54. UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品 高清作品[89%]

Three woodblock prints Edo period , circa 1844-1845

图片文件尺寸 : 4794 x 3855px

UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately

UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品

55. Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年 高清作品[89%]

The Monster SkeletonEdo period , circa 1844

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年

58. 归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期 高清作品[86%]

A large bronze incense burnerMeiji era , late 19th century

图片文件尺寸 : 4593 x 5964px

ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high

归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期

59. “肖像Alphonse Daudet(1840-1897)和他的妻子(née Julie Allard,1844-1940),路易·蒙特古特(Louis Montegut)在他们的工作室里 高清作品[86%]

Portrait dAlphonse Daudet (18401897) et son épouse (née Julie Allard, 18441940), dans leur cabinet de travail-

图片文件尺寸 : 3541 x 3169px

“肖像Alphonse Daudet(1840-1897)和他的妻子(née Julie Allard,1844-1940),路易·蒙特古特(Louis Montegut)在他们的工作室里-Louis Montégut

Portrait dAlphonse Daudet (18401897) et son épouse (née Julie Allard, 18441940), dans leur cabinet de travail--Louis Montégut (法国, 1855 - 1906)

60. 维森特·洛佩斯·波塔尼亚(Vicente López Portaña)的《两个西西里公主路易莎·卡洛塔·德·波旁公主肖像》(1804-1844年) 高清作品[85%]

Portrait of Infanta Luisa Carlota De Borbón, Princess of The Two Sicilies (18041844)-

图片文件尺寸 : 1931 x 2581px

维森特·洛佩斯·波塔尼亚(Vicente López Portaña)的《两个西西里公主路易莎·卡洛塔·德·波旁公主肖像》(1804-1844年)-Vicente López Portaña

Portrait of Infanta Luisa Carlota De Borbón, Princess of The Two Sicilies (18041844)--Vicente López Portaña (西班牙, 1772 – 1850)

1844油画图片- 高清1844绘画作品- 代表作全集 中艺名画下载


54. UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品 高清作品[89%]

Three woodblock prints Edo period , circa 1844-1845

图片文件尺寸 : 4794 x 3855px

UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately

UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品

55. Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年 高清作品[89%]

The Monster SkeletonEdo period , circa 1844

图片文件尺寸 : 4301 x 5996px

Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately

Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年

58. 归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期 高清作品[86%]

A large bronze incense burnerMeiji era , late 19th century

图片文件尺寸 : 4593 x 5964px

ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high

归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期

59. “肖像Alphonse Daudet(1840-1897)和他的妻子(née Julie Allard,1844-1940),路易·蒙特古特(Louis Montegut)在他们的工作室里 高清作品[86%]

Portrait dAlphonse Daudet (18401897) et son épouse (née Julie Allard, 18441940), dans leur cabinet de travail-

图片文件尺寸 : 3541 x 3169px

“肖像Alphonse Daudet(1840-1897)和他的妻子(née Julie Allard,1844-1940),路易·蒙特古特(Louis Montegut)在他们的工作室里-Louis Montégut

Portrait dAlphonse Daudet (18401897) et son épouse (née Julie Allard, 18441940), dans leur cabinet de travail--Louis Montégut (法国, 1855 - 1906)

60. 维森特·洛佩斯·波塔尼亚(Vicente López Portaña)的《两个西西里公主路易莎·卡洛塔·德·波旁公主肖像》(1804-1844年) 高清作品[85%]

Portrait of Infanta Luisa Carlota De Borbón, Princess of The Two Sicilies (18041844)-

图片文件尺寸 : 1931 x 2581px

维森特·洛佩斯·波塔尼亚(Vicente López Portaña)的《两个西西里公主路易莎·卡洛塔·德·波旁公主肖像》(1804-1844年)-Vicente López Portaña

Portrait of Infanta Luisa Carlota De Borbón, Princess of The Two Sicilies (18041844)--Vicente López Portaña (西班牙, 1772 – 1850)