图片文件像素：6259 x 4573 px

杰森·马丁，当代艺术I-

Jason Martin * - Zeitgenössische Kunst I-

(born in London in 1970)
Untitled, 2008, oil on steel, 236 x 354 x 11 cm

Provenance:
Private collection Thomas Olbricht, Essen
Van Ham, Cologne, 26 September 2020, lot 333 - acquired there by the present owner

Exhibited:
Hamburg, Deichtorhallen, Zwei Sammler: Thomas Olbricht und Harald Falckenberg, 24 June – 21 August 2011

Literature:
Luckow, Dirk: Zwei Sammler - Thomas Olbricht und Harald Falckenberg, Cologne 2011, p. 52 (without ill.)

The British artist Jason Martin expands the possibilities of painting with his innovative approach in using unusual materials which serve as paint. He attracted international attention with his large, brushed oil paintings, executed in thin layers of paint with self-made comb-like tools – such as the one being auctioned off. Because of the light bouncing off the shiny surface, experiencing the work in person is like walking towards a sculpture rather than a painting.

“There’s never really any single point to review the work or to experience the work, it’s about moving around. But there is a stillness as well, in that the organisation of the marks all collide into a central or suggested central point. […] When you encounter a work of mine, there is an academic approach to the performative act, the gestural act. I have a series of reduced movements that then compile in a composition. And you also look through it, because there is this implied sense of looking through, this illusion. […] I would suggest that my paintings are a hybrid between that naturalism, that looking through, that perspectival space, that implied pictorial depth and the didactic, academic concerns of abstraction, which are for me physical and arm-led, or I immerse my body into the whole making of the work. And they sit very much in between these two places, these two worlds. [...]”
Jason Martin on the exhibition: Convergence. Thaddaeus Ropac, Seoul Fort Hill, 24.2.-16.4.22

莫里斯·斯特恩 1878-1957 画家 艾萨克弗里德兰德 1890-1968 版画家 古斯塔夫·克鲁齐斯 1895-1944 摄影师/组合艺术家 阿佳·容克斯 1900-1983 画家 马克·罗斯科 1903-1970 画家 菲利普哈斯曼 1906-1979 摄影师 沃利·布兰茨 1909-1998 画家 Vija Celmins 1939年出生

 

图片文件尺寸 : 4503 x 4542px

WEATHERLEY (CAPTAIN CECIL POULETT):Manuscript notebook of Captain Cecil Poulett Weatherley (1860-1932), of the Vigilant, describing his circumnavigation of Lake Bangweolo, 1896-1899, comprising detailed notes of compass bearings, longitude and latitude and notes on the geographical features, interspersed with later additional commentary on the land and its people, and illustrated with some thirty-five fine pencil and watercolour maps and drawings, including two portraits (\"...from a sketch made in the Vigilant 23-9-98...\"), describing his route from the Isthmus of Fungé (\"...a stretch of extremely white sand...\"), via Kawendé Country (\"...beautifully wooded with tall Mipundu trees...\"), Kirui Island (\"...out and away, the best wooded of the islands...\"), N\'Kanga and Kasanga Marshes (\"...High papyrus with water ways for canoes...\"), Bemba Chifunawuli (\"...discovered by me in 1896...\"), Luapula (\"...a delightful little river...\"), Mumbotuta Falls (\"...the sight of the Luapula), Mwyangashé River (\"...most disappointing in every way...\"), Wengé Hills (\"...High walls of red sandstone...\"), and Mweru, ending by apologising for gaps in the account as he had mislaid the piece of paper on which he wrote his calculations, with extensive notes on the names of African families and the correct pronunciation of the same, c.315 pages, in ink, dust-staining and marks with some water staining, original ruled vellum boards, faded notes in ink and pencil on front board, worn, binding loose, small 4to (200 x 135mm.), [c.1899]

威瑟利（塞西尔·普莱特上尉） 警备队队长塞西尔·普列特·韦瑟利（Cecil Poulett Weatherley）的手稿笔记本，描述了他在1896-1899年环湖航行的情况

图片文件尺寸 : 5159 x 4757px

JUDAICA REGARDING JERUSALEM AND THE HOLY LAND.:10 titles:
1. WARREN, CHARLES. Underground Jerusalem. London: 1876. 8vo. 3 photographic plates (including frontispiece), 2 engraved maps (one folding), wood-engraved plates and illustrations in text. Publisher\'s cloth stamped in black and gilt. Rubbed and slightly soiled, corners bumped, gift inscription on free front endpaper, foxing throughout.
2. RELAND, ADRIAN. Palaestina ex monumentis veteribus illustrata. Utrecht: 1714. 4to. Engraved additional title page, title printed in red and black, numerous maps and plates, some folding. Contemporary vellum covers, rebacked in modern morocco. Covers slightly soiled, browning, some minor edge chipping.
3. BURTON R. A Journey to Jersusalem. Hartford, CT: 1796. 12mo. Modern quarter morocco and marbled boards. Extensive foxing, small repair to inner margin of title, large tear to H5. First American edition.
4. OSTEN, ANTON PROKESCH VON. Reise ins heilige Land. Im Jahr 1829. Vienna: 1831. 12mo. Contemporary cloth-backed boards, paper label on upper cover. Rubbed, boards slightly warped, library stamp on title, foxing.
5. RUSSELL, M. Palästina oder das heilige Land, von der frühesten bis auf die gegenwärtige Zeit. Leipzig: 1836. 2 parts in 1 volume. 8vo. Folding map, engraved plates. 19th century half cloth and marbled boards. Heavily rubbed, extensive browning and foxing.
6. LYNCH, W.F. Narrative of the U.S. Expedition to the River Jordan and he Dead Sea. London: 1849. Folding maps. Publisher\'s cloth. Spine perished, heavily sunned and rubbed, corners bumped, tape repairs to some maps, browning and foxing throughout.
7. [ANTHONY, JOHN]. The City of Our Lord. Twelve Photographs of Jerusalem. London: 1861. Folio. 12 gelatin-silver photographic plates. Modern cloth, with plates and text pages tipped to stubs. Foxing, a few small marginal tears to text leaves.
8. TRISTRAM, H.B. The Land of Israel. London: 1876. 8vo. Chromolithographic and wood-engraved plates. Publisher\'s blue cloth stamped in black and gilt. Rubbed, front hinge cracked, ownership marking on front endpapers, toning and foxing.
9. EBERS, GEORG, and HERMANN GUTHE. Palästina in Bild und Wort. Stuttgart Leipzig: 1883-1884. 2 volumes. Folio. Numerous lithographic illustrations. Contemporary half morocco and marbled boards. Heavily rubbed, joints cracked, toning.
10. TEMPLE, RICHARD. Palestine Illustrated. London: 1888. Folio. Color lithographic plates. Publisher\'s pebbled cloth stamped in gilt, top edge gilt. Sunned, rubbed, corners bumped, foxing.

犹太教关于耶路撒冷和圣地。 10个标题：

轰动：来自萨奇收藏的年轻英国艺术家伦敦：皇家艺术学院，1997 年 9 月 17 日至 12 月 28 日 纽约：布鲁克林艺术博物馆，1999 年 10 月 2 日至 2000 年 1 月 9 日 在伦敦和纽约举办的Sensation展览要么引发了激烈的争议，要么引发了公然的炒作，这取决于你的观点，但它们无疑成功地引发了近年来关于艺术在社会中的作用的一些最严肃的辩论。 在伦敦，引起争议的避雷针是马库斯·哈维 (Marcus Harvey ) 为臭名昭著的儿童谋杀犯迈拉·欣德利 (Myra Hindley) 画的肖像，使用数百个儿童的手印完成了查克·克洛斯 ( Chuck Close ) 风格的肖像画。这幅画至少受到过两次人身攻击：一次是用鸡蛋砸它，另一次是向它泼墨水。（哈维的保护方法值得注意：他用百洁布擦掉了画上的污渍。） 当展览抵达纽约时，公众的愤怒集中在克里斯·奥菲利 (Chris Ofili) 的圣母玛利亚画作上——一位非洲麦当娜，身上装饰着一团大象粪便。 节目中的“Britart”明星包括Jenny Saville、Damien Hirst、Rachel Whiteread、Gillian Wearing和Tracey Emin。 回想起来，查尔斯·萨奇 (Charles Saatchi) 靠广告发家致富无疑是值得记住的。感觉是一个巨大的成功，带来了数百万美元的收入，并为萨奇和他的艺术家团队带来了价值数百万的免费宣传，更不用说许多参与“体面”与免费辩论的政客和专家了。演讲。 作品出现在Sensation中的艺术家： 达伦杏仁 理查德·比林厄姆 格伦·布朗 西蒙卡勒里 恐龙查普曼 杰克查普曼 亚当乔兹科 马特科利肖 基思考文垂 彼得·戴维斯 翠西艾敏 塞里斯·温·埃文斯 保罗芬尼根 马克弗朗西斯 亚历克斯·哈特利 马库斯·哈维 莫娜·哈透姆 达明·赫斯特 加里·休姆 迈克尔·兰迪 阿比盖尔巷 朗兰兹和贝尔      莎拉·卢卡斯 马丁·马洛尼 杰森·马丁 阿兰·米勒 罗恩穆克 克里斯·奥菲利 乔纳森·帕森斯 理查德·帕特森 西蒙帕特森 哈德良皮戈特 马克·奎恩 菲奥娜雷 詹姆斯·瑞利 珍妮萨维尔 因卡修尼巴尔 简·辛普森 山姆·泰勒-伍德 加文特克 马克沃林格 阿娇穿着 雷切尔·怀特里德

图片文件像素：6034 x 4375 px

赫尔曼·尼奇，当代艺术I-

Hermann Nitsch * - Zeitgenössische Kunst I-

(Vienna 1938–2022 Mistelbach, Lower Austria)
Splatter painting with chemise and impasto, signed, dated hermann nitsch 1995 on the reverse, oil on burlap, stretched over wooden frame along the right and left edge, fixed to wooden frame along the upper and lower front, 200 x 300 cm

Compare:
Hermann Nitsch. Das Gesamtkunstwerk des Orgien Mysterien Theaters, Verlag der Buchhandlung Walther König, 2015, pp. 606–607

Exhibited and illustrated in the catalogue:
Ekilibrio Foundation Collection, Galleria Sirio Arte, Padua, 10 October – 7 November 2020, pp. 168-169

Photo of this work signed hermann nitsch on the reverse available.

Provenance:
Aurelio Stefanini, Studio d’arte, Firenze (label on the reverse)
Private Collection, Italy

„… der in den exzess ekstatisch abgestiegene akteur befleckt und beschüttet… die bildfläche. oft noch spontaner, als es nur auf der bildfläche gelingt, trägt sich die intensität auf dem hemd zu. es wird automatisch befleckt, besudelt, beschmutzt, betappt, beschmiert, beschüttet, bespritzt… es ist, als ob der unsere abgründe eröffnende maler beim malvorgang in die nähe des blutschwitzens, des austrinkens des leidenskelches, der geisselung, der kreuzigung, der zerreissung des dionysos, der blendung des ödipus gerät. sein priesterkleid, sein opferhemd ist geprägt vom feuchten stempel der entäusserung… des hemd wird als höchster schmuck und trophäe auf ein bild gehängt, um dessen farbgefüge zu bereichern. es gibt bilder, die brauchen kein hemd, andere verlangen danach…“
Hermann Nitsch – aus der oben angeführten Literatur

“... the actor, ecstatically descended into the excess, stains and pours things onto … the surface of the image. often it’s even more spontaneous than just hitting the surface of the image, striking his shirt in its intensity, too. it’s automatically stained, sullied, dirtied, touched, smeared; it automatically has things poured onto it, sprayed onto it... it’s as if the painter, opening up our deepest depths, is almost sweating blood when he paints, almost drinking from the chalice of grief, flagellation, crucifixion, the dismemberment of dionysus, the blinding of oedipus. his priestly robes, his victim’s shirt is marked by the moistened stamp of renunciation. the shirt is hung on an image, enriching the texture of its colours, as if it were the most precious piece of jewellery, a trophy. there are some images that don’t need a shirt, but others demand it…”
Hermann Nitsch – from the literature cited above

图片文件尺寸 : 4250 x 4414px

MEDICINE AND PHYSIOLOGY. :13 titles:
1. LINACRE, THOMAS. De emendata structura latini sermonis libri VI. Cologne: 1555. 8vo. 20th century vellum, inked titles on spine. Margins trimmed, with some loss of printed marginalia; ink markings on title page, bookplate on front paste-down, scattered spotting.
2. BROWNE, THOMAS. Pseudodoxia Epidemica: or Enquiries into very many received Tenents and commonly presumed Truths. London: 1650. Folio. Modern half green morocco and cloth. Margins slightly trimmed, ink ownership inscription on title page, toning.
3. ROSS, ALEXANDER. Arcana Microcosmi: or, The Hid Secrets of Mans Body Disclosed. London: 1652. 8vo. Title page in red and black. Early 20th century library cloth. Rubbed, margins trimmed into some headers, extensive ink underlining and some annotations, scattered spotting and foxing.
4. DIGBY, KENELM. Religio Medici. London: 1672. 4to. Rebacked contemporary calf, red morocco lettering piece on spine. Armorial bookplate on front paste-down (\"Nath. Cholmley, Esq.\"), ink ownership inscription on title, browning and spotting. Seventh edition.
5. TULP, NICHOLAS. Observationes medicae. Editio nova. Amsterdam: 1672. 8vo. Engraved title page, engraved portrait, and numerous engraved illustrations. Ink notations on front flyleaf, library stamp on title page, some heavy browning and scattered spotting.
6. [VARIOUS CONTRIBUTORS]. Miscellania curiousa, sive ephemeridum medico-physicarum Germanum. Bratislava and Brzeg: 1680. 4to. Engraved frontispiece and 33 engraved plates. Modern quarter morocco and wooden boards. Margins trimmed, heavy browning, some dampstaining, one plate replaced in facsimile.
7. BIDLOO, GOVARD. Brief aan Antony van Leeuwenhoek. Delft: 1698. 4to. 1 full-page engraved plate, engraved illustrations in text. Modern half calf and marbled boards. Lower margins trimmed (into plate line on full-page plate), light toning and spotting.
8. ALWOERDEN, HENRIK VAN. Historie van Michael Servetus den Spanjaart. Rotterdam: 1729. 4to. Engraved portrait frontispiece, title page in red and black. Contemporary vellum, re-cased with renewed endpapers. Covers soiled, corners bumped, dampstaining through most of text block, bottom margin of title page repaired with reinforcement on verso.
9. EBSTEIN, ERICH. Ärzte-Briefe aus vier Jahrhunderten. Berlin: 1920. 8vo. Photographic illustrations. Publisher\'s printed boards. Stains and soiling to covers, corners bumped, toning throughout.
10. KEYNES, GEOFFREY. The Personality of William Harvey. Cambridge: 1949. 8vo. Photographic reproductions of portraits. Publisher\'s beige cloth. Slightly rubbed, lined-out ink ownership inscription on free front endpaper.
11. LEEUWENHOEK, ANTONI VAN. On the Circulation of the Blood ... Facsimile. Nieuwkoop, Netherlands: 1962. 4to. Publisher\'s white boards, glassine dust jacket. Toning.
12. Another, as above. Chip to edge of spine.
13. ---. Letter from G. Bidloo to Antony van Leeuwenhoek About the Animals ... Facsimile. Nieuwkoop, Netherlands: 1972.

医学和生理学。 13个标题：

图片文件尺寸 : 4974 x 5130px

NATURAL HISTORY REPORTS FROM THE H.M.S. CHALLENGER.:THOMSON, C. WYVILLE, and others. Report on the Results of the Voyage of the H.M.S. Challenger During the Years 1873-1876. London: 1881-1883. 6 volumes, including:
* Volume III, Part 10, Pycnogonida. 19th century quarter calf and marbled boards, original front wrapper bound in. Some ink markings, toning.
* Volume V, Part XIV, Ophiuroidea. Disbound, in crude modern wrappers. Original front wrapper included, heavily chipped.
* [Volume VI, Part XV], Actinaria. Lacking title page, volume and part number penciled on first page of text. Contemporary marbled boards, rebacked in later library cloth
* Volume VII, Part XX, BOUND WITH: Volume XXIII, Part LXX, Hydroida. 20th century blue cloth
* Volume VIII, Part XXIII, Copepodia. 20th century blue cloth
* Vol XXXII, Part LXXX, Antipatharia. Modern wrappers. Lacking title page.
WITH:
1. FORBES, EDWARD. A Monograph of the British Naked-Eye Medusae. London: 1848. Folio. 13 color lithographic plates. Modern quarter morocco and cloth. Scattered foxing, especially to text pages.
2. Another, as above. BOUND WITH: HUXLEY, THOMS HENRY. The Oceanic Hydrozoa. London: 1859. AND BOUND WITH: BURMEISTER, HERMANN. The Organization of Trilobites. London: 1846. 3 works in 1 volume. Folio. 31 lithographic illustrations in all. Contemporary half morocco and cloth. Covers detached, spine perished, scattered browning and foxing.
3. ALLMAN, GEORGE JAMES. A Monograph of the Fresh-Water Polyzoa. London: 1856. Folio. Rebacked in textured cloth, retaining contemporary plain boards with paper label. Rubbed, some creasing to pages, light browning and spotting.
4. BROOKS, W.K. The Development of the Squid. Boston: 1880. Folio. 3 lithographic plates. Crude modern stiff wrappers. Browning.
5. FOL, HERMANN. Études sur les appendiculaires du détroit de missine. Geneva: 1872. Publisher\'s printed wrappers, crudely rebacked. Upper wrapper laid down, heavily chipped and soiled, light chipping to edges, a few stains and fingermarks.
6. British Antarctic (\"Terra Nova\") Expedition, 1910. 2 volumes: Vol. II, No. I. London: 1915; and Vol. III, No. I. London: 1930. Folio. Publisher\'s printed wrappers. A few small chips to spines, toning.
7. Great Barrier Reef Expedition, 1928-29.
Volume I, Nos 2, 4, 6, and 8; Volume III, Nos 8 and 9.
Folio. Publisher\'s printed wrappers. A few tears to spines edges, some staining to wrappers, toning.
8. DICQUEMARE, JACQUES-FRANÇOIS. \"An Essay Towards Elucidating the History of the Sea-Anemonies....\" [FROM:] Philosophical Transactions, Volume 6. [London: 1773]. Disbound, with crude modern paper wrappers.

H.M.S.挑战者的自然历史报告 1873-1876年“挑战者”号航行结果报告。伦敦：1881-1883年。

图片文件尺寸 : 4576 x 4409px

PABLO PICASSO:Fifteen Gold Medallions:
i. Dormeur - stamped with the artist\'s signature and numbered \'Picasso 1398 14/20\' (on the reverse); 1 7/8 in (4.8 cm) (diameter)
ii. Visage aux mains - stamped with the artist\'s signature and numbered \'Picasso 1407 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iii. Visage tourmenté - stamped with the artist\'s signature and numbered \'Picasso 1408 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
iv. Joueur de flute et cavaliers - stamped with the artist\'s signature and numbered \'Picasso 1410 13/20\' (on the reverse); 2 in (5 cm) (diameter)
v. Poissons - stamped with the artist\'s signature and numbered \'Picasso 1411 11/20\' (on the reverse); 2 in (5 cm) (diameter)
vi. Profil de Jacqueline - stamped with the artist\'s signature and numbered \'Picasso 1412 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
vii. Taureau - stamped with the artist\'s signature and numbered \'Picasso 1413 3/20\' (on the reverse); 2 in (5 cm) (diameter)
viii. Visage larvé - stamped with the artist\'s signature and numbered \'Picasso 1424 14/20\' (on the reverse); 2 in (5 cm) (diameter)
ix. Visage géométrique aux traits - stamped with the artist\'s signature and numbered \'Picasso 1426 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
x. Jacqueline au chevalet - stamped with the artist\'s signature and numbered \'Picasso 1428 14/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)
xi. Visage dans un carré - stamped with the artist\'s signature and numbered \'Picasso 1435 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xii. Tête en forme d\'horloge - stamped with the artist\'s signature and numbered \'Picasso 1437 12/20\' (on the reverse) and stamped with the 916 hallmark gold (on the reverse); 2 in (5 cm) (diameter)
xiii. Vallauris - stamped with the artist\'s signature and numbered \'Picasso 1437 11/20\' (on the reverse) and stamped with the 916 hallmark gold (on the chain ring); 2 in (5 cm) (diameter)
xiv. Visage au carton ondulé - stamped with the artist\'s signature and numbered \'Picasso 1438 10/20\' (on the reverse); 2 in (5 cm) (diameter)
xv. Centaure - stamped with the artist\'s signature and numbered \'Picasso 1439 13/20\' (on the reverse); 2 1/8 in (5.4 cm) (diameter)

Each stamped with the artist\'s signature and the François Hugo reference and edition numbers (on the reverse); with the François Hugo hallmark and the French assay mark for gold (on the chain ring)
Fifteen repoussé-ciselé gold medallions; each in its own unique wooden presentation box

Conceived in 1956 and each executed after 1967 in a numbered edition of 20 plus 2 exemplaires d\'artiste and 2 exemplaires d\'auteur

巴勃罗·毕加索 十五枚金牌

以纽约市为中心，1946 年至 1960 年代抽象表现主义是一种艺术家纯粹通过使用形式和色彩来表达自己的艺术。它是非具象的或非客观的艺术，这意味着没有真实的物体被表现出来。 现在被认为是第一个具有国际重要性的美国艺术运动，这​​个词最初用于描述威廉·德·库宁、杰克逊·波洛克和阿希尔·高尔基的作品。 该运动或多或少可以分为两类：以波洛克、德库宁、弗朗茨克莱恩和菲利普古斯顿等艺术家为代表的动作绘画，强调绘画中涉及的身体动作；色域绘画，由Mark Rothko和Kenneth Noland等人实践，主要关注探索纯色在画布上的效果。   按时间顺序排列的抽象表现主义者列表使用ctrl-F (PC) 或command-F (Mac) 搜索名称

汉斯霍夫曼	1880-1966	德国/美国画家
马克托比	1890-1976	美国画家
阿尔玛托马斯	1891-1978	非裔美国画家
路易丝内维尔森	1899-1988	俄罗斯/美国雕塑家
杰克特沃科夫	1900-1982	波兰/美国画家
阿佳·容克斯	1900-1983	拉脱维亚/美国画家
玛丽卡勒里	1903-1977	美国雕塑家
阿道夫戈特利布	1903-1974	美国画家
阿尔弗雷德詹森	1903-1981	危地马拉/美国画家
西摩利普顿	1903-1986	美国雕塑家
马克·罗斯科	1903-1970	拉脱维亚/美国画家
亚伦西斯金德	1903-1991	美国摄影师
埃斯特万维森特	1903-2001	西班牙/美国画家
威廉德库宁	1904-1997	荷兰/美国画家
何塞德里维拉	1904-1985	美国雕塑家
阿希尔·高尔基	1904-1948	亚美尼亚/美国画家
巴尔科姆·格林	1904-1990	美国画家
格特鲁德·格林	1904-1956	美国画家
野口勇	1904-1988	日本/美国雕塑家
克莱福德斯蒂尔	1904-1980	美国画家
约翰费伦	1905-1970	美国画家
巴内特·纽曼	1905-1970	美国画家
詹姆斯布鲁克斯	1906-1992	美国画家
赫伯特·费伯	1906-1991	美国雕塑家
大卫·史密斯	1906-1965	美国雕塑家
阿尔伯特科廷	1907-1980	俄罗斯/美国画家
珍珠精	1908-1988	美国画家
李克拉斯纳	1908-1984	美国画家
乔治·麦克尼尔	1908-1995	美国画家
杰克·布什	1909-1977	加拿大画家
恩里科·多纳蒂	1909-2008	美国画家
诺曼刘易斯	1909-1979	非裔美国画家
莫里斯·格雷夫斯	1910-2001	美国画家/雕塑家
弗朗兹克莱恩	1910-1962	美国画家
路易丝布尔乔亚	1911-2010	法国/美国雕塑家
威廉·巴齐奥特斯	1912-1963	美国画家
莫里斯路易斯	1912-1962	美国画家
罗伯托马塔	1912-2002	智利/法国画家
杰克逊·波洛克	1912-1956	美国画家
劳伦斯卡尔卡尼奥	1913-1993	美国画家
菲利普古斯顿	1913-1980	加拿大/美国画家
伊布拉姆·拉索	1913-2003	美国雕塑家
康拉德马卡雷利酒店	1913-2000	美国画家
阿德莱因哈特	1913-1967	美国画家
威廉斯科特	1913-1989	英国画家
阿尔贝托布里	1915-1995	意大利画家
爱德华杜格莫尔	1915-1996	美国画家
罗伯特·马瑟韦尔	1915-1991	美国画家
埃尔默比肖夫	1916-1991	美国画家
阿方索·奥索里奥	1916-1990	菲律宾/美国画家
理查德·普塞特-达特	1916-1992	美国画家
尼古拉斯·卡罗内	1917-2010	美国画家/雕塑家
斯蒂芬·格林	1917-1999	美国画家
戴维黑尔	1917-1992	美国雕塑家
米尔顿·雷斯尼克	1917-2004	俄罗斯/美国画家
伊莱恩·弗里德·德库宁	1918-1989	美国画家
克莱夫格雷	1918-2004	美国画家
爱德华科贝特	1919-1971	美国画家
莱斯特约翰逊	1919-2010	美国画家
乔治·莫里森	1919-2000	美国原住民画家/雕塑家
吉恩·戴维斯	1920-1985	美国画家
卡雷尔·阿佩尔	1921-2006	荷兰画家
诺曼布鲁姆	1921-1999	美国画家
内尔布莱恩	1922-1996	美国画家
老罗伯特·德尼罗	1922-1993	美国画家
恩典哈蒂根	1922-2008	美国画家
朱尔斯·奥利茨基	1922-2007	乌克兰/美国画家
西奥多罗斯·斯塔莫斯	1922-1997	美国画家
山姆弗朗西斯	1923-1994	美国画家
保罗詹金斯	1923-2012	美国画家
让·保罗·里奥佩尔	1923-2002	加拿大画家
理查德·斯坦凯维奇	1923-1983	美国组合艺术家
安东尼·塔皮埃斯	1923-2012	西班牙画家
肯尼斯·诺兰	1924-2010	美国画家
琼·米切尔	1926-1992	美国画家
海伦弗兰肯塔勒	1928-2011	美国画家
艾尔赫尔德	1928-2005	美国画家
丽塔·勒滕德	1928年出生	加拿大本土画家
赛托姆布雷	1928-2011	美国画家
贾斯珀约翰斯	生于 1930 年	美国画家/雕塑家
拉斐尔科拉索	1943-1990	美国画家
约瑟夫·马里奥尼	1943年出生	美国画家