图片文件尺寸 : 4738 x 4781px

Maria Martinetti: In the courtyard
signed, inscribed and dated \'All\' Illmo Dottor/Vincenzo Novelli./Maria Martinetti/Roma. 1895\' (lower right)
pencil and watercolour, with traces of gum arabic on paper
51.5 x 35cm (20 1/4 x 13 3/4in).

玛丽亚·马丁内蒂 在庭院里

图片文件尺寸 : 5287 x 6038px

Sam Gilliam:Lattice, 1982
Monotype on irregular shaped handmade paper, signed in pencil, titled, dated and annotated \'I\', and with the inkstamp of the printer, Vermillion Editions Ltd., Minneapolis, Minnesota, all on the verso, the full sheet, framed.
sheet 32 x 44 1/2 x 1/8in (81.2 x 113 x .31cm)

山姆·吉列姆 格子木架

图片文件尺寸 : 4735 x 4888px

YOSHIDA TOSHI (1911-1995):Flying Up
Showa era (1926-1989), 1981
A very large print entitled in Japanese Tobitatsu with both Japanese and English titles, edition number 9/100, jikoku (self-carved), dated 1981, and signed Toshi Yoshida in Roman letters, all in pencil on the recto, additionally signed in Japanese Toshi and sealed Yoshida no in
61 1/4 x 84 1/4in (155.6 x 214cm)

吉田东芝（1911-1995） 飞升昭和时代，1981年

图片文件尺寸 : 4778 x 4387px

: Four continental landscape views
oil on board
each 8.6 x 10.8cm (3 3/8 x 4 1/4in).
all oval, framed together

无 题 四幅大陆景观图，每幅8.6 x 10.8cm，均为椭圆形，框在一起

图片文件尺寸 : 5040 x 5924px

After Various Artists:Greeting Cards, from Banner (5 works), 1968
5 screenprint in colors on cardstock paper, published by Multiples, Inc., New York, printed in West Germany, all the full sheets, folded as issued.
Cards Include: Tom Wesselmann Great American Nude;
Andy Warhol Tomato Soup Can; Robert Indiana The Red Stars and Stripes; Roy Lichtenstein Night Seascape and Richard Lindner Fun City from Multiples
(5 works)
various sizes

各种艺术家之后 贺卡，来自横幅

图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

图片文件尺寸 : 4621 x 5352px

UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Ishiyakushi, toiyaba no zu (Ishiyakushi: The Station House); Goyu; Miya; Minakuchi; Yui; and Hodogaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志（1797-1858） 六幅木版版画多时期，约1840-1841年

图片文件尺寸 : 4840 x 4791px

Maqbool Fida Husain:Theorama
all signed lower right
screenprint
35.8 x 45.8cm (14 1/8 x 18 1/16in).
the folio: 39.8 x 52.3 x 2.4 cm

马克布尔·费达·侯赛因 对开本：39.8 x 52.3 x 2.4厘米

图片文件尺寸 : 5084 x 5567px

UTAGAWA HIROSHIGE (1797-1858):Six woodblock prints
Edo period (1615-1868), circa 1840-1841
All chuban yoko-e, from the series Tokaido gojusan tsugi (53 Stations of the Tokaido Road), also known as the Kyoka Tokaido, each signed Hiroshige ga, published by Sanoya Kihei, including: Okabe, Utsu no yama no zu (Okabe: View of Mount Utsu); Fukuroi; Hamamatsu; Arai; Nissaka; and Kanaya (6)
6 5/8 x 9in (16.8 x 22.8cm) each approximately

芥川广志（1797-1858） 六幅木版版画多时期，约1840-1841年

图片文件尺寸 : 1873 x 3000px

“然后我看到他被卷成一堆（《圣尼古拉斯》中的《大蛇的捕获》），作者是伊西亚·韦斯特·泰伯-Isiah West Taber

And Then I Saw Him Coiled All in a Heap (The Capture of a Great Serpent in St. Nicholas)--Isiah West Taber (美国, 1830-1912)