图片文件尺寸 : 4782 x 5378px

Salvador Dalí:Two plates, from Hell, Canto 4, from The Divine Comedy, wood engraving and corresponding etching on silk (2 works) (See Field pp. 189-193 ), 1951
Wood engraving in colors on Rives paper with the etching printed in red ink on silk, the engraving signed and dated in ballpoint pen, \'Salvador Dali 1963\', from the French edition published in 1959-1963 by Jean Estrade, Les Heures Claires, Paris in a total edition of 4765, the etching on silk with the artist\'s printed signature, from the deluxe edition of 33, published by Joseph Foret, the engraving with full margins. (2 works)
9 7/8 x 7in (25 x 18.4cm); silk image 9 1/4 x 6 3/4in (23.5 x17.1cm)
sheet 13 x 10 3/8in (33 x 26.3cm) silk 12 x 10in (30.4 x 25.4cm)

萨尔瓦多·达利 两个盘子，来自《地狱》，第四章，来自《神曲》，木刻和相应的丝绸蚀刻

图片文件尺寸 : 4890 x 4508px

Salvador Dalí:Two plates from Purgatory, Canto 24, from The Divine Comedy, wood engraving and corresponding etching on silk (2 works) (Field pp. 189-193), 1951
Wood engraving in colors on Rives paper and an etching printed in red ink on silk, the engraving signed and dated in ballpoint pen, \'Salvador Dali 1963\', from the French edition published in 1959-1963 by Jean Estrade, Les Heures Claires, Paris in a total edition of 4765, the etching on silk with the artist\'s printed signature, from the deluxe edition of 33, published by Joseph Foret, the engraving with full margins. (2 works)
9 7/8 x 7in (25 x 18.4cm); silk image 10 1/8 x 7 7/8in (25.7 x 19.9cm)
sheet 13 x 10 3/8in (33 x 26.3cm) silk 12 x 10in (30.4 x 25.4cm)

萨尔瓦多·达利 《炼狱》第24章《神曲》中的两个盘子，木刻和相应的丝绸蚀刻

图片文件尺寸 : 5228 x 5645px

MÜLLER, OTTO FRIEDRICH. 1730-1784.:Von Würmern des süssen und salzigen Wassers. Copenhagen: Heineck, Mumme and Faber, 1771.
4to (245 x 193 mm). Engraved vignette on title, 3 engraved tables and 16 engraved illustration plates. Contemporary calf gilt, marbled endpapers. Provenance Rudolph Bergh, dated 1847 (on front flyleaf). Scattered browning, spotting and minor dampstaining, rebacked.
WITH: Another copy, as above. Engraved plates extended on wove paper at back, including additional printing of the title page vignette. 19th-century boards. Rubbed, corners bumped, browning.

FIRST AND ONLY EDITION. Müller was a Danish naturalist who was commissioned by Frederik V to continue the work of Georg Christian Oeder on Flora Danica, to which he added 2 volumes. As one of the first biologists to study micro-organisms, Müller was something of a pioneer, establishing new classifications for a number of animals which had been overlooked by Linnaeus. DSB IX, 575; Nissen, ZBI, 2934.

莫莉，其他朋友。1730-1784. 甜咸水的蠕虫。哥本哈根：海内克、芒梅和费伯，1771年。

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BENOIS, ALEXANDRE. 1870-1960.:Costume design of Monsieur Jourdain, for the Balanchine ballet of Molière\'s Le Bourgeois Gentilhomme, produced by the Ballets Russes de Monte-Carlo, 1932, watercolor, ink and graphite, 308 x 193 mm (12 1/8 x 7 1/2 inches), signed by Benois in pencil in lower left corner.

Benois founded the Mir iskusstva [World of Art] group with Sergei Diaghilev and was one of the most important designers of the Ballets Russes, second only to Léon Bakst. His best known sets and costumes were done for the original production of the Stravinsky ballet Petrouchka (1911) based on his idea. Benois emigrated to France in 1927 and continued to work for the theater in Paris, Milan, London, New York and elsewhere. Both Benois and Balanchine were associated with the Ballets Russes de Monte-Carlo, the successor to the original Ballets Russes, that formed after Diaghilev\'s death in 1932. Balanchine revived his ballet in 1979 for the New York City Opera with the assistance of Jerome Robbins and Peter Martins and Rudolph Nureyev in his first Balanchine production. Sold with 3 additional costume designs, two from an unknown artist, and one in pencil attributed to Georgii Yakulov.

亚历山大，贝努瓦。1870-1960. Jourdain先生为莫里哀（Molière）的《布尔乔亚传奇》（Le Bourgeois Gentilhome）巴兰钦芭蕾舞团的服装设计，由蒙特卡洛芭蕾舞团（Russe de Monte Carlo）于1932年制作，

图片文件尺寸 : 5267 x 4043px

MICROSCOPY.:7 titles:
1. HOOKE, ROBERT. 1635-1702. The Posthumous Works of Robert Hooke. London: Samuel Smith and Benjamin Walford, 1705. Folio (320 x 202 mm). Half-title, title page in red and black, 15 engraved plates. Modern quarter vellum and marbled boards, morocco lettering piece on spine. Half-title laid down, title page tipped to stub, worming with some loss of text in front matter, dampstaining and browning throughout, ink ownership inscription on title page.
2. NEEDHAM, M. Nouvelles observations microscopiques. Paris: Louis-Etienne Ganeau, 1750. 16mo (168 x 96 mm). 8 folding engraved plates. Recased in contemporary mottled calf, 5 raised bands on spine, red morocco lettering pieces. Repairs to spine ends, dampstaining.
3. BAKER, HENRY. 1698-1774. Het Microscoop gemakkelyk gemaakt. Amsterdam: Isaak Tirion, 1744. Title page in red and black type, 14 engraved plates, folding table. 19th century half red morocco and marbled boards. Joints tender, rubbed, scattered spotting.
4. ---. Employment for the Microscope, in Two Parts. London: R. Dodsley, 1753. 8vo (195 x 120 mm). 17 engraved plates. Rebacked contemporary calf. Worming to lower margins, tear to outside margin of last plate with loss to corner, bookplate on front paste-down, browning and spotting.
5. ---. The Microscope Made Easy. London: J. Dodsley, 1769. 8vo. (210 x 128 mm). 15 engraved plates, some folding, folding table. 19th century calf, 5 raised bands on spine, red morocco gilt lettering piece. Joints tender, some ink marginalia, scattered spotting. Provenance: William Brodie of Brodie (bookplate).
6. LEDERMÜLLER, MARTIN FROBENIUS. Mikroskopische Gemüths- und Augen-Ergötzung. Nuremburg: Adam Wolffgang Winterschmidt, 1763. 4to (240 x 193 mm). Engraved allegorical frontispiece, engraved dedication portrait of Frederick of Brandenburg, 100 engraved plates, most tinted or hand-colored. Contemporary calf, rebacked. Frontispiece supplied from another copy, with top and margins trimmed, light dampstaining along top edge, browning and spotting.
7. GORING, C.R. 1792-1840, and ANDREW PRITCHARD. 1804-1882. Micrographia. London: Whittaker Co., 1837. 8vo (222 x 135 mm). Folding engraved frontispiece, 2 engraved full-page plates, 6 pp printer\'s ads at back. Contemporary tan buckram over plain boards. Covers soiled, corners bumped, shelfwear, library tape labels on spine, hinges cracked, a little loose, browning and spotting.

显微镜检查。 7个标题：