayo mitate shinokosho (An Up-To-Date Parody of the Four Classes), depicting beauties as purveyors and customers of a print shop, signed on each sheet Toyokuni, published by Uoya Eikichi (3)
14 5/8 x 10 1/8in (37.1 x 25.7cm) each approximately
芥川久奈达（1786-1864） 江户时期，1857年
图片文件尺寸 : 4509 x 4595px
KATSUKAWA SHUNSHO (1726-1792), KATSUKAWA SHUNZAN (ACTIVE CIRCA 1781-1801), KATSUKAWA SHUN\'EI (1762-1819), KATSUKAWA SHUNKO (1743-1812), AND IPPITSUSAI BUNCHO (1765-1792):Seven hosoban prints and a chuban tate-e print
Edo period (1615-1868), 1773-1791
The first of actor Otani Hiroji III, signed Shunsho ga, actor Otani Hiroji III as Naoe Saemon, signed Shunsho ga, and actor Bando Matataro IV as Bando Taro, both from the kaomise (seasonal inaugural play) Gohiiki Kanjincho, 1773; actor Segawa Kikunojo III as the Geisha Otori, 1791, censor\'s seal kiwame; and another actor print, both published by Tsuruya Kiemon (Senkakudo), signed Shun\'ei ga; actor Nakajima Mihoemon II as Yamana Sozen, 1778, signed Shunko ga; a Beauty at Sumaya, published by Nishimuraya Yohachi (Eijudo), signed Ippitsusai Buncho ga; the last of Hanaogi of the Ogiya, kamuro Yoshino, and Tatsuta, signed Shunzan ga (8)
12 3/16 x 5 3/4in (31 x 14.6cm) each hosoban, approximately
8 7/8 x 6 3/4in (22.4 x 17cm)
长川顺昭（1726-1792）、长川顺赞（活跃于1781-1801年）、长川顺义（1762-1819年）、长川顺子（1743-1812年）和一品斋本町（1765-1792年） 江户时期，1773-1791年，七幅霍索班版画和一幅楚班州画
图片文件尺寸 : 4749 x 4048px
UTAGAWA HIROSHIGE (1797-1858):Edo period (1615-1868), 1857
An oban tate-e print entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), from the series Meisho Edo hyakkei (100 Famous Views of Edo), with autumn maples framing a distant landscape with a shrine and pavilions, published by Uoya Eikichi; signed Hiroshige ga
14 1/4 x 9 5/8in (36.2 x 24.4cm)
芥川广志（1797-1858） 江户时期，1857年
图片文件尺寸 : 5253 x 4132px
UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), circa 1836
An oban tate-e print depicting Gentoku (Xuan De) on his horse Tekiro, as they leap in to the gorge of Tan, from the series Tsuzoku Sangokushi Eiyu (Heroes of the Popular History of the Three Kingdoms), signed Ichiyusai Kuniyoshi ga, published by Joshuya Kinzo
15 1/8 x 10 1/2in (38.4 x 26.6cm)
UTAGAWA KUNIYOSHI（1797-1861） 或时期，约1836年
图片文件尺寸 : 5333 x 4412px
TORII KOTONDO (1900-1976):Showa era (1926-1989), 1929
A dai oban tate-e print entitled Nagajuban (Long Undergarment) dated July 1929, published by Sakai Kawaguchi Goban, signed Kotondo saku, sealed Kotondo, with sticker Gaikoku yuki nihyakumai zeppan, dai-hyakunanajuroku-go (For Export Limited Edition 176/200) and inscribed Torii Kotondo and sealed Kotondo on verso
18 x 11 11/16in (45.7 x 29.7cm)
托利·科东多（1900-1976） 昭和时代，1929年
图片文件尺寸 : 5313 x 3831px
UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Abeno no Muneto, Hachiman Taro Yoshiie, Mikawa Zenshi no Musume Nareginu (Daughter of the former official of Mikawa in ordinary clothes), depicting Hachiman Taro Yoshiie cutting the corner off a go board which has been placed in his way, signed Ichiyusai Kuniyoshi ga, published by Fujiokaya Hikotaro (3)
14 7/8 x 10 1/8in (37.7 x 25.7cm) each approximately
UTAGAWA KUNIYOSHI（1797-1861） 江户时期，约1844年
图片文件尺寸 : 4857 x 5117px
UTAGAWA HIROSHIGE (1797-1858):Two woodblock prints
Edo period (1615-1868), 1857
Two oban tate-e prints from the series Meisho Edo hyakkei (100 Famous Views of Edo), both signed Hiroshige ga, published by Uoya Eikichi, the first entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), the second entitled Fukagawa Sanjusangendo (Hall of 33 Bays, Fukagawa) (2)
14 3/4 x 10in (37.4 x 25.4cm), the larger
芥川广志（1797-1858） 两幅木版版画多时期，1857年
图片文件尺寸 : 4679 x 3895px
SHUNKOSAI HOKUSHU (ACTIVE CIRCA 1802-1832):Edo period (1615-1868), early 19th century
An oban tate-e print of the actor Nakamura Utaemon III playing the role of Ichikawa Goemon, who in this scene is disguised as the farmer Gosaku, who is being pursued by warriors barely visible behind the cloud of smoke in the background, signed Shunkosai Hokushu ga, carved by Kasuke, published by Shohonya Seishichi
15 1/8 x 10 1/4in (38.4 x 25.9cm)
顺口北九州（活跃于1802-1832年） 江户时期，19世纪初
图片文件尺寸 : 4556 x 4661px
KEISAI EISEN (1790-1848):Two woodblock prints
Edo period (1615-1868), circa 1820-1830
Each an oban tate-e print, the first depicting a beauty before a wrapped parcel, from the series Imayo bijin kurabe (Contest of Beauties in the Modern Style), published by Wakasaya Yoichi; the second depicting a standing beauty, from an unknown series, each signed Eisen ga (2)
13 3/4 x 9 1/4in (35 x 23.5cm) each approximately
艾森修正案（1790-1848） 两幅木版版画多时期，约1820-1830年
图片文件尺寸 : 5196 x 3817px
KAWASE HASUI (1883-1957):Showa era (1926-1989), 1932
An oban tate-e print entitled Soshu Maekawa no ame (Rain at Maekawa in Sagami Province), from the series Tokaido fukei senshu (Views of the Tokaido Road), dated 1932, published by Watanabe Shozaburo, with the Hanken shoyu fuko myosha Watanabe Shozaburo seal, signed Hasui
13 x 10 1/2in (33.1 x 26.6cm)
卡瓦斯·哈苏（1883-1957） 昭和时代，1932年
图片文件尺寸 : 4414 x 4928px
UTAGAWA KUNISADA (1786-1864):Edo period (1615-1868), 1857
An oban tate-e print triptych entitled Shonin (Shopkeepers) from the series Imayo mitate shinokosho (An Up-To-Date Parody of the Four Classes), depicting beauties as purveyors and customers of a print shop, signed on each sheet Toyokuni, published by Uoya Eikichi (3)
14 5/8 x 10 1/8in (37.1 x 25.7cm) each approximately
芥川久奈达（1786-1864） 江户时期，1857年
图片文件尺寸 : 4509 x 4595px
KATSUKAWA SHUNSHO (1726-1792), KATSUKAWA SHUNZAN (ACTIVE CIRCA 1781-1801), KATSUKAWA SHUN\'EI (1762-1819), KATSUKAWA SHUNKO (1743-1812), AND IPPITSUSAI BUNCHO (1765-1792):Seven hosoban prints and a chuban tate-e print
Edo period (1615-1868), 1773-1791
The first of actor Otani Hiroji III, signed Shunsho ga, actor Otani Hiroji III as Naoe Saemon, signed Shunsho ga, and actor Bando Matataro IV as Bando Taro, both from the kaomise (seasonal inaugural play) Gohiiki Kanjincho, 1773; actor Segawa Kikunojo III as the Geisha Otori, 1791, censor\'s seal kiwame; and another actor print, both published by Tsuruya Kiemon (Senkakudo), signed Shun\'ei ga; actor Nakajima Mihoemon II as Yamana Sozen, 1778, signed Shunko ga; a Beauty at Sumaya, published by Nishimuraya Yohachi (Eijudo), signed Ippitsusai Buncho ga; the last of Hanaogi of the Ogiya, kamuro Yoshino, and Tatsuta, signed Shunzan ga (8)
12 3/16 x 5 3/4in (31 x 14.6cm) each hosoban, approximately
8 7/8 x 6 3/4in (22.4 x 17cm)
长川顺昭（1726-1792）、长川顺赞（活跃于1781-1801年）、长川顺义（1762-1819年）、长川顺子（1743-1812年）和一品斋本町（1765-1792年） 江户时期，1773-1791年，七幅霍索班版画和一幅楚班州画
图片文件尺寸 : 4749 x 4048px
UTAGAWA HIROSHIGE (1797-1858):Edo period (1615-1868), 1857
An oban tate-e print entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), from the series Meisho Edo hyakkei (100 Famous Views of Edo), with autumn maples framing a distant landscape with a shrine and pavilions, published by Uoya Eikichi; signed Hiroshige ga
14 1/4 x 9 5/8in (36.2 x 24.4cm)
芥川广志（1797-1858） 江户时期，1857年
图片文件尺寸 : 5253 x 4132px
UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), circa 1836
An oban tate-e print depicting Gentoku (Xuan De) on his horse Tekiro, as they leap in to the gorge of Tan, from the series Tsuzoku Sangokushi Eiyu (Heroes of the Popular History of the Three Kingdoms), signed Ichiyusai Kuniyoshi ga, published by Joshuya Kinzo
15 1/8 x 10 1/2in (38.4 x 26.6cm)
UTAGAWA KUNIYOSHI（1797-1861） 或时期，约1836年
图片文件尺寸 : 5333 x 4412px
TORII KOTONDO (1900-1976):Showa era (1926-1989), 1929
A dai oban tate-e print entitled Nagajuban (Long Undergarment) dated July 1929, published by Sakai Kawaguchi Goban, signed Kotondo saku, sealed Kotondo, with sticker Gaikoku yuki nihyakumai zeppan, dai-hyakunanajuroku-go (For Export Limited Edition 176/200) and inscribed Torii Kotondo and sealed Kotondo on verso
18 x 11 11/16in (45.7 x 29.7cm)
托利·科东多（1900-1976） 昭和时代，1929年
图片文件尺寸 : 5313 x 3831px
UTAGAWA KUNIYOSHI (1797-1861):Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Abeno no Muneto, Hachiman Taro Yoshiie, Mikawa Zenshi no Musume Nareginu (Daughter of the former official of Mikawa in ordinary clothes), depicting Hachiman Taro Yoshiie cutting the corner off a go board which has been placed in his way, signed Ichiyusai Kuniyoshi ga, published by Fujiokaya Hikotaro (3)
14 7/8 x 10 1/8in (37.7 x 25.7cm) each approximately
UTAGAWA KUNIYOSHI（1797-1861） 江户时期，约1844年
图片文件尺寸 : 4857 x 5117px
UTAGAWA HIROSHIGE (1797-1858):Two woodblock prints
Edo period (1615-1868), 1857
Two oban tate-e prints from the series Meisho Edo hyakkei (100 Famous Views of Edo), both signed Hiroshige ga, published by Uoya Eikichi, the first entitled Mama no momiji Tekona no yashiro Tsugihashi (Maple Trees at Mama, Tekona Shrine and Linked Bridge), the second entitled Fukagawa Sanjusangendo (Hall of 33 Bays, Fukagawa) (2)
14 3/4 x 10in (37.4 x 25.4cm), the larger
芥川广志（1797-1858） 两幅木版版画多时期，1857年
图片文件尺寸 : 4679 x 3895px
SHUNKOSAI HOKUSHU (ACTIVE CIRCA 1802-1832):Edo period (1615-1868), early 19th century
An oban tate-e print of the actor Nakamura Utaemon III playing the role of Ichikawa Goemon, who in this scene is disguised as the farmer Gosaku, who is being pursued by warriors barely visible behind the cloud of smoke in the background, signed Shunkosai Hokushu ga, carved by Kasuke, published by Shohonya Seishichi
15 1/8 x 10 1/4in (38.4 x 25.9cm)
顺口北九州（活跃于1802-1832年） 江户时期，19世纪初
图片文件尺寸 : 4556 x 4661px
KEISAI EISEN (1790-1848):Two woodblock prints
Edo period (1615-1868), circa 1820-1830
Each an oban tate-e print, the first depicting a beauty before a wrapped parcel, from the series Imayo bijin kurabe (Contest of Beauties in the Modern Style), published by Wakasaya Yoichi; the second depicting a standing beauty, from an unknown series, each signed Eisen ga (2)
13 3/4 x 9 1/4in (35 x 23.5cm) each approximately
艾森修正案（1790-1848） 两幅木版版画多时期，约1820-1830年