51. 唐纳德·贝克勒 人群 高清作品[44%]

Crowd

图片文件尺寸 : 4246 x 4898px

Donald Baechler:Crowd, 1997
Soft-ground etching with aquatint on Somerset paper, signed in pencil, dated and numbered 10/34, with the blindstamp of the publisher, Baron/Boisante Editions, New York, printed by Felix Harlan and Carol Weaver, Harlan Weaver, New York, with full margins.
44 1/2 x 33 1/2in (113 x 85cm)
sheet 54 3/4 x 42 1/2in (139 x 107.9cm)

唐纳德·贝克勒 人群

52. 罗伯特·劳森伯格 街道声音 高清作品[43%]

Street Sounds

图片文件尺寸 : 4183 x 5313px

Robert Rauschenberg:Street Sounds, 1992
Etching, photogravure and collage in colors on Gampi Chine collé to Arches En Tout Cas paper support, signed in pencil, dated and numbered PP 1/6 (a printer\'s proof, aside from the edition of 38), publisher/printer, Universal Limited Art Editions, New York, with full margins.
40 x 48 1/2in (101.6 x 123.1cm)
sheet 46 x 55in (116.84 x 139.7cm)

罗伯特·劳森伯格 街道声音

53. 索尔·莱维特 复杂表格2 高清作品[43%]

Complex Forms 2

图片文件尺寸 : 5421 x 4126px

Sol LeWitt: Complex Forms 2 (Krakow 1990.03), 1990
Screenprint in colors on Arches cover paper, signed in pencil and numbered 6/15 (there was also 1 printer\'s proof), published by Brooke Alexander, New York, and Annemarie Verna Galerie, Zürich, Switzerland, printed by Watanabe Studio Ltd., Brooklyn, New York, with full margins.
13 x 55in (33.02 x 139.7cm)
sheet 17 x 59in (43.1 x 149.8cm)

索尔·莱维特 复杂表格2

54. 唐纳德·贝克勒 红珊瑚 高清作品[43%]

Red Coral

图片文件尺寸 : 4103 x 4308px

Donald Baechler:Red Coral, 2004
Open-bite etching with aquatint in colors on Hahnemuhle paper, signed in pencil, dated and numbered 31/34, with the blindstamp of the publisher Baron/Boisante Editions, New York, printed by Felix Harlan and Carol Weaver, Harlan Weaver, New York, with full margins.
44 1/2 x 33 1/2in (113 x 85cm)
sheet 55 x 42 1/2in (139.7 x 107.9cm)

唐纳德·贝克勒 红珊瑚

55. 帕特·斯特尔 当我想起威尼斯 高清作品[43%]

When I Think of Venice

图片文件尺寸 : 4194 x 5441px

Pat Steir:When I Think of Venice, 1980
Etching with aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 9/35 (there were also 10 artist\'s proofs), with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins.
35 1/2 x 48 1/2in (90.1 x 123.1cm)
sheet 41 7/8 x 55in (106.3 x 139.7cm)

帕特·斯特尔 当我想起威尼斯

56. 帕特·斯特尔 当我想起威尼斯 高清作品[42%]

When I think of Venice

图片文件尺寸 : 4620 x 5136px

Pat Steir:When I think of Venice, 1980
Etching with aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 32/35 (there were also 10 artist\'s proofs), with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins, framed.
35 1/2 x 48 1/2in (90.1 x 123.1cm)
sheet 41 7/8 x 55in (106.3 x 139.7cm)

帕特·斯特尔 当我想起威尼斯

57. 罗伊·利希滕斯坦 Entabature II,来自Entabatuure系列 高清作品[41%]

Entablature II, from Entablature Series

图片文件尺寸 : 4438 x 5737px

Roy Lichtenstein:Entablature II, from Entablature Series (Corlett 139), 1976
Screenprint and lithograph in colors with collage and embossing on Rives BFK paper, signed in pencil, dated and numbered 14/30 (there were also 9 artist\'s proofs), with the blindstamp of the publisher Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
19 3/4 x 38in (50.2 x 96.5cm)
sheet 29 1/8 x 44 7/8in (74 x 114cm)

罗伊·利希滕斯坦 Entabature II,来自Entabatuure系列

58. 亨利·摩尔 图版XXV图版XXVI来自大象头骨 高清作品[41%]

Plate XXV; Plate XXVI; from Elephant Skull

图片文件尺寸 : 4545 x 3809px

Henry Moore:Plate XXV; Plate XXVI; from Elephant Skull (2 works) (Cramer 138; Cramer 139), 1970
Two etchings on wove paper, each signed in pencil, each titled and numbered 81/100, each with full margins. (2 works)
9 1/8 x 10 7/8in (23.2 x 27.6cm); 9 1/4 x 12 1/8in (23.5 x 30.8cm)
sheet 14 5/8 x 19 3/8in (37.1 x 49.2cm); 14 1/2 x 19 1/4in (36.8 x 48.9cm)

亨利·摩尔 图版XXV图版XXVI来自大象头骨

59. 理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合 高清作品[40%]

Sequential II, Sequential VIII, from Sequential Portfolio

图片文件尺寸 : 3955 x 4032px

Richard Anuszkiewicz: Sequential II, Sequential VIII, from Sequential Portfolio, 1972
2 screenprint in colors on 4-ply studio Bristol paper, both signed in pencil, titled \'II\', \'VIII\', respectively, dated, and both numbered 139/200, published by Sanmore Editions, New York, both with full margins. (2 works)
both 26 x 19in (66 x 48.2cm)
both sheets 28 x 21in (71 x 53.3cm)

理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合

60. 萨尔瓦多·达利 Salvador Dali未提及的CurrierIves的花卉和水果 高清作品[40%]

Les fleurs et fruite, from Currier  Ives as Intrepreted by Salvador Dali

图片文件尺寸 : 4929 x 4668px

Salvador Dalí:Les fleurs et fruite, from Currier Ives as Intrepreted by Salvador Dali (F. 71-5C), 1971
Lithograph in colors with collage of Currier Ives print on wove paper, signed in pencil and numbered 139/250 (the total edition was 300 plus proofs), published by Phyllis Lucas, New York, with her copyright inkstamp on verso, the full sheet.
sheet 21 3/4 x 30in (56 x 70.62cm)

萨尔瓦多·达利 Salvador Dali未提及的CurrierIves的花卉和水果

139油画图片- 高清139绘画作品- 代表作全集 中艺名画下载


51. 唐纳德·贝克勒 人群 高清作品[44%]

Crowd

图片文件尺寸 : 4246 x 4898px

Donald Baechler:Crowd, 1997
Soft-ground etching with aquatint on Somerset paper, signed in pencil, dated and numbered 10/34, with the blindstamp of the publisher, Baron/Boisante Editions, New York, printed by Felix Harlan and Carol Weaver, Harlan Weaver, New York, with full margins.
44 1/2 x 33 1/2in (113 x 85cm)
sheet 54 3/4 x 42 1/2in (139 x 107.9cm)

唐纳德·贝克勒 人群

52. 罗伯特·劳森伯格 街道声音 高清作品[43%]

Street Sounds

图片文件尺寸 : 4183 x 5313px

Robert Rauschenberg:Street Sounds, 1992
Etching, photogravure and collage in colors on Gampi Chine collé to Arches En Tout Cas paper support, signed in pencil, dated and numbered PP 1/6 (a printer\'s proof, aside from the edition of 38), publisher/printer, Universal Limited Art Editions, New York, with full margins.
40 x 48 1/2in (101.6 x 123.1cm)
sheet 46 x 55in (116.84 x 139.7cm)

罗伯特·劳森伯格 街道声音

53. 索尔·莱维特 复杂表格2 高清作品[43%]

Complex Forms 2

图片文件尺寸 : 5421 x 4126px

Sol LeWitt: Complex Forms 2 (Krakow 1990.03), 1990
Screenprint in colors on Arches cover paper, signed in pencil and numbered 6/15 (there was also 1 printer\'s proof), published by Brooke Alexander, New York, and Annemarie Verna Galerie, Zürich, Switzerland, printed by Watanabe Studio Ltd., Brooklyn, New York, with full margins.
13 x 55in (33.02 x 139.7cm)
sheet 17 x 59in (43.1 x 149.8cm)

索尔·莱维特 复杂表格2

54. 唐纳德·贝克勒 红珊瑚 高清作品[43%]

Red Coral

图片文件尺寸 : 4103 x 4308px

Donald Baechler:Red Coral, 2004
Open-bite etching with aquatint in colors on Hahnemuhle paper, signed in pencil, dated and numbered 31/34, with the blindstamp of the publisher Baron/Boisante Editions, New York, printed by Felix Harlan and Carol Weaver, Harlan Weaver, New York, with full margins.
44 1/2 x 33 1/2in (113 x 85cm)
sheet 55 x 42 1/2in (139.7 x 107.9cm)

唐纳德·贝克勒 红珊瑚

55. 帕特·斯特尔 当我想起威尼斯 高清作品[43%]

When I Think of Venice

图片文件尺寸 : 4194 x 5441px

Pat Steir:When I Think of Venice, 1980
Etching with aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 9/35 (there were also 10 artist\'s proofs), with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins.
35 1/2 x 48 1/2in (90.1 x 123.1cm)
sheet 41 7/8 x 55in (106.3 x 139.7cm)

帕特·斯特尔 当我想起威尼斯

56. 帕特·斯特尔 当我想起威尼斯 高清作品[42%]

When I think of Venice

图片文件尺寸 : 4620 x 5136px

Pat Steir:When I think of Venice, 1980
Etching with aquatint and drypoint in colors on wove paper, signed in pencil, dated and numbered 32/35 (there were also 10 artist\'s proofs), with the blindstamp of the publisher Crown Point Press, San Francisco, with full margins, framed.
35 1/2 x 48 1/2in (90.1 x 123.1cm)
sheet 41 7/8 x 55in (106.3 x 139.7cm)

帕特·斯特尔 当我想起威尼斯

57. 罗伊·利希滕斯坦 Entabature II,来自Entabatuure系列 高清作品[41%]

Entablature II, from Entablature Series

图片文件尺寸 : 4438 x 5737px

Roy Lichtenstein:Entablature II, from Entablature Series (Corlett 139), 1976
Screenprint and lithograph in colors with collage and embossing on Rives BFK paper, signed in pencil, dated and numbered 14/30 (there were also 9 artist\'s proofs), with the blindstamp of the publisher Tyler Graphics Ltd., Bedford Village, New York, with full margins, framed.
19 3/4 x 38in (50.2 x 96.5cm)
sheet 29 1/8 x 44 7/8in (74 x 114cm)

罗伊·利希滕斯坦 Entabature II,来自Entabatuure系列

58. 亨利·摩尔 图版XXV图版XXVI来自大象头骨 高清作品[41%]

Plate XXV; Plate XXVI; from Elephant Skull

图片文件尺寸 : 4545 x 3809px

Henry Moore:Plate XXV; Plate XXVI; from Elephant Skull (2 works) (Cramer 138; Cramer 139), 1970
Two etchings on wove paper, each signed in pencil, each titled and numbered 81/100, each with full margins. (2 works)
9 1/8 x 10 7/8in (23.2 x 27.6cm); 9 1/4 x 12 1/8in (23.5 x 30.8cm)
sheet 14 5/8 x 19 3/8in (37.1 x 49.2cm); 14 1/2 x 19 1/4in (36.8 x 48.9cm)

亨利·摩尔 图版XXV图版XXVI来自大象头骨

59. 理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合 高清作品[40%]

Sequential II, Sequential VIII, from Sequential Portfolio

图片文件尺寸 : 3955 x 4032px

Richard Anuszkiewicz: Sequential II, Sequential VIII, from Sequential Portfolio, 1972
2 screenprint in colors on 4-ply studio Bristol paper, both signed in pencil, titled \'II\', \'VIII\', respectively, dated, and both numbered 139/200, published by Sanmore Editions, New York, both with full margins. (2 works)
both 26 x 19in (66 x 48.2cm)
both sheets 28 x 21in (71 x 53.3cm)

理查德·安努斯科维奇 顺序II、顺序VIII,来自顺序投资组合

60. 萨尔瓦多·达利 Salvador Dali未提及的CurrierIves的花卉和水果 高清作品[40%]

Les fleurs et fruite, from Currier  Ives as Intrepreted by Salvador Dali

图片文件尺寸 : 4929 x 4668px

Salvador Dalí:Les fleurs et fruite, from Currier Ives as Intrepreted by Salvador Dali (F. 71-5C), 1971
Lithograph in colors with collage of Currier Ives print on wove paper, signed in pencil and numbered 139/250 (the total edition was 300 plus proofs), published by Phyllis Lucas, New York, with her copyright inkstamp on verso, the full sheet.
sheet 21 3/4 x 30in (56 x 70.62cm)

萨尔瓦多·达利 Salvador Dali未提及的CurrierIves的花卉和水果