图片文件尺寸 : 5228 x 6043px
David Alfaro Siqueiros:Prison Fantasies: Portfolios I and II (12 works), 1973
Two portfolios each comprising of six lithographs in colors on japon paper, each signed in pencil and each numbered in Roman numerals XXVI/LXX (aside from the edition of 250 in Arabic numerals), published by Penn Atelier Graphics, New York, each with full margins. (12 works)
variable 17 7/8 x 13 3/4in (45.4 x 35cm)
variable sheet 22 x 15in (55.9 x 38.1cm)
大卫·阿尔法罗·西奎罗斯 监狱幻想：投资组合I和II
图片文件尺寸 : 3915 x 5686px
Malcolm Morley:Beach Scene, from Six New York Artists, 1969
Screenprint in colors on Rives BFK paper, signed in pencil and numbered in Roman numerals III/XL (aside from the edition of 60 in Arabic numerals), published by Brooke Alexander, Inc., New York, with the blindstamp of the printer Chiron Press, New York, with full margins.
20 1/8 x 15 1/4in (51.1 x 38.7cm)
sheet 29 3/4 x 21 3/4in (75.6 x 55.3cm)
马尔科姆·莫利 海滩场景，来自六位纽约艺术家
图片文件尺寸 : 4816 x 5045px
After Marc Chagall:The Tribe of Naphtali from \'Twelve Maquettes of Stained Glass Windows for Jerusalem\' (Sorlier 21)
Lithograph printed in colours, 1964, on Arches, signed and numbered 71/150 in pencil (there was also an edition of 75 in Roman numerals), published by Mourlot, Paris, with margins, 620 x 460mm (24 1/2 x 18 1/8in)(I)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的拿弗他利部落
图片文件尺寸 : 4351 x 5608px
Pierre Alechinsky:Comme à la maison (8 works), 1974
The complete portfolio of eight etchings with collotypes and lithographs in colors on wove paper, each signed in pencil, each numbered in Roman numerals X/XV HC (each an hors commerce, aside from the edition of 120), published by Yves Rivière Editeur, Paris, etchings printed by L\'Atelier Moret, Paris, collotypes and lithographs printed by L\'Imperimerie Arte, Paris, with title/justification page, each the full sheet, loose and folded as issued, contained in yellow acrylic box. (8 works)
each unfolded sheet 19 3/8 x 22 1/2in (49.2 x 57.2cm)
皮埃尔·阿列钦斯基 就像在家一样
图片文件尺寸 : 3965 x 4234px
After Marc Chagall:Tribe of Ruben, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (C.S. 12), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 112/150 (aside from the Roman edition of 75), published/printed by Mourlot/Charles Sorlier, Paris.
24 3/8 in x 18 1/4 in (62 x 46.4cm)
sheet 29 1/4 x 20 5/8 in(74.2 x 52.1cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的鲁本部落
图片文件尺寸 : 5295 x 5309px
Roy Lichtenstein:
Reverie, from 11 Pop Artists Portfolio, Vol. II (Corlett 38), 1965
Screenprint in colors on white wove paper, signed in pencil, with an additional line through the signature, a variant proof (aside from the edition of 200 plus 50 Roman numeral proofs), published/printed by Original Editions/Knickerbocker Machine and Foundry, Inc., New York, screenprinting by Dawa Basanow, with full margins.
27 1/8 x 22 7/8in (68.7 x 58,3cm)
sheet 30 1/8 x 24in (76.5 x 60.9cm)
罗伊·利希滕斯坦 《梦幻》，出自11位流行艺术家作品集，第二卷
图片文件尺寸 : 5288 x 3826px
After Marc Chagall:The Tribe of Judah, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (Charles Sorlier 15), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 28/150 (there was also a Roman numeral edition of 75), published/printed by Mourlot/Charles Sorlier, Paris, with full margins, framed.
24 x 18 1/8in (61 x 46cm)
sheet 29 1/2 x 20 5/8in (75.1 x 52.9cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的犹大部落
图片文件尺寸 : 4324 x 5169px
After Marc Chagall:The Tribe of Gad, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (Charles Sorlier 19), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 17/150 (there was also a Roman numeral edition of 75), published/printed by Mourlot/Charles Sorlier, Paris, with full margins.
24 x 18 1/4in (61 x 46.4cm)
sheet 29 3/8in x 20 3/8in (74.7 x 52.7cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的迦得部落
图片文件尺寸 : 4847 x 4903px
Christo Jeanne-Claude:Ericsson Display Monitor Unit 3111, Wrapped Project for Personal Computer (Schellmann 120)
Lithograph printed in colours with collage of transparent polyethylene, twine and colour photograph, 1985, on wove, signed, dated and numbered 3/100 in pencil (aside from the 20 Roman numeral edition and 35 artist\'s proofs), printed by Landfall Press, Chicago, published by L.M. Ericsson, New Jersey, the full sheet, 711 x 568mm (28 x 22 3/8in)(SH)
克里斯托和珍妮·克劳德 爱立信显示监视器单元3111，个人计算机包装项目
图片文件尺寸 : 4713 x 5338px
Robert Motherwell:El Negro (Belknap 268-291, Engberg Banach 308.1-.21, Tyler 415-440), 1983
The incomplete suite, comprising 16 of 19 lithographs in colors (3 with chine collé) on TGL handmade paper with the publisher\'s watermark, signed in ink and numbered 41/51 on the colophon (there were also 10 artist\'s proofs in Roman numerals), published by Tyler Graphics, Ltd., Mount Kisco, New York, with lithographic front endleaf in colors, text by Rafael Alberti, translated by Vincente Lleó Cañal and justification pages, lacking Negro, Mourning, lacking Invisible Stab, lacking back endleaf and clamshell box, with full margins, loose, each framed.
various sizes
罗伯特·马瑟韦尔 El Negro
图片文件尺寸 : 5228 x 6043px
David Alfaro Siqueiros:Prison Fantasies: Portfolios I and II (12 works), 1973
Two portfolios each comprising of six lithographs in colors on japon paper, each signed in pencil and each numbered in Roman numerals XXVI/LXX (aside from the edition of 250 in Arabic numerals), published by Penn Atelier Graphics, New York, each with full margins. (12 works)
variable 17 7/8 x 13 3/4in (45.4 x 35cm)
variable sheet 22 x 15in (55.9 x 38.1cm)
大卫·阿尔法罗·西奎罗斯 监狱幻想：投资组合I和II
图片文件尺寸 : 3915 x 5686px
Malcolm Morley:Beach Scene, from Six New York Artists, 1969
Screenprint in colors on Rives BFK paper, signed in pencil and numbered in Roman numerals III/XL (aside from the edition of 60 in Arabic numerals), published by Brooke Alexander, Inc., New York, with the blindstamp of the printer Chiron Press, New York, with full margins.
20 1/8 x 15 1/4in (51.1 x 38.7cm)
sheet 29 3/4 x 21 3/4in (75.6 x 55.3cm)
马尔科姆·莫利 海滩场景，来自六位纽约艺术家
图片文件尺寸 : 4816 x 5045px
After Marc Chagall:The Tribe of Naphtali from \'Twelve Maquettes of Stained Glass Windows for Jerusalem\' (Sorlier 21)
Lithograph printed in colours, 1964, on Arches, signed and numbered 71/150 in pencil (there was also an edition of 75 in Roman numerals), published by Mourlot, Paris, with margins, 620 x 460mm (24 1/2 x 18 1/8in)(I)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的拿弗他利部落
图片文件尺寸 : 4351 x 5608px
Pierre Alechinsky:Comme à la maison (8 works), 1974
The complete portfolio of eight etchings with collotypes and lithographs in colors on wove paper, each signed in pencil, each numbered in Roman numerals X/XV HC (each an hors commerce, aside from the edition of 120), published by Yves Rivière Editeur, Paris, etchings printed by L\'Atelier Moret, Paris, collotypes and lithographs printed by L\'Imperimerie Arte, Paris, with title/justification page, each the full sheet, loose and folded as issued, contained in yellow acrylic box. (8 works)
each unfolded sheet 19 3/8 x 22 1/2in (49.2 x 57.2cm)
皮埃尔·阿列钦斯基 就像在家一样
图片文件尺寸 : 3965 x 4234px
After Marc Chagall:Tribe of Ruben, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (C.S. 12), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 112/150 (aside from the Roman edition of 75), published/printed by Mourlot/Charles Sorlier, Paris.
24 3/8 in x 18 1/4 in (62 x 46.4cm)
sheet 29 1/4 x 20 5/8 in(74.2 x 52.1cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的鲁本部落
图片文件尺寸 : 5295 x 5309px
Roy Lichtenstein:
Reverie, from 11 Pop Artists Portfolio, Vol. II (Corlett 38), 1965
Screenprint in colors on white wove paper, signed in pencil, with an additional line through the signature, a variant proof (aside from the edition of 200 plus 50 Roman numeral proofs), published/printed by Original Editions/Knickerbocker Machine and Foundry, Inc., New York, screenprinting by Dawa Basanow, with full margins.
27 1/8 x 22 7/8in (68.7 x 58,3cm)
sheet 30 1/8 x 24in (76.5 x 60.9cm)
罗伊·利希滕斯坦 《梦幻》，出自11位流行艺术家作品集，第二卷
图片文件尺寸 : 5288 x 3826px
After Marc Chagall:The Tribe of Judah, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (Charles Sorlier 15), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 28/150 (there was also a Roman numeral edition of 75), published/printed by Mourlot/Charles Sorlier, Paris, with full margins, framed.
24 x 18 1/8in (61 x 46cm)
sheet 29 1/2 x 20 5/8in (75.1 x 52.9cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的犹大部落
图片文件尺寸 : 4324 x 5169px
After Marc Chagall:The Tribe of Gad, from The Twelve Maquettes of Stained Glass Windows for Jerusalem (Charles Sorlier 19), 1964
Lithograph in colors on Arches paper, signed in pencil and numbered 17/150 (there was also a Roman numeral edition of 75), published/printed by Mourlot/Charles Sorlier, Paris, with full margins.
24 x 18 1/4in (61 x 46.4cm)
sheet 29 3/8in x 20 3/8in (74.7 x 52.7cm)
马克·夏加尔之后 《耶路撒冷十二块彩色玻璃窗》中的迦得部落
图片文件尺寸 : 4847 x 4903px
Christo Jeanne-Claude:Ericsson Display Monitor Unit 3111, Wrapped Project for Personal Computer (Schellmann 120)
Lithograph printed in colours with collage of transparent polyethylene, twine and colour photograph, 1985, on wove, signed, dated and numbered 3/100 in pencil (aside from the 20 Roman numeral edition and 35 artist\'s proofs), printed by Landfall Press, Chicago, published by L.M. Ericsson, New Jersey, the full sheet, 711 x 568mm (28 x 22 3/8in)(SH)
克里斯托和珍妮·克劳德 爱立信显示监视器单元3111，个人计算机包装项目
图片文件尺寸 : 4713 x 5338px
Robert Motherwell:El Negro (Belknap 268-291, Engberg Banach 308.1-.21, Tyler 415-440), 1983
The incomplete suite, comprising 16 of 19 lithographs in colors (3 with chine collé) on TGL handmade paper with the publisher\'s watermark, signed in ink and numbered 41/51 on the colophon (there were also 10 artist\'s proofs in Roman numerals), published by Tyler Graphics, Ltd., Mount Kisco, New York, with lithographic front endleaf in colors, text by Rafael Alberti, translated by Vincente Lleó Cañal and justification pages, lacking Negro, Mourning, lacking Invisible Stab, lacking back endleaf and clamshell box, with full margins, loose, each framed.
various sizes
罗伯特·马瑟韦尔 El Negro