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ATTRIBUTED TO SUZUKI MASAYOSHI (1844-?):A large bronze incense burner
Meiji era (1868-1912), late 19th century
Cast and assembled in sections, the circular base supported by four cabriole legs decorated with flowering vines in low relief, the ovoid ash basin set on a stepped pedestal above four long dragonfish legs, the basin decorated in relief with shaped panels of a landscape with a woman kneeling beneath a pine tree, a basket of cut saplings on her back, and a man pausing by a cherry tree for a smoke, the pedestal decorated with geometric patterns and dragon roundels, the sides applied with two large winged-dragon handles, the cover finished with an elaborate finial formed as a samurai carrying a torch astride a rocky outcropping above a coiling dragon
51 1/2in (130.8cm) high

归因于铃木正佑（1844-？） 一个大型青铜香炉明治时代，19世纪晚期

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THREE KESA (BUDDHIST PRIEST\'S ROBES):Edo period (1615-1868) and Meiji (1868-1912) or Taisho (1912-1926) eras, 19th/20th century
The first, of a large peacock surrounded by multicolored clouds and peonies, above two dragons amidst waves and rocks, the panels of the kesa created through a woven metal thread that is sewn onto the surface of the textile, six floral motif square patches, the backing of purple silk with a geometric floral design; the second, of gold brocade with woven design of lion dogs, various floral motifs, and square patches of cream-colored silk with leaves and flowers, the backing of plain red fabric; the third, of orange panels with woven designs of dragons, dragon-fish, shells, coral, and leafy peonies, all in multiple colors, framed by blue fabric with a woven brown geometric design interspersed with large peonies and floral crests, the backing of white silk (3)
45 1/2 x 80 7/8in (115.6 x 205.4cm), the largest

三棵松 江户时代和明治或大正时代，19/20世纪

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TOSHITOYO (ACTIVE 19TH CENTURY) AND SARATANI TOMIZO (BORN 1949):A gold lacquer four-case inro and matching ojime
Edo period (1615-1868) or Meiji era (1868-1912), and Showa era (1926-1989), 20th century
The inro with a kinji ground decorated in gold and and slight-colored hiramaki-e with a bamboo grove, some of the leafy stems waving as if stirred by a gentle breeze, the interior plain black lacquer, signed in gold lacquer Toshitoyo with a kao, fitted with a gold lacquer tubular ojime lacquered in green hiramaki-e with bamboo, signed Tomi
3 1/4in (8.2cm) high

TOSHITOYO（活跃于19世纪）和SARATANI TOMIZO（1949年出生） 金漆四格，与明治时代和昭和时代相匹配，20世纪

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A GOLD LACQUER PIPE-SMOKING SET:Edo period (1615-1868) or Meiji era (1868-1912), mid/late 19th century
Resting on a scalloped base with four bracket feet and fitted with two larger and two smaller drawers, the back and sides topped by a balustrade-like structure strung with silver wires, the front with two hooks supporting a slender kiseru (tobacco pipe), the inner platform fronted by a low balustrade and cut with two recesses securing on the left a tobacco container with a partially openwork lid and a scoop and on the right a miniature lidded brazier; decorated in gold, aokin, silver, and colored hiramaki-e and takamaki-e with lavish embellishments of gold kirigane against a background of densely sprinkled gold hirame flakes, depicting mountain scenes with pines, flowering trees, streams and a waterfall, the metal fittings (drawer handles, corner decorations, hooks, knop, pipe components, and box lid) all of silver or shibuichi, some chiseled with floral designs
7 5/8 x 13 5/8 x 11 5/8in (19.2 x 34.6 x 29.5cm)

金漆烟筒套装 江户时代或明治时代，19世纪中后期

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A GOLD AND BLACK LACQUER DOCUMENT BOX:Edo period (1615-1868) or Meiji era (1868-1912) mid/late 19th century
Of standard form with rounded corners and slightly domed lid of inrobuta (flush-fitting) type, the black lacquer ground decorated in gold, aokin, and silver, hiramaki-e and takamaki-e with shell details, the exterior with one set of three and another set of four overlapping poem cards, decorated with young warabi (ferns); a courtier\'s gissha (ox-drawn carriage) by a wall overgrown with yugao (\"Evening Face\" flowers), alluding to the chapter with that title in Genji monogatari (The Tale of Genji); butterflies; rafts with sheaves of rice passing under a bridge; a pine tree; and suzumushi (bell crickets) on grasses; the reverse of the lid with a branch of flowering prunus growing from behind a rustic fence; the interior of the box lined with silk brocade
With wood tomobako storage box
15 3/4 x 12 x 5in (40 x 30.5 x 12.7cm)

金黑漆文件盒 江户时代或明治时代19世纪中后期

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A GOLD AND BLACK LACQUER DOCUMENT BOX:Edo period (1615-1868) or Meiji era (1868-1912) mid/late 19th century
Of standard form with rounded corners and slightly domed lid of inrobuta (flush-fitting) type, the black lacquer ground covered on the exterior in gold hirame flakes and on the interior in gold nashiji flakes, decorated in gold, aokin, silver, black, and colored hiramaki-e and takamaki-e, with gold Gyobu nashiji, kirigane and other embellishments, the exterior showing part of a set of Hyakunin isshu (100 Poems, Each by a Different Poet) cards, including portraits of Ki no Tomonori, Mibu no Tadami, Fujiwara no Yoshitaka, Ise, and Sanjo Udaijin with their poems, the interior with an empty courtier\'s gissha (ox-drawn carriage), its handles resting on a stand, next to a stream and between two rustic fences with stands of autumn foliage, the rims silver
With lacquered wood tomobako storage box
17 x 13 1/2 x 5 1/4in (43.2 x 34.3 x 13.3cm)

金黑漆文件盒 江户时代或明治时代19世纪中后期

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MORIHIDE (ACTIVE LATE 19TH CENTURY):A shinshinto tanto with mounts
Meiji era (1868-1912), dated 1870
Hirazukuri, iorimune forged in ko-itame hada with a suguha tempered edge with a flourish resembling Mount Fuji mirrored on both sides, with visible nie along the nioiguchi and a Jizo-style boshi, the ubu tang with one hole, sujikai file marks, signed Morihide kinzo (Respectfully made by Morihide), and dated Meiji kanoe-ushi aki (Autumn, 1870), 8 1/4in (21cm) long, with a one-piece gold-foil habaki, in a wood shirasaya storage scabbard
The 19th-century aikuchi goshira-e with a gray-lacquer ishime-ji saya decorated with linked floral lozenges raised in relief and mounted with shibuichi migaki-ji fittings, the tsuka wrapped in black silk and fitted with gilt and shakudo menuki of cherry blossoms

With Tokubetsu Hozon Token (Sword Especially Worthy of Preservation) certificate no. 1011797 issued by the Nihon Bijutsu Token Hozon Kyokai (Society for the Preservation of the Japanese Art Sword), dated August 26, 2019

生皮（活跃于19世纪晚期） 明治时代，1870年

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IWASAKI KOGYOKU (1827-1890s):A lacquer tebako (accessory box)
Meiji era (1868-1912), circa 1890
Of rectangular shape and fitted with two lower drawers and a shallow cover with rounded edges decorated overall with the Omi hakkei (The Eight Views of Omi [Lake Biwa]) in hiramaki-e, low-relief takamaki-e, and togidashi maki-e with details of okibirame, silver lacquer, keuchi, and e-nashiji framed by mura-nashiji, the underside of the lid, interior compartment, and interiors of both drawers decorated with open and closed folding fans with landscapes and flowers in hiramaki-e and togidashi maki-e on a nashiji ground, the drawer pulls silver engraved with hollyhock crests, signed in gold lacquer on one fan on the underside of the lid Kogyoku
With a wood tomobako storage box affixed with a paper label stating that this tebako was handed down through the Tokugawa family of Kii Province
8 3/4 x 7 3/8 x 6in (24.7 x 18.7 x 15.2cm)

IWASAKI KOGYOKU（1827-1890年） 大约1890年，明治时代的一种漆