材质 : Oil and blood on canvas-structured board on canvas

图片文件尺寸 : 4859 x 3695 px

Hermann Nitsch-Malaktionsrelikt, Wiener Sezession, 1987.

赫尔曼·尼特西-绘画文物，维也纳分离，1987年。

材质 : Oil and blood on white-primed burlap

图片文件尺寸 : 4859 x 3695 px

Hermann Nitsch-Bodenschüttbild (38. Malaktion 1996), 1996.

赫尔曼·尼特西-Bodenschicon（38 Malaktion 1996），1996年。

图片文件尺寸 : 1785 x 2508px

“费菲·福姆，我闻到了亚瑟·拉坎姆的英国人的血-Arthur Rackham

Feefifofum，我闻到一个英国人的血--Arthur Rackham (英国, 1867-1939)

图片文件尺寸 : 3928 x 5304px

“艾尔的沙萨帕里拉，治疗所有血液病，治愈其他人，将通过KnappCo治愈你。-Knapp Co.

Ayer’萨萨帕里拉，对于所有的血液病，治愈别人，也会治愈你--Knapp Co. (美国, 19th Century)

图片文件尺寸 : 2655 x 3805px

“看到真正的战争——“那边”的营地——血腥而非金钱——巴尔的摩第五团军械库——劳埃德·哈里森（Lloyd Harrison）在这里出售的门票-blood-not money 5th Regiment Armory, Baltimore

See real warfare over there cantonment made possible--Lloyd Harrison (美国, 19th/20th Century)

图片文件尺寸 : 5187 x 4204px

LEEUWENHOEK, ANTHONY VAN. 1632-1723.:Arcana Naturae Detecta [bound with]: Continuatio Arcanorum Naturae Detectorum. Delft: Henricum a Krooneveld, 1695 [and] 1697.
2 volumes in 1. 4to (188 x 148 mm). Engraved portrait, additional engraved title, 27 engraved plates (12 folding), numerous scientific engravings in text; [2nd work]: 8 engraved plates. Catspaw calf antique. Minor foxing, intermittent toning throughout.

FIRST EDITIONS. Leeuwenhoek was one of the first and greatest microbiologists. He discovered protozoa and bacteria and was the first to describe spermatozoa and red blood corpuscles. Heirs of Hippocrates 381; Krivatsy 6785; Nissen ZBI 2417; Norman 1319; Osler 1020; PMM 166 (first title). Dobell 26 (second title).

李文虎克，安东尼·范。1632-1723. Arcana Naturae Detecta[绑定]：Arcanorum Naturae Detectorum续篇。代尔夫特：亨里克姆·克罗涅维尔德，1695年[和]1697年。

图片文件尺寸 : 3923 x 4223px

Salvador Dali, La Quête du Graal: La quête du Graal, deluxe edition with extra suite (Field 75-9-A-L), 1975
The complete set comprising 12 drypoints in colors on Arches paper, each signed in pencil and numbered 41/249 (the total edition was 355), with full margins, plus an additional suite of 12 drypoints in colors on Richard de Bas handmade paper, each signed and numbered 41/249, published by Œuvres Graphiques Contemporaines, Paris, with title page, text, original paper wrappers, parchment portfolio with gilt title and characters stamped on the cover, in red fabric covered slipcase.
Titles Include: The Marvellous Steps; Vivian and Lancelot; The Knighting of Lancelot; The Sad Vigil; The Tomb of Lancelot; The Lady of Malehaut; The Tournament of Galore; The Black Knight; The First Meeting; The River of Blood; The Pass of Gadelore; Lancelot and Galahad (24 works)
images various sizes
each sheet 17 7/8 x 12 7/8in (45.3 x 32.8cm)

萨尔瓦多达利，拉库圣杯TE 洛杉矶Te du Graal，豪华版，带额外套房

图片文件尺寸 : 4122 x 4109px

RAMESEY, WILLIAM. 1627-1676?. :Helminthologia [in Greek]. Or, some Physical Considerations of the Matter, Origination, and Several Species of Wormes. London: Printed by John Streater for George Sawbridge, 1668.
12mo (173 x 115 mm). Engraved frontispiece portrait and folding plate. [4], 9, [1], 364 [ i.e. 374], [4] pp., with publisher\'s ads and errata leaves at end. Modern crushed brown morocco, red morocco spine label; some creasing and soiling to frontispiece and title, occasional spotting and wear, C2 small paper repair on fore-margin, A1 ink marginal note, C3 loss to margin just touching text, in custom cloth slipcase and chemise.

FIRST EDITION of this curious work by the physician and astrologer William Ramesey in which he argues that many maladies have their cause in small vermin visible in the blood under microscope. ESTC R24073; Wing R205.

威廉·拉梅西。1627-1676?. Helmintologia[希腊语]。或者，对物质、起源和几种蠕虫的一些物理考虑。伦敦：约翰·斯特雷特为乔治·索布里奇印刷，1668年。

图片文件像素：6034 x 4375 px

赫尔曼·尼奇，当代艺术I-

Hermann Nitsch * - Zeitgenössische Kunst I-

(Vienna 1938–2022 Mistelbach, Lower Austria)
Splatter painting with chemise and impasto, signed, dated hermann nitsch 1995 on the reverse, oil on burlap, stretched over wooden frame along the right and left edge, fixed to wooden frame along the upper and lower front, 200 x 300 cm

Compare:
Hermann Nitsch. Das Gesamtkunstwerk des Orgien Mysterien Theaters, Verlag der Buchhandlung Walther König, 2015, pp. 606–607

Exhibited and illustrated in the catalogue:
Ekilibrio Foundation Collection, Galleria Sirio Arte, Padua, 10 October – 7 November 2020, pp. 168-169

Photo of this work signed hermann nitsch on the reverse available.

Provenance:
Aurelio Stefanini, Studio d’arte, Firenze (label on the reverse)
Private Collection, Italy

„… der in den exzess ekstatisch abgestiegene akteur befleckt und beschüttet… die bildfläche. oft noch spontaner, als es nur auf der bildfläche gelingt, trägt sich die intensität auf dem hemd zu. es wird automatisch befleckt, besudelt, beschmutzt, betappt, beschmiert, beschüttet, bespritzt… es ist, als ob der unsere abgründe eröffnende maler beim malvorgang in die nähe des blutschwitzens, des austrinkens des leidenskelches, der geisselung, der kreuzigung, der zerreissung des dionysos, der blendung des ödipus gerät. sein priesterkleid, sein opferhemd ist geprägt vom feuchten stempel der entäusserung… des hemd wird als höchster schmuck und trophäe auf ein bild gehängt, um dessen farbgefüge zu bereichern. es gibt bilder, die brauchen kein hemd, andere verlangen danach…“
Hermann Nitsch – aus der oben angeführten Literatur

“... the actor, ecstatically descended into the excess, stains and pours things onto … the surface of the image. often it’s even more spontaneous than just hitting the surface of the image, striking his shirt in its intensity, too. it’s automatically stained, sullied, dirtied, touched, smeared; it automatically has things poured onto it, sprayed onto it... it’s as if the painter, opening up our deepest depths, is almost sweating blood when he paints, almost drinking from the chalice of grief, flagellation, crucifixion, the dismemberment of dionysus, the blinding of oedipus. his priestly robes, his victim’s shirt is marked by the moistened stamp of renunciation. the shirt is hung on an image, enriching the texture of its colours, as if it were the most precious piece of jewellery, a trophy. there are some images that don’t need a shirt, but others demand it…”
Hermann Nitsch – from the literature cited above

图片文件尺寸 : 4250 x 4414px

MEDICINE AND PHYSIOLOGY. :13 titles:
1. LINACRE, THOMAS. De emendata structura latini sermonis libri VI. Cologne: 1555. 8vo. 20th century vellum, inked titles on spine. Margins trimmed, with some loss of printed marginalia; ink markings on title page, bookplate on front paste-down, scattered spotting.
2. BROWNE, THOMAS. Pseudodoxia Epidemica: or Enquiries into very many received Tenents and commonly presumed Truths. London: 1650. Folio. Modern half green morocco and cloth. Margins slightly trimmed, ink ownership inscription on title page, toning.
3. ROSS, ALEXANDER. Arcana Microcosmi: or, The Hid Secrets of Mans Body Disclosed. London: 1652. 8vo. Title page in red and black. Early 20th century library cloth. Rubbed, margins trimmed into some headers, extensive ink underlining and some annotations, scattered spotting and foxing.
4. DIGBY, KENELM. Religio Medici. London: 1672. 4to. Rebacked contemporary calf, red morocco lettering piece on spine. Armorial bookplate on front paste-down (\"Nath. Cholmley, Esq.\"), ink ownership inscription on title, browning and spotting. Seventh edition.
5. TULP, NICHOLAS. Observationes medicae. Editio nova. Amsterdam: 1672. 8vo. Engraved title page, engraved portrait, and numerous engraved illustrations. Ink notations on front flyleaf, library stamp on title page, some heavy browning and scattered spotting.
6. [VARIOUS CONTRIBUTORS]. Miscellania curiousa, sive ephemeridum medico-physicarum Germanum. Bratislava and Brzeg: 1680. 4to. Engraved frontispiece and 33 engraved plates. Modern quarter morocco and wooden boards. Margins trimmed, heavy browning, some dampstaining, one plate replaced in facsimile.
7. BIDLOO, GOVARD. Brief aan Antony van Leeuwenhoek. Delft: 1698. 4to. 1 full-page engraved plate, engraved illustrations in text. Modern half calf and marbled boards. Lower margins trimmed (into plate line on full-page plate), light toning and spotting.
8. ALWOERDEN, HENRIK VAN. Historie van Michael Servetus den Spanjaart. Rotterdam: 1729. 4to. Engraved portrait frontispiece, title page in red and black. Contemporary vellum, re-cased with renewed endpapers. Covers soiled, corners bumped, dampstaining through most of text block, bottom margin of title page repaired with reinforcement on verso.
9. EBSTEIN, ERICH. Ärzte-Briefe aus vier Jahrhunderten. Berlin: 1920. 8vo. Photographic illustrations. Publisher\'s printed boards. Stains and soiling to covers, corners bumped, toning throughout.
10. KEYNES, GEOFFREY. The Personality of William Harvey. Cambridge: 1949. 8vo. Photographic reproductions of portraits. Publisher\'s beige cloth. Slightly rubbed, lined-out ink ownership inscription on free front endpaper.
11. LEEUWENHOEK, ANTONI VAN. On the Circulation of the Blood ... Facsimile. Nieuwkoop, Netherlands: 1962. 4to. Publisher\'s white boards, glassine dust jacket. Toning.
12. Another, as above. Chip to edge of spine.
13. ---. Letter from G. Bidloo to Antony van Leeuwenhoek About the Animals ... Facsimile. Nieuwkoop, Netherlands: 1972.

医学和生理学。 13个标题：