51. 大卫罗伯茨。1796-1864. 圣地、叙利亚、伊杜梅亚、阿拉伯、埃及和努比亚。伦敦:《父子》,1855-56年。 高清作品[86%]

The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. London: Day  Son, 1855-56.

图片文件尺寸 : 5370 x 3990px

ROBERTS, DAVID. 1796-1864.:The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. London: Day Son, 1855-56.
6 volumes in 3. 4to (289 x 205 mm). 248 tinted lithographed plates including titles and portraits, and 2 lithographed maps by Louis Haghe after Roberts. Contemporary half goat over garnet pebbled cloth boards, spine gilt, top edge gilt. Some foxing to plates, infrequently heavy, spines rubbed, 7cm piece loss from spine of 2nd volume.

FIRST QUARTO EDITION. \"The most ambitious and impressive of English books illustrated with lithographs\" (Ray English 88). Abbey Travel 272, 385 and 388.

大卫罗伯茨。1796-1864. 圣地、叙利亚、伊杜梅亚、阿拉伯、埃及和努比亚。伦敦:《父子》,1855-56年。

52. UTAGAWA KUNISADA I(丰谷三世,1786-1864)和YASHIMA GAKUTEI(1786?-1868) 两幅苏里莫诺-希基希班版画多时期,约1825年和1821年 高清作品[86%]

Two surimono shikishiban printsEdo period , circa 1825 and 1821

图片文件尺寸 : 5471 x 4927px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) AND YASHIMA GAKUTEI (1786?-1868):Two surimono shikishiban prints
Edo period (1615-1868), circa 1825 and 1821
The first, the actor Iwai Kumesaburo II in the role of Kisegawa, holding a lantern in the rain, signed Gototei Kunisada ga; the second, the Asahi Shogun Yoshinaka (Minamoto no Yoshinaka), from the series Katsushika nijushisho (24 Generals for the Katsushika [Circle]), with two poems, signed Gakutei, sealed Sadaoka (2)
Both approximately 8 3/8 x 7 1/4in (21.3 x 18.4cm)

UTAGAWA KUNISADA I(丰谷三世,1786-1864)和YASHIMA GAKUTEI(1786?-1868) 两幅苏里莫诺-希基希班版画多时期,约1825年和1821年

53. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画 高清作品[84%]

Five oban tate-e print diptychs Edo period , circa 1857-58

图片文件尺寸 : 5067 x 4761px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画

54. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画 高清作品[83%]

Five oban tate-e print diptychs Edo period , circa 1857-1859

图片文件尺寸 : 4436 x 5763px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画

55. 菊田春树(1878-1972)和渡边加太(1864-1926) 大正时代,1913-14年,四卷带kuchi-e正面插图的Uzumaki 高清作品[83%]

Four volumes of Uzumaki  with kuchi-e frontispiece illustrations Taisho era , 1913-14

图片文件尺寸 : 4566 x 4158px

KIYOKATA KABURAKI (1878-1972) AND WATANABE KATEI (1864-1926):Four volumes of Uzumaki (Whirlpool) with kuchi-e frontispiece illustrations
Taisho era (1912-1926), 1913-14
Each volume of the novel written by Katei containing a woodblock printed tri-fold print featuring a design with a character or characters from the story, each print signed Kiyokata and sealed Kiyokata; the 1st volume being of the 15th printing, published December 11, 1913; the 2nd volume being of the 8th printing, published December 12, 1913; the 3rd volume being of the 1st printing, published December 31, 1913; the 4th volume being of the 1st printing, published February 25, 1914; all published by Ryubunkan of Tokyo, each with a slipcase with the exception of the 1st volume (4)
8 3/4 x 6 1/4in (22.3 x 15.9cm), each volume independent of slip case
13 x 8 1/2in (33 x 21.6cm), the largest of the illustrations

菊田春树(1878-1972)和渡边加太(1864-1926) 大正时代,1913-14年,四卷带kuchi-e正面插图的Uzumaki

57. Sturmfest zi的路德维希·鲁贝利19世纪油画和水彩画` by Ludwig Rubelli von Sturmfest 高清作品[58%]

DO-Ludwig Rubelli von Sturmfest - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

Sturmfest zi的路德维希·鲁贝利19世纪油画和水彩画-

-

(Zara 1842–1905 Graz)
K.k. Fregatten SCHWARZENBERG und RADETZKY unter Kommando Wilhelm von Tegetthoffs gefolgt von drei preußischen Kanonenbooten im Seegefecht vor Helgoland mit dänischen Kriegsschiffen am 9. Mai 1864, bezeichnet Helgoland 9. Mai 1864, signiert L. de Rubelli Vienna 1887, Öl auf Holz, 17,5 x 27,5 cm, gerahmt, (Rei)

1864油画图片- 高清1864绘画作品- 代表作全集 中艺名画下载


51. 大卫罗伯茨。1796-1864. 圣地、叙利亚、伊杜梅亚、阿拉伯、埃及和努比亚。伦敦:《父子》,1855-56年。 高清作品[86%]

The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. London: Day  Son, 1855-56.

图片文件尺寸 : 5370 x 3990px

ROBERTS, DAVID. 1796-1864.:The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia. London: Day Son, 1855-56.
6 volumes in 3. 4to (289 x 205 mm). 248 tinted lithographed plates including titles and portraits, and 2 lithographed maps by Louis Haghe after Roberts. Contemporary half goat over garnet pebbled cloth boards, spine gilt, top edge gilt. Some foxing to plates, infrequently heavy, spines rubbed, 7cm piece loss from spine of 2nd volume.

FIRST QUARTO EDITION. \"The most ambitious and impressive of English books illustrated with lithographs\" (Ray English 88). Abbey Travel 272, 385 and 388.

大卫罗伯茨。1796-1864. 圣地、叙利亚、伊杜梅亚、阿拉伯、埃及和努比亚。伦敦:《父子》,1855-56年。

52. UTAGAWA KUNISADA I(丰谷三世,1786-1864)和YASHIMA GAKUTEI(1786?-1868) 两幅苏里莫诺-希基希班版画多时期,约1825年和1821年 高清作品[86%]

Two surimono shikishiban printsEdo period , circa 1825 and 1821

图片文件尺寸 : 5471 x 4927px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864) AND YASHIMA GAKUTEI (1786?-1868):Two surimono shikishiban prints
Edo period (1615-1868), circa 1825 and 1821
The first, the actor Iwai Kumesaburo II in the role of Kisegawa, holding a lantern in the rain, signed Gototei Kunisada ga; the second, the Asahi Shogun Yoshinaka (Minamoto no Yoshinaka), from the series Katsushika nijushisho (24 Generals for the Katsushika [Circle]), with two poems, signed Gakutei, sealed Sadaoka (2)
Both approximately 8 3/8 x 7 1/4in (21.3 x 18.4cm)

UTAGAWA KUNISADA I(丰谷三世,1786-1864)和YASHIMA GAKUTEI(1786?-1868) 两幅苏里莫诺-希基希班版画多时期,约1825年和1821年

53. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画 高清作品[84%]

Five oban tate-e print diptychs Edo period , circa 1857-58

图片文件尺寸 : 5067 x 4761px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画

54. UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画 高清作品[83%]

Five oban tate-e print diptychs Edo period , circa 1857-1859

图片文件尺寸 : 4436 x 5763px

UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately

UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画

55. 菊田春树(1878-1972)和渡边加太(1864-1926) 大正时代,1913-14年,四卷带kuchi-e正面插图的Uzumaki 高清作品[83%]

Four volumes of Uzumaki  with kuchi-e frontispiece illustrations Taisho era , 1913-14

图片文件尺寸 : 4566 x 4158px

KIYOKATA KABURAKI (1878-1972) AND WATANABE KATEI (1864-1926):Four volumes of Uzumaki (Whirlpool) with kuchi-e frontispiece illustrations
Taisho era (1912-1926), 1913-14
Each volume of the novel written by Katei containing a woodblock printed tri-fold print featuring a design with a character or characters from the story, each print signed Kiyokata and sealed Kiyokata; the 1st volume being of the 15th printing, published December 11, 1913; the 2nd volume being of the 8th printing, published December 12, 1913; the 3rd volume being of the 1st printing, published December 31, 1913; the 4th volume being of the 1st printing, published February 25, 1914; all published by Ryubunkan of Tokyo, each with a slipcase with the exception of the 1st volume (4)
8 3/4 x 6 1/4in (22.3 x 15.9cm), each volume independent of slip case
13 x 8 1/2in (33 x 21.6cm), the largest of the illustrations

菊田春树(1878-1972)和渡边加太(1864-1926) 大正时代,1913-14年,四卷带kuchi-e正面插图的Uzumaki

57. Sturmfest zi的路德维希·鲁贝利19世纪油画和水彩画` by Ludwig Rubelli von Sturmfest 高清作品[58%]

DO-Ludwig Rubelli von Sturmfest - Ölgemälde und Aquarelle des 19. Jahrhunderts
图片文件像素:4600 x 3500 px

Sturmfest zi的路德维希·鲁贝利19世纪油画和水彩画-

-

(Zara 1842–1905 Graz)
K.k. Fregatten SCHWARZENBERG und RADETZKY unter Kommando Wilhelm von Tegetthoffs gefolgt von drei preußischen Kanonenbooten im Seegefecht vor Helgoland mit dänischen Kriegsschiffen am 9. Mai 1864, bezeichnet Helgoland 9. Mai 1864, signiert L. de Rubelli Vienna 1887, Öl auf Holz, 17,5 x 27,5 cm, gerahmt, (Rei)