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After Roy Lichtenstein:As I Opened Fire Poster (Triptych) (C. Appendix 5), 1966
3 offset lithographs on white wove paper, unsigned as issued (some copies were autographed by the artist), from an edition of approximately 3,000 (Corlett lists numerous printings from 1966-1991), published/printed by Stedelijk Museum/Drukkerij Luii Co., Amsterdam, with their inkstamps on verso of each panel, each with full margins. (3 works)
24 x 19 5/8in (61 x 49.7cm)
each panel 25 3/8 x 20 3/4in (64 x 52.7cm)
overall 25 3/8 x 62 1/4in (64 x 157.48cm)

源自Roy Lichtenstein 当我打开火灾海报

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Pablo Picasso:Sculpteur et Deux Têtes sculptées, from La Suite Vollard (Bloch 157, Baer 310), 1933
Etching on laid Montval paper with Picasso watermark, signed in pencil, from the edition of 250 (there was also an edition of 50 with wide margins), published/printed by A. Vollard/Lacourière, Paris, with full margins, framed.
10 1/2 x 7 5/8in (26.7 x 19.4cm)
sheet 17 1/2 x 13 1/4in (44.4 x 33.7cm)

巴勃罗·毕加索 雕刻家和两个雕刻的头，来自飞行套件

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VIOLET, THOMAS. 1609-1662.:A Petition against the Jewes presented to the King Majestie and the Parliament. London: Printed in the year 1661.
8vo (208 x 157 mm). Modern morocco-backed cloth boards. Last two leaves re-cornered, with the final leaf laid-down.

FIRST AND ONLY EDITION of Thomas Violet\'s petition to Charles II, just 5 years after Cromwell\'s readmission of the Jews to England. Violet, a goldsmith and spy, presented many petitions to Parliament during this time, mostly in defense of his transportation of gold and silver. \"He was probably a restless, meddling man, who failed to please his friends, while he certainly displeased his enemies\" (DNB).

托马斯，紫罗兰。1609-1662. 向国王陛下和议会提交了反对犹太人的请愿书。伦敦：1661年印刷。

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BUONANNI, FILIPPO. 1638-1725.:Observationes circa Viventia, quae in rebus non Viventibus reperiuntur. Cum Micrographia curiosa. Rome: Dominicus Antonius Hercules, 1691.
8vo (215 x 157 mm). 69 plates (4 folding). Modern quarter morocco and marbled boards. Margins slightly trimmed, repaired tear to upper outside corner of title page, repair to margin of of n2, a few marginal annotations in ink, scattered browning and spotting.

FIRST EDITION. Bounanni, a Jesuit scholar and pupil of Athanasius Kircher, published this work based on his observations through a three-lens microscope of his own construction. His conclusions supported spontaneous generation of living matter, in contrast to those of his contemporary, Francesco Redi. An identical 2nd edition was published in 1699. Garrison-Morton-Norman 264; Krivatsy 1935; Nissen ZBI 752; Norman 374; Wellcome II, 198.

再见，菲利普。1638–1725. 关于Viventia的观察，这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马：多米尼克斯·安东尼乌斯·赫拉克勒斯，1691年。

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ALCHEMY: ILLUSTRATED MANUSCRIPT.:An illustrated alchemical manuscript on paper, in German, \"Ver Rechten Alchemy,\" Germany, 15th century, 150 x 105 mm. 48 leaves, foliated 1-47, xliii in a contemporary hand, complete. Collation: [i + 1-412 + i], horizontal catchwords. 18-20 long lines, written in German cursive script, single vertical bounding lines faintly ruled in lead, written area: 100 x 75 mm. Chapter titles and single-line initials in red. 22 pages with illustrations of chemical apparatus in brown and red ink inserted into the text by the scribe. Occasional contemporary annotations in the margins and on f. 48r-v. (Occasional slight discoloration to blank margins of leaves.) Bound in a vellum wrapper: dimensions 157 x 114 mm.
Contents: ff. 1r-35v, Der rechter Alchamey. Recipe i tail reingold ii tail vera silber und iii tail kupfer purgiert ... so ist es gut; ff. 36r-48r, Das ist das puch das ysac seinem sun von Babilon sandt ... und wirt nymmer mer lebendig.

This small manuscript contains two treatises on alchemy, the first of which is liberally illustrated with depictions of chemical apparatus drawn by the scribe of the codex. The texts consist primarily of recipes for creating silver and gold from baser metals, a topic of considerable interest in the late Middle Ages and early modern period.

炼金术：插图手稿。 一份纸上有插图的炼金术手稿，德文，“Ver Rechten Alchemy”