图片文件尺寸 : 2172 x 3610px

爱德华·冯·斯坦尔的《圣女贞德的愿景》-Eduard Von Steinle

圣女贞德的愿景--Eduard Von Steinle (奥地利, 1810 – 1886)

图片文件尺寸 : 2413 x 2859px

弗朗茨·冯·斯塔克的《圣休伯特的愿景》-Franz von Stuck

圣休伯特的愿景--Franz von Stuck (德国, 1863-1928)

图片文件尺寸 : 4000 x 1767px

路易·莫里斯·布泰特·德·蒙维尔的《愿景与灵感》（圣女贞德系列-I）-Louis Maurice Boutet de Monvel

愿景与灵感（圣女贞德系列I）--Louis Maurice Boutet de Monvel (法国, 1850 - 1913)

图片文件像素：5930 x 4411 px

卡拉·阿卡尔迪，当代艺术I-

Carla Accardi * - Zeitgenössische Kunst I-

(Trapani 1924–2014 Rome)
Untitled, 1954, signed and dated; signed and dated again on the reverse, tempera (casein) on paper laid down on canvas, 68 x 32 cm, framed

This work is registered in the Archivio Accardi Sanfilippo, Rome and is accompanied by a photo certificate signed by the artist, Studio Accardi, Rome

Provenance:
Sale Nuova Brerarte, Milan, 11 December 1990, lot 71
European Private Collection (acquired from the above)

Note:
The paper was laid down on canvas directly by the artist as evident also from the signature and the date on the reverse.

Yes, 1954 was a critical year, but my first works featuring the sign, which I made on paper, were born in 1953. The meaning behind this choice, my surrender to the sign, which was basic at first and structural later, no doubt emerged from the idea artists have always had about contemporary art, about culture in their time.
Although I wasn’t studying mathematics or anthropology, Structuralism was a topical discovery all the same, something that exhisted in the Western world.
I bestowed an image on the Structuralist vision of the world; a visual image that bore all the components: events, the aggregation of signs were repeated in my paintings with phenomenic variations: but always faithful to themselves and repeatable.
Carla Accardi interviewed by Vanni Bramanti, in V. Bramanti, Conversazione con Carla Accardi, Rome 1982

图片文件尺寸 : 2424 x 3448px

“在那里，在一张窗帘拉得很宽的床上，他看到了埃德蒙·杜拉克所见过的最可爱的景象-Edmund Dulac

在一张窗帘拉得很宽的床上，他看到了他所见过的最可爱的景象--Edmund Dulac (法国, 1882 – 1953)

图片文件尺寸 : 4256 x 4979px

MÜLLER, OTTO FRIEDRICH. 1730-1784.:Zoologia Danica seu Animalium Daniae et Norvegiae rariorum ac minus notorum descriptiones et historia. Copenhagen: Typis N. Mulleri (Vol IV by N. Christensen), 1788-1806.
4 volumes in two. 4to (375 x 226 mm). 120 engraved hand-colored plates. Morocco-backed, marbled-paper boards, 2nd volume, containing just volume 4 (1806) slightly smaller.
Provenance: Von Redern, Berlin (armorial bookplate, and stamp to title, in volume 1).

FIRST COMPLETE FOLIO EDITIONS OF ZOOLOGIA DANICA. Otto Muller began the comprehensive Zoologia Danica in 1779, intending it as a complete look at the fauna similar to his Flora Danica, completed with G.C. Oeder. He published two octavo volumes with the title Zoologiae Danicae prodromus before his death. The project was expanded to folio and two additional volumes added between 1788 and 1806. Although the work never fulfilled his vision, it does contain pictures and descriptions of a number of new species of mollusks and zoophytes. See Knight, English Cyclopedia, p 381. Anker 348; Nissen ZBI 2932.

莫莉，其他朋友。1730-1784. 丹麦动物学是丹麦和挪威最罕见的动物之一，其描述和历史也不那么引人注目。哥本哈根：N.Mulleri型，1788-1806年。