图片文件尺寸 : 3790 x 3789px
“查尔斯·博迪尼尔肖像(1844-1911),法国喜剧收银员,丹尼尔·贝拉德-Daniel Bérard
Portrait de Charles Bodinier (18441911), caissier de la ComédieFrançaise.--Daniel Bérard (法国, 19th century)
大约有1,333幅作品符合查询(搜索耗时:0.0203秒)
图片文件尺寸 : 4794 x 3855px
UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately
UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品
图片文件尺寸 : 4301 x 5996px
Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately
Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年
图片文件尺寸 : 4593 x 5964px
ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high
归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期
大约有1,333幅作品符合查询(搜索耗时:0.0203秒)
图片文件尺寸 : 4794 x 3855px
UTAGAWA KUNIYOSHI (1797-1861):Three woodblock prints
Edo period (1615-1868), circa 1844-1845
Three oban tate-e, including: Omi ishibai (Limestone from Omi), from the series Sankai medetai zue (Celebrated Treasures of Mountains and Seas), signed Ichyusai Kuniyoshi ga, published by Yamaguchiya Tobei; Hitotsume from the series Yomairi hakkei (Eight Views of Night Visits to Temples and Shrines), signed Chooro Kuniyoshi ga, published by Ibaya Senzaburo; Gaman Sonja (Gaman Says Stoicism Is Unprofitable), no. 2 from the series Myo densu juroku rikan (16 Wonderful Considerations of Profit), signed Ichiyusai Kuniyoshi giga, published by Enshuya Matabei (3)
14 1/2 x 9 3/4in (36.8 x 24.7cm) each approximately
UTAGAWA KUNIYOSHI(1797-1861) 江户时期,约1844-1845年,三幅木版印刷品
图片文件尺寸 : 4301 x 5996px
Utagawa Kuniyoshi (1797-1861):The Monster Skeleton
Edo period (1615-1868), circa 1844
An oban tate-e print triptych entitled Soma no furudairi ni Masakado himegimi Takiyasha yojutsu o motte mikata o atsumuru, Oya no Taro Mitsukuni yokai o tamesan to koko ni kitari tsui ni kore o horobosu (In the Ruined Palace of [Taira] Masakado at Soma His Daughter Princess Takiyasha Uses Sorcery to Summon Allies, Oya no Taro Mitsukuni Comes to Put the Monster to the Test and Finally Destroys It), with red cartouches identifying (right to left) Takiyasha\'s faithful servant Araimaru, Oya no Taro Mitsukuni, and Princess Takiyasha; each sheet signed Ichiyusai Kuniyoshi ga (the right-hand sheet with paulownia-leaf seal); publisher\'s marks Hachi; censor\'s seals Watari (3)
14 3/4 x 10 1/8in (37.4 x 25.7cm) each approximately
Utagawa Kuniyoshi(1797-1861) 怪物骷髅时期,约1844年
图片文件尺寸 : 4593 x 5964px
ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high
归因于铃木正佑(1844-?) 一个大型青铜香炉明治时代,19世纪晚期