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German School:Portrait of a young lady, bust length, in a wide-brimmed straw hat; and Portrait of a young lady, bust-length, in a white dress and blue hat
a pair, oil on canvas
48.3 x 42.3cm (19 x 16 5/8in). (2)

德语学校 一位年轻女士的肖像，胸围，戴宽边草帽和一位年轻女士的肖像，胸围，穿着白色连衣裙和蓝色帽子

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“维亚托维德语（wiatowid i praglomibóg naświęcie władych wŁadych w 322 ; adich wŌ）”玛丽安·科普夫（Marian Kopf）的双材料绘画（抽象画的反面草图）-Marian Kopf

Światowid i chwalibóg na świętym wzgórzu (Prasłowianie) rysunek dwustronny (na odwrocie szkice obrazów abstrakcyjnych)--Marian Kopf (波兰, 1926-2019)

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ALCHEMY MANUSCRIPT.:Alchemical manuscript in German, \"Opuscula Alchymica, Saeculum XVIII,\" collecting 5 separate alchemical treatises in different hands, including one on the philosopher\'s stone, 309 x 188 mm, ink on paper, 81 leaves, written rectos and versos, Germany, 18th-century, bound in modern calf backed paper boards, titled in gilt to spine, manuscript contents to paper title label on first leaf, with additional note beneath.
Provenance: Emanuel Mai (his catalogue: Catalogue des Buecher-Lagers Berlin, 21 January, 1854 number 264).

AN 18TH-CENTURY ALCHEMICAL MANUSCRIPT, five treatises in five different hands, including a brief tract on the philosopher\'s stone. A manuscript label lists the contents of the manuscript which include a look at the medical aspects of human excrement, the tract on the philosopher\'s stone, a commentary on the 1660 edition of Joachim Poleman\'s Novum Lumen Medicum, a commentary on Johann Gottfried Jugel\'s Prima Materia Metallorum (first published 1754), and finally a tract titled Aurea Catena Homeri, on the medical applications of sulphurs and metals.

炼金术手稿。 德语炼金术手稿“Opuscula Alchymica，Saeculum XVIII”，收集了5篇不同的炼金术论文，其中一篇在哲学家的石头上，

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NUREMBERG CHRONICLE.:SCHEDEL, HARTMANN. 1440-1514. Liber chronicarum [in German: Das Buch der Croniken und Geschichten]. Nuremberg: Anton Koberger for Sebald Schreyer and Sebastian Kammermeister, 23 December 1493.
Imperial folio (472 x 325 mm). 297 leaves (of 298, without final blank). 59-64 lines and headline, table and parts of the text in two columns. Types: 24:111G (text), 9:165G (headlines), c. 1809 woodcut illustrations printed from 645 blocks by Michael Wolgemut, Wilhelm Pleydenwurff and their workshop, including Albrecht Dürer, comprising 29 double-page town views, 8 full-page woodcuts and double-page maps of the World [Shirley 19] and of Europe by Hieronymus Münzer after Nicolas Khrypffs. Contemporary Nuremberg pigskin over wooden boards, stained pink, ruled and stamped in blind, upper cover lettered in German: \"Cronica von anfang der welt\" [\"Chronical of the beginning of the world\"] brass clasps and catch-plates. Some minor marginal tears and occasional light staining, a few leaves (138-150) with repair to inner margins slightly affecting woodcuts or text, leaf 281 loose, spine ends neatly repaired.
Provenance: Georg Frauenlob Landt, gift inscription to Wolfgang Häberl, dated 18 August 1599 (first numbered leaf verso); Häberl, Wolfgang (*1553) from Berchtesgaden, Pastor of the parish church of St. Martin in Thalgau, and motto dated 1595 (inscription \"Sum ex libris Wolfgangi Häberl Berchtersgadiam / Ecclesiae parochialis S. Martini in Talgeio Pastoris. / Honesti cultor uirtute content. 1599\" on title page).

FIRST EDITION IN GERMAN of the Nuremberg Chronicle, printed in the same year as the Latin edition. The German and Latin editions were planned simultaneously, with the German edition of Georg Alt\'s translation appearing five months after the Latin edition. A TALL COPY of the most extensively illustrated book of the 15th century. The 29 large double-page city views, many illustrated for the first time, are accurate in depicting distinguished features of each city. In addition, it includes many details of 15th-century daily life: carpenters with their tools, astronomers and their instruments, a chess player, archers, bridges, derricks, dishes, furniture, windmills, ships, beds, houses, fortifications, weapons, tents, wharves, ferries, books, drawing materials, dogs, horses, and other animals, as well as costumes. Hartmann Schedel\'s Nuremberg Chronicle epitomizes \"the commercial sophistication, economic power and technical virtuosity that brought the art of print to this extraordinary climax\" (Pettegree). Reference: BMC II 437; BSB-Ink. S-197; Bod-Inc. S-110; Goff S-309; GW M40796; HC *14510; Pettegree, The Book in the Renaissance, New Haven, 2011 p. 42; Reske, The Production of Schedel\'s Nuremberg Chronicle Wiesbaden, 2000; Ellen Shaffer The Nuremberg Chronicle, Los Angeles, 1950; Wilson, The Making of the Nuremberg Chronicle Amsterdam, 1976.

纽伦堡编年史。 Liber chronicarum[德语：《克洛诺斯和故事书》]。纽伦堡：Anton Koberger代表Sebald Schreyer和Sebastian Kammermeister，1493年12月23日。

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Frank Chouteau Brown的《德国黑字2》-Frank Chouteau Brown

德语黑体字2--Frank Chouteau Brown (美国, 1876 – 1947)

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“Frank Chouteau Brown的德国黑信页-Frank Chouteau Brown

德语黑体字页面--Frank Chouteau Brown (美国, 1876 – 1947)

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弗兰克·乔特奥·布朗的《铜管乐队的德国黑字》-Frank Chouteau Brown

来自黄铜的德语黑字--Frank Chouteau Brown (美国, 1876 – 1947)